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'''Handala''' ({{lang-ar|حنظلة}}), juga '''Handhala''', '''Hanzala''' atau '''Hanthala''', adalah sebuah [[simbol nasional|simbol]] dan [[personifikasi nasional]] berpengaruh dari [[bangsa Palestina]].<ref name=GuardianHandala>{{cite news|last1=Faber|first1=Michel|title=Pens and swords|url=https://www.theguardian.com/books/2009/jul/11/child-palestine-cartoons-al-ali|accessdate=17 September 2014|work=The Guardian|date=11 July 2009|archive-date=2022-11-08|archive-url=https://web.archive.org/web/20221108123346/https://www.theguardian.com/books/2009/jul/11/child-palestine-cartoons-al-ali|dead-url=no}}</ref><ref>Alazzeh, Ala. “Abu Ahmad and His Handalas.” Struggle and Survival in Palestine/Israel, edited by Mark LeVine and Gershon Shafir, 1st ed., University of California Press, 2012, pp. 427–444. JSTOR, www.jstor.org/stable/10.1525/j.ctt1ppwdk.34. Accessed 7 June 2020: "...one of the most popular symbols of Palestinian nationalism."</ref> Karakter tersebut diciptakan pada 1969 oleh [[kartun politik|kartunis politik]] [[Naji al-Ali]], dan mula-mula mengambil bentuk saat ininya pada 1973.
 
== Galeri ==
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File:Handara - panoramio.jpg|Dekat [[Bethlehem]]
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== Daftar pustaka ==
* Singh, Ashutosh. “Time and Waiting: The Fulcrum of Palestinian Identity.” Arab Studies Quarterly, vol. 41, no. 4, 2019, pp. &nbsp;317–331. JSTOR, www.jstor.org/stable/10.13169/arabstudquar.41.4.0317. Accessed 7 June 2020.
* Oweis, Fayeq. “[https://oweis.wordpress.com/article/handala-and-the-cartoons-of-naji-al-ali-12e7isujug54e-5/ Handala and the Cartoons of Naji al-Ali: Characters, Symbols, and Relevance] {{Webarchive|url=https://web.archive.org/web/20200618031802/https://oweis.wordpress.com/article/handala-and-the-cartoons-of-naji-al-ali-12e7isujug54e-5/ |date=2020-06-18 }}.” Palestine Lecture Series, George Washington University, Washington, D.C., 17 Nov. 2004. Paper/Presentation
* Margaret Olin, [https://brill.com/view/book/edcoll/9789004407121/BP000011.xml How Long Will Handala Wait? A Ten-Year-Old Barefoot Refugee Child on Palestinian Walls] {{Webarchive|url=https://web.archive.org/web/20200608090601/https://brill.com/view/book/edcoll/9789004407121/BP000011.xml |date=2020-06-08 }}, Timescapes of Waiting, pages 176–197, DOI: https://doi.org/10.1163/9789004407121_012 {{Webarchive|url=https://web.archive.org/web/20230814000149/https://brill.com/display/book/9789004407121/BP000011.xml |date=2023-08-14 }}
* Habashi J. (2017) [https://link.springer.com/chapter/10.1057/978-1-137-47523-7_8 The Evolvement of National Identity: A Never-Ending Process] {{Webarchive|url=https://web.archive.org/web/20230210103207/https://link.springer.com/chapter/10.1057/978-1-137-47523-7_8 |date=2023-02-10 }}. In: Political Socialization of Youth. Palgrave Macmillan, New York
* Gandolfo, L. K. (2010). Representations of conflict: Images of war, resistance, and identity in Palestinian art. Radical History Review, 106, 47–69.
* Woznia, M. (2014). Mirror, mirror on the wall: Political cartoons of the Arab spring. Hemispheres, 29(2), 5–23.
 
== Referensi ==
{{reflist}}
 
[[CategoryKategori:personifikasiPersonifikasi nasional]]