Raffaello Sanzio: Perbedaan antara revisi
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Baris 1:
[[Berkas:Raffaello Sanzio.jpg|ka|jmpl|200px|Potret diri Raffaello Sanzio.]]
[[Berkas:Raffaello Sanzio.jpg|ka|jmpl|200px|Potret diri Raphael Sanzio]]'''Raphael Sanzio''' atau '''Rafaello Sanzio''' ({{lahirmati|[[Urbino]], [[Italia]]|6|4|1483|[[Roma]], [[Italia]]|6|4|1520}}) adalah ahli lukis dan arsitektur terpelajar [[Italia]] dari kota [[Firenze]] pada masa [[High Renaissance]]. Ia juga dikenal dengan panggilan '''Raffaello Santi, Raffaello da Urbino''', atau '''Rafael Sanzio da Urbino'''.▼
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== Riwayat hidup ==
Baris 13 ⟶ 15:
''[[The Marriage of the Virgin (Raphael)|The Marriage of the Virgin]]'', karya utamanya pada tahun [[1504]], diinspirasi oleh lukisan Pietro Perugino [[Giving of the Keys to St. Peter (Perugino)|Giving of the Keys to St. Peter]] pada [[1481]]-[[1482]]. Setelah itu ia melanjutkan dengan lukisan-lukisan kecil, ''[[Vision of a Knight (Raphael)|Vision of a Knight]]'', ''[[Three Graces (Raphael)|Three Graces]]'' dan ''[[St. Michael (Raphael)|St. Michael]]'' semuanya menunjukkan gayanya yang segar dan matang.
Pada [[1504]] Raphael pindah ke [[Siena]] bersama [[Pinturicchio]], yang telah dibekalinya dengan desain dan gambarnya untuk pembuatan fresko di Libreria Piccolomini, Siena. Kemudian ia kembali ke [[Florence]], kemungkinan untuk mengikuti gonfaloniere [[Pier Soderini]] setelah berakhirnya kekuasaan [[Girolamo Savonarola|Savonarola]], dan saat itu dua master besar dalam seni rupa, [[Leonardo da Vinci]] dan [[Michelangelo]], sedang dalam proses kerja. Keberadaan Raphael pada musim gugur [[1504]] dapat dibuktikan.
Di Florence, Raphael berteman dengan beberapa pelukis lokal, di antaranya [[Fra Bartolomeo]], pembangun prinsip-prinsip dasar [[High Renaissance]], pengaruh ini kemudian menyebabkan ia mulai meninggalkan gaya tipis dan indah [[Perugino]] dan memulai gaya mewah dan berat. Tetapi, bagaimanapun pengaruh terbesar terhadap Raphael paad masa itu adalah komposisi [[Leonardo da Vinci]], termasuk juga teknik baru [[chiaroscuro]] and [[sfumato]].
Baris 79 ⟶ 81:
* ''[[Madonna and Child (Raphael)|Madonna and Child]]'' ([[1503]]) - <small> Oil on wood, 55 x 40 cm, [[Norton Simon Museum|Norton Simon Museum of Art]], [[Pasadena, California|Pasadena]] </small>
* ''[[The Marriage of the Virgin (Raphael)|The Marriage of the Virgin]]'' ([[1504]]) <small> - Oil on roundheaded panel, 174 x 121 cm, [[Pinacoteca di Brera]], [[Milan]] </small>
* ''[[Portrait of Elisabetta Gonzaga (Raphael)|Portrait of Elisabetta Gonzaga]]'' (c. 1504) <small> - Oil on wood, 52,9 x 37,4 cm, [[Uffizi]], [[Florence]] </small>
* ''[[Vision of a Knight (Raphael)|Vision of a Knight]]'' ([[1504]]) <small> - Egg tempera on poplar, 17.1 x 17.1 cm, [[National Gallery, London|National Gallery]], [[London]] </small>
* ''[[St. George (Raphael)|St. George]]'' ([[1504]]) <small> - Oil on tablet, 31 x 27 cm, [[Louvre]], [[Paris]] </small>
