Francesca Coppa: Perbedaan antara revisi

 

'''Makalah penelitian'''

 

== Referensi dan catatan ==

{{noteslist}}

{{reflist|refs=

 

 

<ref name=WC_thesis>[https://www.worldcat.org/title/blood-and-aphorism-joe-orton-theatre-and-the-new-aristocracy-in-great-britain/oclc/873968043&referer=brief_results Blood and aphorism: Joe Orton, theatre, and the new aristocracy in Great Britain], [[WorldCat]] (retrieved February 1, 2021)</ref>

 

 

 

<ref name=Cook_2008>[[Matt Cook (historian)|Matt Cook]] (2008). "Orton in the Archives", ''[[History Workshop Journal]]'' (66): 163–179 {{JSTOR|25473012 }}</ref>

 

 

<ref name=Grecco>Stephen Grecco (1999). "Review: ''Fred & Madge; The Visitors: Two Plays'' by Joe Orton", ''[[World Literature Today]]'' '''73:''' 336 {{doi|10.2307/40154757 }}</ref>

<ref name=Hutchings>William Hutchings (2000). "Review: ''Between Us Girls'' by Joe Orton", ''[[World Literature Today]]'' '''74:''' 160 {{doi|10.2307/40155407 }}</ref>

 

 

 

<ref name=Smith_2004>[[Tom Smith (playwright)|Tom Smith]] (2004). "Review: ''Joe Orton: A Casebook'' by Francesca Coppa", ''[[Theatre Journal]]'' ''' 56:''' 529–530 {{JSTOR|25069511}}</ref>

<ref name=Peltason>Timothy Peltason (2010). "Review: ''Oscar Wilde and Modern Culture: The Making of a Legend'', edited by Joseph Bristow", ''[[Victorian Studies]]'' '''52:''' 339–342 {{doi|10.2979/vic.2010.52.2.339 }}</ref>

 

 

<ref name=Clayworth>Anya Clayworth (2005). "Nineteenth-century sensations and advances", ''The Wildean'' '''26:''' 75–78 {{JSTOR|45269262}}</ref>

<ref name=Carman>Colin Carman (2010). "Review: ''Approaches to Teaching the Works of Oscar Wilde'' by Philip E. Smith, II", ''Rocky Mountain Review'' '''64:''' 99–101 {{JSTOR|25677063}}</ref>

 

 

<ref name=Nyusztay>{{cite journal |last1=Nyusztay |first1=Iván |title=Infinite Responsibility and the Third in Emmanuel Levinas and Harold Pinter |journal=Literature and Theology |date=2015 |volume=29 |issue=2 |pages=153–165 |doi=10.1093/litthe/fru035|jstor=43664466}}</ref>

<ref name=WSmith>Wally Smith (2015). "Technologies of stage magic: Simulation and dissimulation", ''[[Social Studies of Science]]'' '''45:''' 319–343 {{JSTOR|43829028 }}</ref>

 

 

 

<ref name=Stevens_ch1>Stevens describes Coppa as "a key figure in this second wave of writing on vids" (p. 30). E. Charlotte Stevens. "Critical Contexts: Television Studies, Fandom Studies, and the Vid", in ''Fanvids: Television, Women, and Home Media Re-Use'', pp. 30, 32 ([[Amsterdam University Press]]; 2020) {{doi|10.5117/9789462985865_ch01}} ({{isbn|9789048537105}})</ref>

 

 

 

<ref name=Verlager>Alicia Verlager (2009). "Review: ''Fan Fiction and Fan Communities in the Age of the Internet: New Essays'' by Karen Hellekson, Kristina Busse", ''[[Journal of the Fantastic in the Arts]]'' '''20:''' 147–149 {{JSTOR|24352326}}</ref>

 

 

 

 

<ref name=Dubuisson>Lorraine M. Dubuisson (2018). "''The fanfiction reader: Folk tales for the digital age'', by Francesca Coppa", ''[[Transformative Works and Cultures]]'' '''28''' {{doi|10.3983/twc.2018.1322}}</ref>

 

 

 

<ref name=McClellan>Ann K. McClellan. ''Sherlock's World: Fan Fiction and the Reimagining of BBC's Sherlock'', pp. 20–22 ([[University of Iowa Press]]; 2018) [[Project MUSE]] [https://muse.jhu.edu/book/62512 62512] ({{isbn|9781609386177}})</ref>

 

 

 

 

 

 

<ref name=OTW_10>Retired Personnel (November 10, 2019), "Ten Years of AO3: Francesca Coppa", [[Organization for Transformative Works]] (retrieved February 5, 2021)</ref>

 

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== Pranala luar ==

 

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