* Advanced Film ([[Jerman]])
}}
| released ={{plainlist|
| released = {{Film date|2001|6|16|[[Seattle International Film Festival|SIFF]]|2001|7|20|United States|2001|10|18|Germany|2001|11|16|United Kingdom}}
* [[16 Juni]], [[2001]], [[Seattle International Film Festival|SIFF]] ([[Amerika Serikat]])
* [[18 Oktober]], [[2001]] ([[Jerman]])
* [[11 November]], [[2001]] ([[Inggris Raya]])
}}
| runtime = 112 menit
| country = {{plainlist|
* [[Amerika Serikat]]<ref name="afi">{{cite web
| last =
{{cite web
| lastfirst =
| firstauthorlink =
| authorlinkcoauthors =
| coauthors =
| title = Ghost World (2001)
| work = [[American Film Institute]]
| publisher =
| date =
| url = https://catalog.afi.com/Catalog/moviedetails/62025
| format =
| doi =
| accessdate = [[10 Juni]] [[2019]]}}
| archive-date = 2021-05-14
</ref>
| archive-url = https://web.archive.org/web/20210514080855/https://catalog.afi.com/Catalog/moviedetails/62025
* [[Inggris Raya[[<ref name="afi"/>
| dead-url = no
}}</ref>
* [[Inggris Raya]]<ref name="afi"/>
* [[Jerman]]<ref name="afi"/>
}}
}}
'''''Ghost World''''' adalah sebuah film [[komedi]] hitam, dibuat tahun [[2001]] yang disutradarai oleh [[Terry Zwigoff]] dan diperankan oleh [[Thora Birch]], [[Scarlett Johansson]], dan [[Steve Buscemi]]. Film ini dibuat berdasarkan sebuah buku [[komik]] ''[[Ghost World (comics)]]'' karya [[Daniel Clowes]], dengan naskah film yang dituliskan juga oleh Clowes dan Zwigoff, dimana kisahnya, pada umumnya mengenai kehidupan dari Enid ([[Thora Birch|Birch]]) dan Rebecca ([[Scarlett Johansson|Johansson]]), dua orang remaja yang tinggal di luar kota di [[Amerika Serikat]] yang tak bernama. Hubungan diantaradi antara keduanya merenggang, ketika Enid menyukai lelaki yang usianya lebih tua daripadanya, bernama Seymour ([[Steve Buscemi|Buscemi]]), dan hal ini menjadi penentu dari kehidupan romantisnya.
Film ini menjadi film debutan di [[Seattle International Film Festival]] tahun [[2001]]. Hal itu membawa dampak sehingga ia menjadi film [[box office]] walau tidak besar, namun akhirnyafilm iaini jugamendapatkan dinominasikannominasi untuk mendapatkan [[Oscar]] kategori [[AcademySkenario AwardAdaptasi forTerbaik Best(Oscar)|Skenario AdaptedAdaptasi ScreenplayTerbaik]].
== Pemeran ==
<!--
==Plot==
Best friends Enid and Rebecca face the summer after their high school graduation, with no plans for their future other than to find jobs and live together. The girls are cynical social [[outcast (person)|outcast]]s, but Rebecca is more popular with boys than Enid. Enid's diploma is withheld on the condition that she attend a remedial art class. Even though she is a talented artist, her art teacher, Roberta, believes that art must be socially meaningful and dismisses Enid's sketches as nothing more than "light entertainment".
The girls see a [[Personals|personal ad]] in which a lonely, middle-aged man named Seymour asks a woman he met recently to contact him. Enid makes a [[prank phone call]] to Seymour, pretending to be the woman and inviting him to meet her at a diner. The two girls and their friend, Josh, secretly watch Seymour at the diner and make fun of him. Enid soon begins to feel sympathy for Seymour, and they follow him to his apartment building. Later they find him selling vintage records in a garage sale. Enid buys an old [[blues]] album from him, and they become friends. She decides to try to find women for him to date.
Enid has meanwhile been attending her remedial art class, and she persuades Seymour to lend her an old poster depicting a grotesquely caricatured black man, which was once used as a promotional tool by [[Coon Chicken Inn]], the fried chicken franchise now known as Cook's Chicken, where Seymour works as a manager. Enid presents the poster in class as a social comment about racism, and Roberta is so impressed with the concept that she offers Enid a scholarship to an art college.
Seymour receives a phone call from Dana, the intended recipient of his personal ad. Enid encourages him to pursue a relationship with Dana, but she becomes unexpectedly jealous when he does so.
Enid and Rebecca's lives start to diverge. While Enid has been spending time with Seymour, Rebecca has found a job at a coffee shop and has become more interested in clothing and boys. Enid also finds a job so she can afford to rent an apartment with Rebecca, but her attitude gets her fired after only one day. The girls argue, and Rebecca abandons the idea of living with Enid.
At the end of the summer, Enid and Seymour's lives fall apart. When Enid's poster is displayed in an art show, school officials find it so offensive they force Roberta to give her a failing grade and revoke the scholarship. Enid turns to Seymour for solace, resulting in a drunken one-night stand. Seymour breaks up with Dana, and is called to account at work when the Coon Chicken poster is publicized in a local newspaper. He unsuccessfully tries to contact Enid, only for Rebecca to tell him about Enid's prank phone call, describing the way they mocked him at the diner. Seymour is upset and goes to the convenience store where Josh works. Another customer ends up in a violent confrontation with Seymour, resulting in his being injured and hospitalized. Enid visits him in the hospital to apologize.
After everything that has occurred, Rebecca and Enid have ceased to be friends, and Enid gives in to her childhood fantasy of running away from home and disappearing. She has seen an old man, Norman, continually waiting at an out-of-service bus stop for a bus that will never come. Finally, as Enid watches from across the street, Norman boards an out-of-service bus. The next day, while Seymour discusses the summer's events with his therapist, Enid returns to the bus stop and boards the out-of-service bus when it arrives.
