Erato: Perbedaan antara revisi
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[[Berkas:Erato monte calvo.jpg|
Dalam [[mitologi Yunani]], '''Erato''' ({{lang-el|Ἐρατώ}}) adalah salah satu [[
Dalam [[Orfisme|Himne Orfeus]], adalah Erato yang memberi pesona pada pandangan. Sejak masa [[Renaisans]] dia sering digambarkan dengan untaian [[myrtle]] dan [[mawar]], memegang [[lira (alat musik)|lira]], atau sebuah [[kithara]] kecil. Dalam penggamabran oleh [[Simon Vouet]], dua ekor burung merpati sedang memakan biji-bijian di kaki Erato. Penggambaran lainnya adalah dia memegang panah emas. Kadang Erato ditemani oleh Eros yang memegang [[obor]].
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Erato was named with the other muses in [[Hesiod]]'s ''[[Theogony]]''. She was also invoked at the beginning of a lost poem, ''Rhadine'' ({{polytonic|Ῥαδινή}}), that was referred to and briefly quoted by [[Strabo]]<ref>In ''Geography'' 8.3.20; Strabo's attribution of the poem to [[Stesichorus]] was refuted by H. J. Rose, "Stesichoros and the Rhadine-Fragment", ''The Classical Quarterly'' '''26'''.2 (April 1932), pp. 88-92.</ref>. The love story of Rhadine made her supposed tomb on the island of [[Samos Island|Samos]] a pilgrimage site for star-crossed lovers in the time of [[Pausanias (geographer)|Pausanias]]<ref>''Description of Greece'' 7.5.13.</ref> and Erato was linked again with love in [[Plato]]'s ''[[Phaedrus (dialogue)|Phaedrus]]''<ref>''Phaedrus'', 259.</ref>; nevertheless, even in the third century BCE, when Apollonius wrote, the Muses were not yet as inextricably linked to specific types of poetry as they became.<ref>Richard Hunter, editor. ''Jason and the Golden Fleece'' (Oxford: Clarendon Press, 1993), p. 66 note.</ref> -->
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{{Mousai}}
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