Baris 101 ⟶ 103:
* ''[[La Belle Jardiniére (Raphael)|La Belle Jardiniére]]'' ([[1507]]) <small> - [[Louvre]], [[Paris]] </small>
* ''[[Deposition (Raphael)|The Deposition of Christ (The Entombment)]]'' (1507-1508) <small> - Oil on wood, 184 x 176 cm, [[Galleria Borghese]], [[Rome]]</small>
* ''[[Theological Virtues (Raphael)|The Three Theological Virtues (tryptic)]]'' ([[1507]]) <small>- Oil on wood, 16 x 44 cm (each), [[Pinacoteca Vaticana]], [[Vatican City|Vatican]], [[Rome]]</small>
* ''[[Portrait of a Young Woman (La Muta)|Portrait of a Young Woman]]'' (''La Muta'') (1507-1508) <small>- Oil on wood, 64 x 48 cm, [[Galleria Nazionale delle Marche]], [[Urbino]]</small>
* ''[[Tempi Madonna (Raphael)|The Tempi Madonna (Madonna with the Child)]]'' ([[1508]]) <small>- [[Alte Pinakothek]], [[Munich]]</small>
Baris 121 ⟶ 123:
* ''[[Raphael’s Room|The Burning of Borgo]] '' ([[1514]]) <small> - Fresco, width at base 670 cm, [[Vatican City|Vatican]], [[Rome]] </small>
* ''[[Portrait of Bindo Altoviti (Raphael)|Portrait of Bindo Altoviti]]'' (c. 1514) <small> - Oil on tablet, 60 x 44 cm - [[National Gallery of Art]], [[Washington]], [[District of Columbia|D.C.]] </small>
* ''[[The Sibyls (Raphael)|The Sibyls]]'' ([[1514]]) <small> - Fresco, width at base 615 cm,[[Santa Maria della Pace (Rome)|Santa Maria della Pace]], [[Rome]]</small>
* ''[[The Ecstasy of St. Cecilia (Raphael)|The Ecstasy of St. Cecilia]]'' (1514-1516) <small> - Oil on wood, 220 x 136 cm, [[Pinacoteca Nazionale, Bologna|Pinacoteca Nazionale]], [[Bologna]] </small>
* ''[[Portrait of Balthasar Castiglione (Raphael)|Portrait of Balthasar Castiglione]]'' (c. 1515) <small> - Oil on canvas, 82 x 67 cm, [[Louvre]], [[Paris]]</small>
Baris 127 ⟶ 129:
* ''[[Portrait of Tommaso Inghirami (Raphael)|Portrait of Tommaso Inghirami]]'' (1515-1516) <small> - Oil on wood, 91 x 61 cm, [[Palazzo Pitti]], [[Florence]]</small>
* ''[[Portrait of Andrea Navagero and Agostino Beazzano (Raphael)|Portrait of Andrea Navagero and Agostino Beazzano]]'' ([[1516]]) <small> - </small>
* ''[[Portrait of Cardinal Bibbiena (Raphael)|Portrait of Cardinal Bibbiena]]'' (c. 1516) <small> - Oil on canvas, 85 x 66,3 cm
* ''[[Double Portrait (Raphael)|Double Portrait]]'' (c. 1516) <small> - Oil on canvas, 77 x 111 cm
* ''[[Transfiguration (Raphael)|Transfiguration]]'' ([[1517]]-c. 1520) <small> - Oil on wood, 405 x 278 cm, [[Vatican City|Vatican Museum]], [[Rome]] </small>
* ''[[Portrait of Leo X (Raphael)|Portrait of Pope Leo X with two Cardinals]]'' ([[1517]]-[[1518]]) <small> - Oil on wood, 155 x 118 cm, [[Palazzo Pitti]], [[Florence]]</small>
Baris 139 ⟶ 141:
* ''[[La Fornarina|Portrait of a Young Woman (La Fornarina)]]'' ([[1518]]-[[1519]]) <small> - Oil on wood, 85 x 60 cm, [[Galleria Nazionale d'Arte Antica]], [[Rome]] </small>
* ''[[Visitation (Raphael)|Visitation]]'' <small> - [[Museo del Prado]], [[Madrid]] </small>
{{Authority control}}
[[Kategori:Pelukis renaisans]]
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