-->
==Pemeran==
{{castlist|
* [[Thora Birch]] sebagai Enid
* [[Tom McGowan]] sebagai Joe
* [[David Cross]] sebagai Gerrold
* [[Brian George]] sebagai pemilik toko serbadaserba ada
* Debra Azar sebagai Melorra
* [[Rini Bell]] sebagai pembicara mewakili para lulusanthelulusan the graduation speaker
* [[Ezra Buzzington]] sebagai "Al Yangyang Aneh"
* [[Ashley Peldon]] sebagai Margaret
* [[Patrick Fischler]] sebagai kasir toko penjual kaset video
}}
== Lihat juga ==
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==Production and technique==
The film was directed by [[Terry Zwigoff]] with cinematography by [[Affonso Beato]]. Zwigoff and ''Ghost World'' comic creator [[Daniel Clowes]] wrote the screenplay together. Years later, Clowes admitted that learning how to write the screenplay came with a significant learning curve. He recalled, "I started by trying to transcribe the comic into Final Draft. I figured that’s how you do an adaptation. Then I tried throwing everything away and writing an entirely new story that was very different from the book. And I synthesized those two things into a final screenplay. The actual film itself is very different from the script we wrote. We ended up jettisoning the last twenty pages and rethought the whole thing as we were filming. It was really held together by hair and spit."<ref>{{Cite journal |last=McKittrick |first=Christopher |date=March 23, 2017 |title=Wilson: A Walking Id|journal=''Creative Screenwriting'' |publisher= |volume= |issue= |page= |url=https://creativescreenwriting.com/wilson/ |accessdate=March 23, 2017 }}</ref>
-->
<!--
Zwigoff and Clowes presented Beato with the task of making a [[comic book]] look to the movie. They asked for a fresh technique: earlier examples of the form such as ''[[X-Men (film series)|X-Men]]'' and ''[[Dick Tracy (1990 film)|Dick Tracy]]'' were dismissed as literal-minded and "insulting" to the art form.<ref name="Hall">{{Cite journal |last=Hall |first=Emily |authorlink= |date=July 19, 2001 |title=The Humanity of Failure |journal=[[The Stranger (newspaper)|The Stranger]] |publisher= |volume= |issue= |page= |url=http://www.thestranger.com/seattle/the-humanity-of-failure/Content?oid=8069 |accessdate=February 23, 2016 }}</ref> According to Clowes, cameraman Beato "really took it to heart," carefully studying the style and color of the original comics.<ref name="Hall"/> The final cut is just slightly oversaturated, purposefully redolent of "the way the modern world looks where everything is trying to get your attention at once."<ref name="Hall"/>
Zwigoff also added his individual vision to the adaptation, particularly in his capture and [[Film editing|editing]] of [[languid]], lingering shots, a technique derived from his experience as a [[documentarian]].<ref name="Hall"/> Another notable touch is his minimal use of extras in the film, making the city and its streets intentionally empty – Clowes notes approvingly, "It captures this weird feeling of alienation in the endless modern consumer culture."<ref name="Hall"/>
-->
<!--
==Soundtrack==
{{Infobox album
| name = Ghost World: Original Motion Picture Soundtrack
| type = soundtrack
| artist = various artists
| cover =
| caption =
| alt =
| released = {{start date|2005|6|20}}
| recorded =
| venue =
| studio =
| genre = [[Bollywood songs|Bollywood]], [[string band]], [[blues]], [[jazz]]
| length = 62:58
| label = [[Shanachie Records|Shanachie]]
| producer =
| prev_title =
| prev_year =
| next_title =
| next_year =
}}
{{Album ratings
| rev1 = [[Allmusic]]
| rev1Score = {{Rating|4|5}}<ref>{{cite web |last=Griffith |first=JT |url={{Allmusic|class=album|id=ghost-world-r544794|pure_url=yes}} |title=Ghost World – Original Soundtrack |publisher=[[Allmusic]]. [[Rovi Corporation]] |accessdate=February 23, 2016 }}</ref>
}}
Music in the film includes "[[Jaan Pehechan Ho]]" by [[Mohammed Rafi]], a dance number choreographed by [[Herman Benjamin]] from the 1965 [[Bollywood]] musical ''[[Gumnaam]]'' which Enid watches and dances to early in the film,<ref>{{cite web|url=http://www.rogerebert.com/scanners/from-gumnaam-to-ghost-world-to-lost |title=FROM 'GUMNAAM' TO 'GHOST WORLD' TO... 'LOST'? |last=Emerson |first=Jim |work=[[Rogerebert.com]] |date=June 14, 2006 |accessdate=July 24, 2017 }}</ref> and "[[Devil Got My Woman]]" by [[Skip James]] (1931),<ref>{{cite book|last=Garwood |first=I |chapter=Vinyl Noise and Narrative in CD-Era Indiewood |title=The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks |publisher=Springer |date=2016 |p=246 |isbn=1137516801 }}</ref> as well as "Pickin' Cotton Blues" by the bar band, Blueshammer.<ref>{{cite book|last=Marcus |first=Greil |chapter=Death Letters |title=Listen Again: A Momentary History of Pop Music |publisher=Duke University Press |date=2007 |p=304 |isbn=0822340410 }}</ref>
There are songs by other artists mentioned in the film, including [[Lionel Belasco]], which are reflective of the character Seymour, and of director [[Terry Zwigoff]]. Zwigoff is a collector of [[78 RPM]] [[Gramophone record|records]], as portrayed by Seymour. Other tracks are by [[Vince Giordano]], a musician who specializes in meticulous recreations of songs from old 78 RPM records.
Referenced in the film is [[R. Crumb & His Cheap Suit Serenaders]], a band that Zwigoff played in. Enid asks Seymour about the band's second album, ''Chasin' Rainbows'', and Seymour replies, "Nah, that one's not so great."<ref>{{cite book|last=Gabbard |first=Krin |title=Black Magic: White Hollywood and African American Culture |publisher=Rutgers University Press |date=2004 |pp=229–230 |isbn=0813533848 }}</ref>
Missing from the soundtrack is "[[What Do I Get?]]" by [[Buzzcocks]], which can be heard when Enid dresses up like a punk, and the song "A Smile and a Ribbon" by [[Patience and Prudence]].
