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Baris 62: Gambar ini disimpan di [[Church of St Bartholomew of The Armenians, Genoa\|Gereja St Bartholomew of The Armenians]] di kota [[Genoa]], [[Italia]]. Pada abad ke-14 gambar ini disumbangkan kepada [[doge of Genoa\|''doge'' Genoa]], Leonardo Montaldo, oleh Kaisar [[Bizantin]], [[John V Palaeologus]]. Menjadi subjek studi cermat pada tahun 1969 oleh Colette Dufour Bozzo, yang memberi tarikh kerangka luar gambar ini ke akhir abad ke-14,<ref>{{Harvnb\|Wilson\|1991\|p=162}}</ref> sebagai [[terminus ante quem]] untuk kerangka dalam dan gambar itu sendiri. Bozzo mendapati bahwa gambar itu tercetak pada secarik kain yang telah ditempelkan pada papan kayu.<ref>{{Harvnb\|Wilson\|1991\|p=88}}</ref><ref>[http://www.mpg.de/bilderBerichteDokumente/dokumentation/jahrbuch/2005/kunsthistorisches_institut/forschungsSchwerpunkt1/index.html ''Das Mandylion von Genua und sein paläologischer Rahmen - The Mandylion of Genoa''] {{Webarchive\|url=https://web.archive.org/web/20071114220342/http://www.mpg.de/bilderBerichteDokumente/dokumentation/jahrbuch/2005/kunsthistorisches_institut/forschungsSchwerpunkt1/index.html \|date=2007-11-14 }} (in German) See also: [http://www.eikonikon.nl/bulletin/2003/frankenweg.php ''Annalen van de stad Genua uit de 14de eeuw beschrijven dat het de echte Edessa-mandylion betreft''] {{Webarchive\|url=https://web.archive.org/web/20160303220601/http://www.eikonikon.nl/bulletin/2003/frankenweg.php \|date=2016-03-03 }} (in Dutch)</ref> Kemiripan gambar ini dengan [[Cadar Veronika]] mengindikasikan adanya kaitan antara dua tradisi ini. Baris 68: === Wajah Kudus di San Silvestro === Gambar ini asalnya disimpan di gereja [[~~San Silvestro in Capite\|~~San Silvestro in Capite]] di [[Roma]], yang melekat pada suatu konven [[Poor Clares]], sampai tahun 1870 dan sekarang disimpan di "Matilda chapel" di dalam istana [[Vatikan]]. Diletakkan dalam suatu kerangka Baroque oleh Sister Dionora Chiarucci, kepala konven itu, pada tahun 1623.<ref>{{Harvnb\|Wilson\|1991\|p=193}}</ref> <!--The earliest evidence of its existence is 1517, when the nuns were forbidden to exhibit it to avoid competition with the Veronica. Like the Genoa image, it is painted on board and therefore is likely to be a copy. It was exhibited at Germany’s Expo 2000 in the pavilion of the Holy See. --> Baris 94: * Eusebius of Caesarea. [http://www.comparative-religion.com/christianity/apocrypha/new-testament-apocrypha/1/1.php ''Epistle of Jesus Christ to Abgarus King of Edessa''] {{Webarchive\|url=https://web.archive.org/web/20041010054056/http://www.comparative-religion.com/christianity/apocrypha/new-testament-apocrypha/1/1.php \|date=2004-10-10 }} ''Historia Ecclesiae'' * Eisenman, Robert., 1997. ''James the Brother of Jesus''. (Viking Penguin). In part a deconstruction of the legends surrounding Agbar/Abgar. * [[Ernst Kitzinger\|Kitzinger, Ernst]], "The Cult of Images in the Age before Iconoclasm", ''Dumbarton Oaks Papers'', Vol. 8, (1954), pp. 83–150, Dumbarton Oaks, Trustees for Harvard University, [http://www.jstor.org/stable/1291064 JSTOR] {{Webarchive\|url=https://web.archive.org/web/20170202102313/https://www.jstor.org/stable/1291064 \|date=2017-02-02 }} * {{citation \| last = Wilson \| first = Ian \| title = Holy Faces, Secret Places \| publisher = Doubleday \| location = Garden City \| year = 1991 \| isbn = 0-385-26105-5 }} * {{citation \| last = Westerson \| first = Jeri \| title = Veil of Lies; A Medieval Noir. (Fiction referencing the Mandyllon.) \| publisher = Minotaur Books \| location = New York \| year = 2008 \| isbn = 978-0312580124 }} Baris 102: == Pranala luar == {{Commons category\|Mandylion}} * [http://www.mpg.de/bilderBerichteDokumente/dokumentation/jahrbuch/2005/kunsthistorisches_institut/forschungsSchwerpunkt1/Web.jpeg Image: Mandylion of Genoa] {{Webarchive\|url=https://web.archive.org/web/20110108182303/http://www.mpg.de/bilderBerichteDokumente/dokumentation/jahrbuch/2005/kunsthistorisches_institut/forschungsSchwerpunkt1/Web.jpeg \|date=2011-01-08 }} * [http://www.urfa.org/urfa/ Old and new Images from Edessa] {{Webarchive\|url=https://web.archive.org/web/20060721222632/http://www.urfa.org/urfa/ \|date=2006-07-21 }} * [http://www.isidore-of-seville.com/goudenhoorn/61andrew.html Andrew Palmer's essay on Edessa in ''Golden Horn: a Journal of Byzantium''] {{Webarchive\|url=https://web.archive.org/web/20040806003957/http://www.isidore-of-seville.com/goudenhoorn/61andrew.html \|date=2004-08-06 }} summer, 1998 * [http://www.icon-art.info/topic.php?lng=en&top_id=122 Icons of the Mandylion (mostly Russian)] {{Webarchive\|url=https://web.archive.org/web/20170315033148/http://www.icon-art.info/topic.php?lng=en&top_id=122 \|date=2017-03-15 }} * [http://www.shroudofturin4journalists.com/history.htm Is the Shroud of Turin the Image of Edessa?] {{Webarchive\|url=https://web.archive.org/web/20060815191312/http://www.shroudofturin4journalists.com/history.htm \|date=2006-08-15 }} * [http://www.shroud.com/pdfs/guscin3.pdf Eyewitness report: The sermon of Gregory Referendarius in 944] {{Webarchive\|url=https://web.archive.org/web/20170106192439/https://www.shroud.com/pdfs/guscin3.pdf \|date=2017-01-06 }} * [http://www.shroudstory.com/scavone/scavone.doc Documentary proofs, make out a list of sixteen documents in the period 944 to 1247] {{Webarchive\|url=https://web.archive.org/web/20070927210031/http://www.shroudstory.com/scavone/scavone.doc \|date=2007-09-27 }} * [http://www.cirac.org/Mandylion.pdf The Templar Mandylion: Relations of a Breton Calvary with the Turin Shroud and the Templar Knights] {{Webarchive\|url=https://web.archive.org/web/20170811123430/http://www.cirac.org/Mandylion.pdf \|date=2017-08-11 }}. Excerpt of an electronic publication. * [http://www.cirac.org/infos-uk/shroud.htm Shroud of Turin and the Mandylion - Full Story] {{Webarchive\|url=https://web.archive.org/web/20170205220650/http://www.cirac.org/infos-uk/shroud.htm \|date=2017-02-05 }} (François Gazay) {{DEFAULTSORT:Gambar dari Edessa}}