Eleazar ben Killir: Perbedaan antara revisi
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== Gaya puitis ==
"Gaya Kallir" ("''Kallir style''") telah memberikan pengaruh kuat terhadap para penyair yang meneruskannya di [[Tanah Israel|Eretz Yisra'el]] dan di Timur Dekat.<!-- He made radical innovations in [[Diksi|diction]] and style, while employing the full range of post-biblical Hebrew. It may be that the stories of Yannai growing jealous of him are based in fact, for the patterns of [[Rima|rhyme]], acrostic, repetition, and refrain in his ''piyut'' are much more complex than those of his master.
His use of [[neologism]]s and other oddities has earned him a reputation as an enigmatic writer, to the point where some have criticized him for being obscure, and having a corruptive influence on the Hebrew language. Ben Killir, however, was capable of writing in simple and direct language, as poems like his ''[[Epithalamium]]''[http://www.poetry-chaikhana.com/B/benKallirEle/Epithalamium.htm]<ref>[https://archive.
[[Joseph Solomon Delmedigo|Solomon Delmedigo]] warns the student against the writings of Killir because "he has cut up the Hebrew language in an arbitrary way" ([[Abraham Geiger|Geiger]], "''Melo Chofnajim''," p. 15).<ref>{{Cite book|script-title=he:מלא חפנים|url=http://hebrewbooks.org/pdfpager.aspx?req=33738&st=&pgnum=22&hilite=|accessdate=2013-11-05|language=Hebrew}}</ref><ref name=JewishEncyclopedia/>
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