{{Track listing
| headline = Ghost World: Original Motion Picture Soundtrack
| extra_column = Performer(s)
| total_length =
| title1 = [[Jaan Pehechan Ho]]
| note1 = 1965
| writer1 = [[Shankar Jaikishan]] (music);<br/>[[Shailendra (lyricist)|Shailendra]] (lyrics)
| extra1 = [[Mohammed Rafi]]
| length1 = 5:28
| title2 = Graduation Rap
| writer2 = Nicole Sill, Guy Thomas (music);<br/>Daniel Clowes (lyrics)
| extra2 = Vanilla, Jade and Ebony
| length2 = 0:32
| title3 = [[Devil Got My Woman]]
| note3 = 1931
| writer3 = James
| extra3 = [[Skip James]]
| length3 = 3:00
| title4 = I Must Have It
| note4 = cover of King Oliver, 1930
| writer4 = Davidson Nelson, [[Joe "King" Oliver]]
| extra4 = [[Vince Giordano]] and the [[Nighthawks Orchestra|Nighthawks]]
| length4 = 2:59
| title5 = Miranda
| note5 = 1933
| writer5 = Thomas Pasatleri, Louis Phillips
| extra5 = [[Lionel Belasco]]
| length5 = 3:02
| title6 = Pickin' Cotton Blues
| writer6 = Terry Zwigoff, Steve Pierson, Guy Thomas
| extra6 = Blueshammer
| length6 = 3:35
| title7 = Let's Go Riding
| note7 = 1935<ref>{{cite web| url= http://www.wirz.de/music/spruefrm.htm | title= Freddie Spruell discography | publisher= wirz.de| accessdate=February 23, 2016 | quote=rec. April 12, 1935 in Chicago; Freddie Spruell, voc, g; Carl Martin, g; Bluebird B6261}}</ref>
| writer7 = [[Freddie Spruell]]
| extra7 = Mr. Freddie
| length7 = 2:55
| title8 = [[Georgia on My Mind]]
| writer8 = [[Hoagy Carmichael]] (music)<br/>[[Stuart Gorrell]] (lyrics)
| extra8 = Vince Giordano and the Nighthawks
| length8 = 3:11
| title9 = Las Palmas de Maracaibo
| note9 = 1930
| writer9 = Belasco
| extra9 = Lionel Belasco
| length9 = 3:15
| title10 = Clarice
| note10 = cover of Tiny Parham, 1928
| writer10 = [[Tiny Parham]]
| extra10 = Vince Giordano and the Nighthawks
| length10 = 3:29
| title11 = Scalding Hot Coffee Rag
| writer11 = Ventresco
| extra11 = Craig Ventresco
| length11 = 3:02
| title12 = You're Just My Type
| note12 = cover of King Oliver, 1930
| writer12 = Nelson, Oliver
| extra12 = Vince Giordano and the Nighthawks
| length12 = 2:33
| title13 = Venezuela
| note13 = 1931
| writer13 = Victor Colon
| extra13 = Lionel Belasco
| length13 = 3:15
| title14 = Fare Thee Well Blues
| note14 = 1930
| writer14 = Calicott
| extra14 = [[Mississippi Joe Callicott|Joe Calicott]]
| length14 = 3:12
| title15 = C. C. & O. Blues
| note15 = 1928
| writer15 = Anderson, [[Brownie McGhee]]
| extra15 = [[Pink Anderson]] and Simmie Dooley
| length15 = 3:08
| title16 = C-h-i-c-k-e-n Spells Chicken
| note16 = 1927
| writer16 = Sidney L. Perrin, Bob Slater
| extra16 = [[McGee Brothers]]
| length16 = 2:59
| title17 = That's No Way to Get Along
| note17 = 1929
| writer17 = Wilkins
| extra17 = [[Robert Wilkins]]
| length17 = 2:55
| title18 = So Tired
| note18 = 1928
| writer18 = [[Lonnie Johnson (musician)|Lonnie Johnson]]
| extra18 = Dallas String Band
| length18 = 3:20
| title19 = Bye Bye Baby Blues
| note19 = 1930
| writer19 = Jones
| extra19 = [[Little Hat Jones]]
| length19 = 3:10
| title20 = Theme from Ghost World
| writer20 = Kitay
| extra20 = [[David Kitay]]
| length20 = 3:58
}}
-->
<!--
==Release==
''Ghost World'' [[Film premiere|premiered]] on June 16, 2001 at the [[Seattle International Film Festival]],<ref>{{cite web|url=http://www.slate.com/articles/arts/culturebox/2001/07/a_ghost_world_preview.html |title=A Ghost World Preview |last=Truitt |first=Eliza |work=[[Slant Magazine]] |date=July 2001 |accessdate=July 23, 2017 }}</ref> to lower than average recognition by audiences, but admiration from critics. It was also screened at several film festivals worldwide including the [[Fantasia Festival]] in [[Montreal]].<ref>{{cite web|url=http://ca.ign.com/articles/2001/07/26/ghost-world-cometh |title=GHOST WORLD COMETH |last=Head |first=Steve |work=[[IGN]] |date=July 26, 2001 |accessdate=July 23, 2017 }}</ref>
===Home media===
Following the film's theatrical exhibition in the United States, ''Ghost World'' was released on VHS and DVD format via [[MGM Home Entertainment]] in early 2002. Additional features include deleted and alternative scenes, "Making of Ghost World" featurette, Gumnaam music video "Jaan Pehechaan Ho", and the original theatrical trailer.<ref>{{cite web|url=http://www.dvdtalk.com/dvdsavant/s411ghost.html |title=Ghost World |work=[[DVD Talk]] |date=January 31, 2002 |accessdate=July 23, 2017 }}</ref>
The film was released on [[Blu-ray]] on May 30, 2017 by [[The Criterion Collection]], with a [[4K resolution|4K]] transfer, interviews with the performers, and [[audio commentary]].<ref>{{cite web|url=https://www.forbes.com/sites/lukethompson/2017/05/26/blu-ray-criterion-ghost-world-scarlett-johansson-thora-birch-steve-buscemi-daniel-clowes/#70f2b4581a1e |title=Blu-ray Review: The Ground-Breaking, Post-Ironic 'Ghost World' Comes To Criterion, As It Deserves |last=Thompson |first=Luke Y. |work=[[Forbes]] |date=May 26, 2017 |accessdate=July 23, 2017 }}</ref><ref>{{cite web|url=https://www.criterion.com/films/28687-ghost-world |title=Ghost World |publisher=[[The Criterion Collection]] |accessdate=July 23, 2017 }}</ref>
==Reception==
===Box office===
