Francesca Coppa: Perbedaan antara revisi

== Penelitian dan tulisan ==

=== Joe Orton ===

 

Banyak dari karya-karya awal Orton yang belum pernah diterbitkan, dan Coppa mengedit dua dramanya – ''Fred and Madge'' (ditulis pada tahun 1959) dan ''[[The Visitors (drama)|The Visitors]]'' (1961) – untuk penerbitan pertama pada tahun 1998.<ref name=Grecco /><ref name=Coppa_Orton_site /><ref name=Showalter /> Pada tahun yang sama, ia mengedit untuk penerbitan pertama novel solo Orton yang paling awal, ''Between Us Girls'', sebuah parodi dalam format buku harian yang ditulis pada tahun 1957, dan menyumbangkan tiga puluh halaman pendahuluan yang mencakup kehidupan dan kariernya, yang menurut [[Elaine Showalter]] "sangat baik" dan menurut William Hutchings "berguna".<ref name=Coppa_Orton_site /><ref name=Showalter /><ref name=Hutchings /> Coppa mengakui karakter pria biseksual Bob Kennedy, yang menyelamatkan dan menikahi tokoh utama novel Susan, tidak hanya sebagai cikal bakal karakter-karakter berikutnya, tetapi juga sebagai model bagi Orton untuk menemukan kembali dirinya sebagai "penulis drama yang sukses sebagai berandalan yang sombong, mantan narapidana, dan kelas pekerja yang tangguh dengan jaket kulit".<ref name=Showalter /> Coppa juga menyunting dan memperkenalkan ''Lord Cucumber'' dan ''The Boy Hairdresser'', dua dari lima novel pendek yang ditulis Orton bekerja sama dengan Halliwell, pada penerbitan pertamanya pada tahun 1999.<ref name=Coppa_Orton_site /><ref name=Showalter /><ref name=WC_cucumber />

 

'''Makalah penelitian'''

 

== Referensi dan catatan ==

{{noteslist}}

{{reflist|refs=

 

 

<ref name=WC_thesis>[https://www.worldcat.org/title/blood-and-aphorism-joe-orton-theatre-and-the-new-aristocracy-in-great-britain/oclc/873968043&referer=brief_results Blood and aphorism: Joe Orton, theatre, and the new aristocracy in Great Britain], [[WorldCat]] (retrieved February 1, 2021)</ref>

 

 

 

<ref name=Cook_2008>[[Matt Cook (historian)|Matt Cook]] (2008). "Orton in the Archives", ''[[History Workshop Journal]]'' (66): 163–179 {{JSTOR|25473012 }}</ref>

 

 

<ref name=Grecco>Stephen Grecco (1999). "Review: ''Fred & Madge; The Visitors: Two Plays'' by Joe Orton", ''[[World Literature Today]]'' '''73:''' 336 {{doi|10.2307/40154757 }}</ref>

<ref name=Hutchings>William Hutchings (2000). "Review: ''Between Us Girls'' by Joe Orton", ''[[World Literature Today]]'' '''74:''' 160 {{doi|10.2307/40155407 }}</ref>

 

 

 

<ref name=Smith_2004>[[Tom Smith (playwright)|Tom Smith]] (2004). "Review: ''Joe Orton: A Casebook'' by Francesca Coppa", ''[[Theatre Journal]]'' ''' 56:''' 529–530 {{JSTOR|25069511}}</ref>

<ref name=Peltason>Timothy Peltason (2010). "Review: ''Oscar Wilde and Modern Culture: The Making of a Legend'', edited by Joseph Bristow", ''[[Victorian Studies]]'' '''52:''' 339–342 {{doi|10.2979/vic.2010.52.2.339 }}</ref>

 

 

<ref name=Clayworth>Anya Clayworth (2005). "Nineteenth-century sensations and advances", ''The Wildean'' '''26:''' 75–78 {{JSTOR|45269262}}</ref>

<ref name=Carman>Colin Carman (2010). "Review: ''Approaches to Teaching the Works of Oscar Wilde'' by Philip E. Smith, II", ''Rocky Mountain Review'' '''64:''' 99–101 {{JSTOR|25677063}}</ref>

 

 

<ref name=Nyusztay>{{cite journal |last1=Nyusztay |first1=Iván |title=Infinite Responsibility and the Third in Emmanuel Levinas and Harold Pinter |journal=Literature and Theology |date=2015 |volume=29 |issue=2 |pages=153–165 |doi=10.1093/litthe/fru035|jstor=43664466}}</ref>

<ref name=WSmith>Wally Smith (2015). "Technologies of stage magic: Simulation and dissimulation", ''[[Social Studies of Science]]'' '''45:''' 319–343 {{JSTOR|43829028 }}</ref>

 

 

 

<ref name=Stevens_ch1>Stevens describes Coppa as "a key figure in this second wave of writing on vids" (p. 30). E. Charlotte Stevens. "Critical Contexts: Television Studies, Fandom Studies, and the Vid", in ''Fanvids: Television, Women, and Home Media Re-Use'', pp. 30, 32 ([[Amsterdam University Press]]; 2020) {{doi|10.5117/9789462985865_ch01}} ({{isbn|9789048537105}})</ref>

 

 

 

<ref name=Verlager>Alicia Verlager (2009). "Review: ''Fan Fiction and Fan Communities in the Age of the Internet: New Essays'' by Karen Hellekson, Kristina Busse", ''[[Journal of the Fantastic in the Arts]]'' '''20:''' 147–149 {{JSTOR|24352326}}</ref>

 

 

 

 

<ref name=Dubuisson>Lorraine M. Dubuisson (2018). "''The fanfiction reader: Folk tales for the digital age'', by Francesca Coppa", ''[[Transformative Works and Cultures]]'' '''28''' {{doi|10.3983/twc.2018.1322}}</ref>

 

 

 

<ref name=McClellan>Ann K. McClellan. ''Sherlock's World: Fan Fiction and the Reimagining of BBC's Sherlock'', pp. 20–22 ([[University of Iowa Press]]; 2018) [[Project MUSE]] [https://muse.jhu.edu/book/62512 62512] ({{isbn|9781609386177}})</ref>

 

 

 

 

 

 

<ref name=OTW_10>Retired Personnel (November 10, 2019), "Ten Years of AO3: Francesca Coppa", [[Organization for Transformative Works]] (retrieved February 5, 2021)</ref>

 

}}

 

== Pranala luar ==

 

{{Authority control}}