With a [[Limited release|limited commercial theatrical run]] in the United States, ''Ghost World'''s commercial success was minimal. The film was released on July 20, 2001 in five theaters grossing $98,791 on its opening weekend; it slowly expanded to more theaters, reaching a maximum of 128 by the end of the year.<ref name="boxoffice"/> It went on to make $6.2 million in North America and $2.5 million in the rest of the world for a worldwide total of $8.7 million, just above its $7 million budget.<ref name="boxoffice">{{mojo title|ghostworld|Ghost World}}</ref>
===Critical response===
''Ghost World'' received a 92% approval rating on [[Rotten Tomatoes]], based on 153 reviews, with an average rating of 7.8/10. The site's critical consensus reads, "With acerbic wit, Terry Zwigoff fashions Daniel Clowes' graphic novel into an intelligent, comedic trip through deadpan teen angst."<ref>{{rotten-tomatoes|ghost_world|Ghost World}}</ref> The film also holds a score of 88 out of 100 on [[Metacritic]], based on 31 reviews, indicating "universal acclaim."<ref>{{Metacritic film|ghost-world}}</ref>
[[Roger Ebert]] gave the film four out of four stars and wrote, "I wanted to hug this movie. It takes such a risky journey and never steps wrong. It creates specific, original, believable, lovable characters, and meanders with them through their inconsolable days, never losing its sense of humor."<ref name="ebert">{{cite news | last=Ebert | first=Roger | title=''Ghost World'' | work=[[Chicago Sun-Times]] | publisher= | date=August 3, 2001 | url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20010803/REVIEWS/108030301/1023 | accessdate=February 23, 2016 }}</ref> In his review for ''[[The New York Times]]'', [[A. O. Scott]] praised Thora Birch's performance as Enid: "Thora Birch, whose performance as Lester Burnham's alienated daughter was the best thing about ''[[American Beauty (1999 film)|American Beauty]]'', plays a similar character here, with even more intelligence and restraint."<ref name="scott">{{cite news | last=Scott | first= A. O. | title=Teenagers' Sad World In a Comic Dimension | work=[[The New York Times]] | publisher= | date=July 20, 2001 | url=https://www.nytimes.com/movie/review?res=9B04E6DE143AF933A15754C0A9679C8B63 | accessdate=February 23, 2016 }}</ref> In his ''[[Chicago Reader]]'' review, [[Jonathan Rosenbaum]] wrote, "Birch makes the character an uncanny encapsulation of adolescent agonies without ever romanticizing or sentimentalizing her attitudes, and Clowes and Zwigoff never allow us to patronize her."<ref name="rosenbaum">{{cite news | last=Rosenbaum | first=Jonathan | title=Women of Substance | work=[[Chicago Reader]] | publisher= | date=August 10, 2001 | url= http://www.chicagoreader.com/chicago/women-of-substance/Content?oid=906165 | accessdate=February 23, 2016 }}</ref> However, [[Andrew Sarris]] of ''[[The New York Observer]]'' disliked the character of Enid: "I found Enid smug, complacent, cruel, deceitful, thoughtless, malicious and disloyal...Enid's favorite targets are people who are older, poorer or dumber than she is."<ref name="sarris">{{cite news | last=Sarris | first=Andrew | title=So You Wanna Be a Country-and-Western Star: More Like 'Ghastly World' | work=[[The New York Observer]] | publisher= | date=August 5, 2001 | url=http://observer.com/2001/08/so-you-wanna-be-a-countryandwestern-star/ | accessdate=February 23, 2016 }}</ref> Kevin Thomas, in his review for the ''[[Los Angeles Times]]'', praised [[Steve Buscemi]]'s portrayal of Seymour saying, "Buscemi rarely has had so full and challenging a role, that of a mature, reflective man, unhandsome yet not unattractive, thanks to a witty sensitivity and clear intelligence."<ref name="thomas">{{cite news | last=Thomas | first=Kevin | title=Lives Stifled by Mediocrity in 'Ghost World' | work=[[Los Angeles Times]] | publisher= | date=July 20, 2001 | url=http://articles.latimes.com/2001/jul/20/entertainment/ca-24516 | archiveurl= https://web.archive.org/web/20081210203558/http://www.calendarlive.com/movies/reviews/cl-movie000059271jul20,0,7818280.story | archivedate= December 10, 2008| accessdate=February 23, 2016 }}</ref> ''[[Time (magazine)|Time]]'' magazine's Andrew D. Arnold wrote, "Unlike those shrill, hard-sell teen comedies on the other screens, ''Ghost World'' never becomes the kind of empty, defensive snark-fest that it targets. Clowes and Zwigoff keep the organic pace of the original, and its empathic exploration of painfully changing relationships."<ref name="arnold">{{cite news | last=Arnold | first=Andrew D | title=Anticipating a ''Ghost World'' | work=[[Time (magazine)|Time]] | date=July 20, 2001 | url=http://content.time.com/time/arts/article/0,8599,168182,00.html | accessdate=February 23, 2016 }}</ref>
Michael Dean of ''[[The Comics Journal]]'' addressed the concerns of comics fans head-on: "Those with higher expectations – and, certainly, ''[[Ghost World (comics)|Ghost World]]'' purists – are likely to experience at least a degree of disappointment. Some of the comic's air of aimless mystery has been paved over with the semblance of a Hollywood plot, and to that extent, the movie is a lesser work than the comic. But it's still a far better movie than we had a right to expect." According to Dean: "The injection of a relatively trite plot situation into ''Ghost World''{{'}}s more enigmatic stream of events is perhaps forgivable, since the film might otherwise never have been produced. Its greatest sin, the misappropriation of Enid's longing, is not so forgivable, though the overlap between Zwigoff's distaste for modernity and Enid's distrust of social acceptability makes it almost palatable. In any case, we want to forgive it, because so much is right about the movie."<ref>{{cite web | first=Michael | last=Dean | title=Ghost Story | url=http://archives.tcj.com/236/r_ghost.html | work=[[The Comics Journal]] | year=2001 | archiveurl=https://web.archive.org/web/20100414151301/http://archives.tcj.com/236/r_ghost.html | archivedate=April 14, 2010 |accessdate=February 23, 2016 }}</ref>
''[[Entertainment Weekly]]'' gave the film an "A-" rating and [[Owen Gleiberman]] wrote, "''Ghost World'' is a movie for anyone who ever felt imprisoned by life, but crazy about it anyway."<ref name="gleiberman">{{cite news | last=Gleiberman | first=Owen | title=Devoutcast | work=[[Entertainment Weekly]] | publisher= | date=July 27, 2001 | url=http://www.ew.com/ew/article/0,,255537,00.html | accessdate=February 23, 2016 }}</ref> In her review for the ''[[LA Weekly]]'', [[Manohla Dargis]] wrote, "If Zwigoff doesn't always make his movie move (he's overly faithful to the concept of the cartoon panel), he has a gift for connecting us to people who aren't obviously likable, then making us see the urgency of that connection."<ref name="dargis">{{cite news | last=Dargis | first=Manohla | title=Everyone's Too Stupid! | work=[[L.A. Weekly]] | publisher= | date=July 26, 2001 | url=http://www.laweekly.com/2001-07-26/film-tv/everyone-s-too-stupid | accessdate=February 23, 2016 }}</ref> In ''[[Sight & Sound]]'', Leslie Felperin wrote, "Cannily, the main performers deliver most of their lines in slack monotones, all the better to set off the script's wit and balance the glistering cluster of varyingly deranged lesser characters."<ref name="felperin">{{cite news | last=Felperin | first=Leslie | title=''Ghost World'' | work=[[Sight & Sound]] | publisher= | date=December 2001 | url=http://old.bfi.org.uk/sightandsound/review/1910 | accessdate=February 23, 2016 }}</ref> In his review for ''[[The Guardian]]'', Peter Bradshaw wrote, "It is an engaging account of the raw pain of adolescence: the fear of being trapped in a grown-up future and choosing the wrong grown-up identity, and of course the pain of love, which we all learn to anaesthetise with jobs and mundane worries."<ref name="bradshaw">{{cite news | last=Bradshaw | first=Peter | title=''Ghost World'' | work=[[The Guardian]] | publisher= | date=August 13, 2001 | url=https://www.theguardian.com/film/2001/aug/13/1 | accessdate=February 23, 2016 }}</ref> Several critics referred to the film as an [[art film]].<ref>{{cite web|author-link=Ray Carney|url=http://people.bu.edu/rcarney/aboutrc/ViewingRecommendations.shtml|title=Selected Masterworks of Film Art: Viewing Recommendations Submitted By Site Readers (Under Construction—Please Send Suggestions/Corrections to the Mailbag)|last=Carney|first=Ray|date=2006|website=About Ray Carney|access-date=29 July 2017}}</ref><ref>[[Ian Gordon (historian)|Ian Gordon]], Mark Jancovich, and, Matthew P. McAllister, "Introduction," and, Martin Flanagan, "Teen Trajectories in ''Spider-Man'' and ''Ghost World''." In {{cite book|last1=Gordon|first1=Ian|last2=Jancovich|first2=Mark|last3=McAllister|first3=Matthew P., eds.|title=Film and Comic Books|url=http://google.com/books?id=jnw7JXag8csC|accessdate=29 July 2017|date=2007|publisher=Jackson, Mississippi: [[University Press of Mississippi]], pp. xiii, 141, and, 150|isbn=9781604738094|quote=''Ghost World''['s] [...] economics of production [...] [is] art-house [...] [T]he idiom of the text [''Ghost World''] is strictly that of the postmodern arthouse movie familiar since at least the early 1980s [...] [I]nhibiting an arthouse idiom similar to ''Ghost World''.}}</ref><ref>Stephen Weiner, "The Development of the American Graphic Novel: From Will Eisner to the Present". In {{cite book|last=Tabachnick|first=Stephen, ed.|title=The Cambridge Companion to the Graphic Novel|url=http://google.com/books?id=6RniDgAAQBAJ|accessdate=29 July 2017|date=2017|publisher=Cambridge: [[Cambridge University Press]], Cambridge Companions to Literature, p. 50|isbn= 9781107108790|quote=''Ghost World'' [...] was reimagined as an art film in 2001.}}</ref><ref>[[Henry Giroux]], "The ''Ghost World'' of Neoliberalism: Abandoning the Abandoned Generation." In {{cite book|last=Pomerance|first=Murray, ed.|author-link=Murray Pomerance|title=Bad: Infamy, Darkness, Evil, and Slime on Screen|url=http://google.com/books?id=WAOv8eb-qFkC|accessdate=29 July 2017|date=2012|publisher=Albany, New York: [[SUNY Press]], SUNY Series, Cultural Studies in Cinema/Video, p. 120|isbn= 9780791485811|quote=''Ghost World'' [...] [presents] teenage resistance within the narrow confines of an art film.}}</ref><ref>{{cite book|last=Beaty|first=Bart|title=David Cronenberg's A History of Violence|url=http://google.com/books?id=typ99Csqto8C|accessdate=29 July 2017|date=2008|publisher=Toronto: [[University of Toronto Press]], Volume 1 of Canadian Cinema, p. 29|isbn= 9780802099327|quote=''Ghost World'' [...] positioned the art comic as akin to the contemporary art film.}}</ref><ref>{{cite web|url=http://newsok.com/article/2755138|title=''Ghost World'' Creator Finds Success in Film, Graphic Novel|last=Price|first=Matthew|date=14 September 2001|website=[[The Oklahoman]]|publisher=The Oklahoman Media Company|access-date=29 July 2017|quote=''Ghost World'' the movie, starring Thora Birch, Scarlett Johannson and Steve Buscemi, is one of the summer's biggest art-house hits and opens today in Oklahoma City.}}</ref><ref>{{cite web|url=http://salon.com/2000/12/05/clowes|title=Daniel Clowes|last=Chocano|first=Carina|date=6 December 2000|website=[[Salon (website)|Salon]]|publisher=Salon Media Group Inc.|access-date=29 July 2017|quote=They treated ''Ghost World'' like it was this outrageous art film that nobody would get.}}</ref><ref>{{cite web|url=https://austinchronicle.com/screens/2001-08-17/82693|title=Teen Angst Turns a Page|last=Savlov|first=Marc|date=17 August 2001|website=[[The Austin Chronicle]]|publisher=Austin Chronicle Corp.|access-date=29 July 2017|quote=Apparently, the critics, who have sanctified Zwigoff's dark gem with a four-star geek-chic seal of approval since its New York/Los Angeles opening a month ago, not to mention the audience members who have -- to the shock of MGM -- created some serious (for an "art" film, anyway) box-office numbers.}}</ref><ref>{{cite book|last1=Currie|first1=Dawn|last2=Kelly|first2=Deirdre M.|last3=Pomerantz|first3=Shauna|title='Girl Power': Girls Reinventing Girlhood|url=http://google.com/books?id=_vX-HrdH2gYC|accessdate=29 July 2017|date=2009|publisher=New York, New York: [[Peter Lang (publisher)|Peter Lang]], Mediated Youth, p. 46|isbn=9780820488776|quote=[A]cclaimed art-house film ''Ghost World''.}}</ref><ref>{{cite book|last=Morton|first=Drew|title=Panel to the Screen: Style, American Film, and Comic Books During the Blockbuster Era|url=http://google.com/books?id=wB-HDQAAQBAJ|accessdate=29 July 2017|date=2016|publisher=Jackson, Mississippi: [[University Press of Mississippi]], p. 101|isbn=9781496809810|quote=[Cinema is] defined by two modes of filmmaking, the art house indie and the blockbuster [...] ''Ghost World'' [belongs to the former].}}</ref>
===Accolades===
{| class="wikitable plainrowheaders sortable"
|-
! scope="col"| Award
! scope="col"| Date of ceremony
! scope="col"| Category
! scope="col"| Recipient(s)
! scope="col"| Result
! scope="col" class="unsortable"| {{Abbr|Ref(s)|Reference(s)}}
|-
!scope="row" | [[Academy Awards]]
| [[74th Academy Awards|March 24, 2002]]
| [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]]
| rowspan="2" | [[Daniel Clowes]], [[Terry Zwigoff]]
| {{nom}}
| rowspan="1" | <ref name="Oscar">{{cite web|title=The 74th Academy Awards - 2002|url=http://www.oscars.org/oscars/ceremonies/2002|publisher=[[Academy of Motion Picture Arts and Sciences]] |accessdate=July 23, 2017}}</ref>
|-
!scope="row" rowspan=2| [[American Film Institute]]
| rowspan="2" | [[American Film Institute Awards 2001|January 5, 2002]]
| Screenwriter of the Year
| {{nom}}
| rowspan="2" | <ref>{{cite web |url=http://www.afi.com/Docs/about/press/2001/afinoms.pdf |title=AFI Announces Nominations for AFI Awards 2001 |accessdate=July 23, 2017 |publisher=[[American Film Institute]]}}</ref>
|-
| Featured Actor
| [[Steve Buscemi]]
| {{nom}}
|-
!scope="row" rowspan=3| [[Boston Society of Film Critics]]
| rowspan="3" | [[Boston Society of Film Critics Awards 2001|December 16, 2001]]
| [[Boston Society of Film Critics Award for Best Screenplay|Best Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{draw|Runner-up}}
| rowspan="3" | <ref>{{cite web |url=https://pqasb.pqarchiver.com/boston/doc/405429533.html?FMT=ABS&FMTS=ABS:FT&type=current&date=&author=&pub=&edition=&startpage=&desc= |title=BOSTON CRITICS GIVE THUMBS UP TO 'MULHOLLAND DRIVE'
|last=King |first=Loren |date=December 17, 2001 |accessdate=July 23, 2017 |work=[[The Boston Globe]]}}</ref>
|-
| [[Boston Society of Film Critics Award for Best Supporting Actor|Best Supporting Actor]]
| Steve Buscemi
| {{draw|Runner-up}}
|-
| [[Boston Society of Film Critics Award for Best Supporting Actress|Best Supporting Actress]]
| [[Scarlett Johansson]]
| {{draw|Runner-up}}
|-
!scope="row" rowspan=3| [[Chicago Film Critics Association]]
| rowspan="3" | [[Chicago Film Critics Association Awards 2001|February 25, 2002]]
| [[Chicago Film Critics Association Award for Best Screenplay|Best Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{nom}}
| rowspan="2" | <ref>{{cite web |url=http://www.prnewswire.com/news-releases/chicago-film-critics-association-announce-their-nominees-75506242.html |title=Chicago Film Critics Association Announce Their Nominees! |last= |first= |date=January 16, 2002 |accessdate=July 19, 2017 |publisher=[[PR Newswire]]}}</ref>
|-
| [[Chicago Film Critics Association Award for Best Actress|Best Actress]]
| [[Thora Birch]]
| {{nom}}
|-
| [[Chicago Film Critics Association Award for Best Supporting Actor|Best Supporting Actor]]
| Steve Buscemi
| {{won}}
| <ref>{{cite web|title=Chicago critics pick 'Mulholland Drive' |url=http://articles.chicagotribune.com/2002-02-26/news/0202260020_1_mulholland-drive-goodman-theater-foreign-language-film |last=Elder |first=Rob |work=[[Chicago Tribune]] |date=February 26, 2002 |accessdate=July 23, 2017}}</ref>
|-
!scope="row" | [[Empire Awards]]
| rowspan="1" | [[7th Empire Awards|February 5, 2002]]
| Independent Spirit Award
| Terry Zwigoff
| {{nom}}
| rowspan="1" | <ref>{{Cite web|url=http://www.empireonline.com/movies/news/empire-awards-nominations-announced/ |title=Empire Awards: Nominations Announced |date=January 25, 2002 |accessdate=July 19, 2017 |work=[[Empire (film magazine)|Empire]]}}</ref>
|-
!scope="row" rowspan=2| [[Golden Globe Award|Golden Globes]]
| rowspan="2" | [[59th Golden Globe Awards|January 20, 2002]]
| [[Golden Globe Award for Best Actress – Motion Picture Comedy or Musical|Best Actress – Comedy or Musical]]
| Thora Birch
| {{nom}}
| rowspan="2" | <ref name="Globe">{{Cite web|url=http://www.goldenglobes.com/film/ghost-world |title=Ghost World |accessdate=July 23, 2017 |publisher=[[Hollywood Foreign Press Association]]}}</ref>
|-
| [[Golden Globe Award for Best Supporting Actor – Motion Picture|Best Supporting Actor]]
| Steve Buscemi
| {{nom}}
|-
!scope="row" | [[Golden Space Needle Award]]
| rowspan="1" | June 2001
| Best Actress
| Thora Birch
| {{won}}
| rowspan="1" | <ref>{{cite web|url=http://www.indiewire.com/2001/06/daily-news-moretti-at-miramax-atlanta-fest-wrap-seattle-winners-ny-filmvideo-fest-80918/ |title=DAILY NEWS: Moretti at Miramax; Atlanta Fest Wrap; Seattle Winners; NY Film/Video Fest |work=[[IndieWire]] |last1=Hernandez |first1=Eugene |last2=Kaufman |first2=Anthony |accessdate=July 23, 2017 |date=June 18, 2001}}</ref>
|-
!scope="row" rowspan=3| [[Independent Spirit Awards]]
| rowspan="3" | [[17th Independent Spirit Awards|March 23, 2002]]
| [[Independent Spirit Award for Best First Feature|Best First Feature]]
| Terry Zwigoff
| {{nom}}
| <ref>{{cite web|url=http://www.chicagotribune.com/business/bal-artslife-news-spiritawards-jan09-story.html |title=Spirit Awards tilt toward true independence |work=[[Chicago Tribune]] |last=Munoz |first=Lorenza |accessdate=July 23, 2017 |date=January 9, 2002}}</ref>
|-
| [[Independent Spirit Award for Best First Screenplay|Best First Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{won}}
| rowspan="2" | <ref>{{cite web|url=https://www.independent.co.uk/arts-entertainment/films/news/oscar-alternative-gives-better-idea-of-lasting-success-9245151.html |title=Oscar alternative gives better idea of lasting success |work=[[The Independent]] |last=Gumbel |first=Andrew |accessdate=July 23, 2017 |date=March 25, 2002}}</ref>
|-
| [[Independent Spirit Award for Best Supporting Actor|Best Supporting Actor]]
| Steve Buscemi
| {{won}}
|-
!scope="row" | [[Los Angeles Film Critics Association]]
| rowspan="1" | [[Los Angeles Film Critics Association Awards 2001|December 15, 2001]]
| [[Los Angeles Film Critics Association Award for Best Screenplay|Best Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{draw|Runner-up}}
| rowspan="1" | <ref>{{cite web|url=http://articles.latimes.com/2001/dec/16/local/me-15388 |title='Bedroom' Is Top Pick of L.A. Film Critics |last=King |first=Susan |work=[[The Los Angeles Times]] |date=December 16, 2001 |accessdate=July 23, 2017 }}</ref>
|-
!scope="row" rowspan=2| [[National Society of Film Critics]]
| rowspan="2" | [[National Society of Film Critics Awards 2001|January 4, 2002]]
| [[National Society of Film Critics Award for Best Supporting Actor|Best Supporting Actor]]
| Steve Buscemi
| {{won}}
| <ref>{{cite web|url=https://nationalsocietyoffilmcritics.com/about-2/ |title=Past Awards |publisher=[[National Society of Film Critics]] |accessdate=July 23, 2017 }}</ref>
|-
| [[National Society of Film Critics Award for Best Screenplay|Best Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{draw|Runner-up}}
| <ref>{{cite web|url=http://www.salon.com/2002/01/07/nsfc_awards/ |title='Mulholland Drive' takes best picture in critics' awards |last=Taylor |first=Charles |work=[[Salon.com]] |date=January 7, 2002 |accessdate=July 23, 2017 }}</ref><ref>{{cite web |url=https://variety.com/2002/film/awards/nat-l-crix-shift-into-drive-1117857961/ |title=Nat'l Crix shift into 'Drive' |last=Lyons |first=Charles |accessdate=July 23, 2017 |work=[[Variety (magazine)|Variety]]}}</ref>
|-
!scope="row" | [[New York Film Critics Circle]]
| [[2001 New York Film Critics Circle Awards|December 13, 2001]]
| [[New York Film Critics Circle Award for Best Supporting Actor|Best Supporting Actor]]
| Steve Buscemi
| {{won}}
| <ref>{{cite web|url=https://www.nytimes.com/2001/12/14/movies/critics-group-names-mulholland-best-film.html |title=Critics Group Names 'Mulholland' Best Film |last= |first= |work=[[The New York Times]] |date=December 14, 2001 |accessdate=July 23, 2017 }}</ref>
|-
!scope="row" rowspan=2| [[Satellite Awards]]
| rowspan="2" | [[6th Golden Satellite Awards|January 19, 2002]]
| [[Satellite Award for Best Actress – Motion Picture|Best Actress, Comedy or Musical]]
| Thora Birch
| {{nom}}
| rowspan="2" | <ref>{{cite web|url=https://www.advocate.com/news/2001/12/19/ltigthedwig-and-angry-inchltigt-scores-six-golden-satellite-nominations-2164 |title=Hedwig and the Angry Inch scores six Golden Satellite nominations |author=Editors |work=[[The Advocate (LGBT magazine)|Advocate]] |date=December 19, 2001 |accessdate=July 25, 2017 }}</ref>
|-
| [[Satellite Award for Best Supporting Actor – Motion Picture|Best Supporting Actor, Comedy or Musical]]
| Steve Buscemi
| {{nom}}
|-
!scope="row" rowspan=4| [[Toronto Film Critics Association]]
| rowspan="4" | [[Toronto Film Critics Association Awards 2001|December 20, 2001]]
| [[Toronto Film Critics Association Award for Best Screenplay|Best Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{draw|Runner-up}}
| rowspan="4" | <ref>{{cite web|url=http://torontofilmcritics.com/past-award-winners/ |title=PAST AWARD WINNERS |publisher=[[Toronto Film Critics Association]] |accessdate=July 23, 2017 }}</ref>
|-
| [[Toronto Film Critics Association Award for Best Actress|Best Actress]]
| Thora Birch
| {{won}}
|-
| [[Toronto Film Critics Association Award for Best Supporting Actress|Best Supporting Actress]]
| Scarlett Johansson
| {{won}}
|-
| [[Toronto Film Critics Association Award for Best Supporting Actor|Best Supporting Actor]]
| Steve Buscemi
| {{draw|Runner-up}}
|-
!scope="row" | [[Writers Guild of America]]
| rowspan="1" | [[Writers Guild of America Awards 2001|March 2, 2002]]
| [[Writers Guild of America Award for Best Adapted Screenplay|Best Adapted Screenplay]]
| Daniel Clowes, Terry Zwigoff
| {{nom}}
| rowspan="1" | <ref>{{cite web|url=https://www.theguardian.com/film/2002/feb/08/awardsandprizes.news |title=Writers Guild nominations tip A Beautiful Mind |work=[[The Guardian]] |date=February 8, 2002 |accessdate=July 23, 2017 }}</ref>
|-
!scope="row" | [[Young Artist Awards]]
| rowspan="1" | [[23rd Young Artist Awards|April 7, 2002]]
| Best Family Feature Film - Comedy
| ''Ghost World''
| {{nom}}
| rowspan="1" | <ref>{{cite web|url=http://www.youngartistawards.org/noms23A.htm |title=Twenty-Third Annual Young Artist Awards 2002 |publisher=[[Young Artist Awards]] |archiveurl=https://web.archive.org/web/20160404173701/http://www.youngartistawards.org/noms23A.htm |archivedate=April 4, 2016}}</ref>
|-
|}
==Legacy==
''Ghost World'' topped [[MSN]] Movies' list of the "Top 10 Comic Book Movies",<ref name="morgan">{{cite news | last = Morgan | first = Kim | coauthors = | title = Top 10 Comic Book Movies | publisher = [[MSN]]| date = | url = https://hardcorequeen.wordpress.com/2003/03/01/top-10-comic-book-movies/ <!--http://movies.msn.com/movies/article.aspx?news=114936&mpc=2 No Internet Archive available--> | accessdate = March 19, 2009 }}</ref> it was ranked number 3 out of 94 in Rotten Tomatoes' "Comix Worst to Best" countdown (where #1 was the best and #94 the worst),<ref name="Giles">{{cite news|last=Giles |first=Jeff |coauthors= |title=Comix Worst to Best |publisher=[[Rotten Tomatoes]] |url=http://www.rottentomatoes.com/features/special/2007/comic/?r=3&mid=1109008 |accessdate=September 30, 2008 |deadurl=yes |archiveurl=https://web.archive.org/web/20081014023112/http://www.rottentomatoes.com/features/special/2007/comic/?r=3&mid=1109008 |archivedate=October 14, 2008 }}</ref> ranked 5th "Best" on [[IGN]]'s "Best & Worst Comic-Book Movies",<ref name="goldstein">{{cite news | last = Goldstein | first = Hilar | coauthors = | title = Best & Worst Comic-Book Movies | publisher = [[IGN]] | date = | url = http://comics.ign.com/articles/673/673860p3.html | accessdate = February 23, 2016 }}</ref> and ''[[Empire (magazine)|Empire]]'' magazine ranked the film 19th in their "The 20 Greatest Comic Book Movies" list.<ref name="Empire20">{{cite news | last = | first = | coauthors = | title = The 20th Greatest Comic Book Movies | work = [[Empire (film magazine)|Empire]] | pages = | language = | publisher = | date = | url = http://www.empireonline.com/features/comicbookfilms/default.asp#comicbookfilms | accessdate = February 23, 2016 }}</ref> It is considered a [[cult film]].<ref>{{cite web|url=https://www.reuters.com/article/entertainment-us-scarlett-johansson-idUSBRE9960NC20131009 |title=Scarlett Johansson again named 'sexiest woman alive' by Esquire |publisher=[[Reuters]] |date=October 8, 2013 |accessdate=July 23, 2017 }}</ref><ref>{{cite book|last=Curtis |first=Tony |chapter=Cult |title=Historical Dictionary of American Cinema |publisher=Scarecrow Press |date=2011 |p=88 |isbn=0810874598 }}</ref> It was added to the [[Criterion Collection]] in 2017.
-->
==Lihat juga==
*[[Daftar film berdasarkan buku komik]]
*[[Oscar]]
== Referensi ==
{{Reflist}}
== Pranala luar ==
{{Wikiquote}}
* {{Facebook|GhostWorldOfficial|Official page}}
* {{rotten-tomatoes|ghost_world}}
* {{Metacritic film|ghost-world}}
*[https://www.criterion.com/current/posts/4638-ghost-world-s-ance-in-wowsville ''Ghost World: Séance in Wowsville''] {{Webarchive|url=https://web.archive.org/web/20190505205225/https://www.criterion.com/current/posts/4638-ghost-world-s-ance-in-wowsville |date=2019-05-05 }} an essay by Howard Hampton at the [[Criterion Collection]]
{{film-stub}}
{{Terry Zwigoff}}
{{DEFAULTSORT:Ghost World (Film)}}
[[Kategori:Film Amerika Serikat tahun 2001]]
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{{AS-film-stub}}
[[Category:German comedy-drama films]]
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[[Category:German independent films]]
[[Category:German films]]
[[Category:German teen films]]
[[Category:Live-action films based on comics]]
[[Category:Mr. Mudd films]]
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