Buckminster Fuller: Perbedaan antara revisi

Bertahun-tahun kemudian, ia menyatakan bahwa pengalaman semacam ini telah memberinya tidak hanya minat dalam desain, tetapi juga kebiasaan mengenal dan mengetahui material-material yang kemudian hari dibutuhkan dalam proyek-proyeknya. Fuller memperoleh sertifikasi ahli mesin dan mengetahui cara menggunakan alat pembengkok logam (''press brake''), penekan peregang (''stretch press''), dan alat-alat/peralatan yang digunakan dalam usaha lembaran logam.<ref name=pawley>{{cite book|last=Pawley|first=Martin|title=Buckminster Fuller|url=https://archive.org/details/buckminsterfulle00pawl|location=New York|publisher=Taplinger|year=1991|isbn=0-8008-1116-X}}</ref>

}}</ref> sebelum ulang tahun Alexandra yang keempat. Fuller menganggap bahwa kematian putrinya disebabkan oleh rumah mereka yang lembap dan berangin. Hal ini yang memotivasi Fuller untuk terlibat dalam Stockade Building System, suatu usaha yang bertujuan untuk menyediakan perumahan yang terjangkau dan efisien.<ref name="Sieden-1989-Buckminster-Fuller's-Universe">{{cite book|title=Buckminster Fuller's Universe: His Life and Work|url=https://archive.org/details/buckminsterfulle0000sied|last=Sieden|first=Lloyd Steven|publisher=Perseus Books Group|year=1989|location = New York|isbn=0-7382-0379-3|language = Inggris }}</ref>

Hingga 1928, Fuller tinggal di [[Greenwich Village]] dan menghabiskan banyak waktunya di kafe milik [[Romany Marie]] yang populer,<ref name="HaberGlueck">{{cite web |url= http://www.haberarts.com/fuller.htm |title= Before Buckyballs |first=John |last= Haber |website=Haberarts |quote= [[Isamu Noguchi|Noguchi]], then twenty-five, had already had enough influences for a lifetime&nbsp;— from birth in Los Angeles, to childhood in Japan and [[Barat Tengah Amerika Serikat|the Midwest]], to premedical classes at [[Universitas Columbia|Columbia]], to academic sculpture on the [[Lower East Side]], to Brancusi's circle in Paris. Now his exposure to Modernism and "the American century" received a decidedly New York influence.<br/> "Only two years before, on the brink of suicide, Fuller had decided to remake his life and the world. Why not begin on Minetta Street? In 1929, he was shopping around his first major design, plans for an inexpensive, modular home that others air-lift right where desired. Now, in exchange for meals, he took on the interior decoration and chairs for Marie's new location. He must have stood out in person, too, ever the talkative, handsome visionary in tie and starched collar." <br/> Lihat pula: {{cite news |url= http://www.nytimes.com/2006/05/19/arts/design/19nogu.html |title= The Architect and the Sculptor: A Friendship of Ideas |first= Grace |last=Glueck |newspaper=The New York Times |date=19-05-2006 | accessdate=27-04-2010 |language=bahasa Inggris}}}}</ref> tempat ia pernah berbincang suatu malam dengan Marie dan [[Eugene O'Neill]] beberapa tahun sebelumnya.<ref name="Sieden-p74">{{cite book|first=Lloyd Steven |last=Sieden |title=Buckminster Fuller's Universe: His Life and Work |url=https://archive.org/details/buckminsterfulle0000sied |pages=[https://archive.org/details/buckminsterfulle0000sied/page/74 74], 119–142 |location=New York |publisher=Perseus Books Group |year=2000 |isbn=0-7382-0379-3 |quote=Although O'Neill soon became well known as a major American playwright, it was Romany Marie who would significantly influence Bucky, becoming his close friend and confidante during the most difficult years of his life. |language=bahasa Inggris}} (kutipan p.74)</ref> Ia menerima pekerjaan mendekorasi interior kafe yang dibayar dengan makanan,<ref name="HaberGlueck"/> memberikan ceramah informal beberapa kali seminggu,<ref name="Sieden-p74"/><ref name="Haskell">{{cite web |url= http://www.kgbbar.com/lit/features/buckminster_ful.html |title= Buckminster Fuller and Isamu Noguchi |first= John |last=Haskell |work= Kraine Gallery Bar Lit |year=2007 |accessdate=09-08-2016|language=bahasa Inggris |archiveurl=https://web.archive.org/web/20080609040231/http://www.kgbbar.com/lit/features/buckminster_ful.html |archivedate=09-06-2008 |deadurl=yes}}</ref> dan memamerkan model rumah Dimaksi, singkatan dari dinamis, maksimum, dan tensi (bertekanan) di kafe tersebut. [[Isamu Noguchi]] mendatangi kafe itu tahun 1929 karena diarahkan oleh [[Constantin Brâncuși]], seorang teman lama Marie.<ref name="HaberGlueck"/><ref name="Biography">{{cite book |first=Robert |last=Schulman |title=Romany Marie: The Queen of Greenwich Village |url=https://archive.org/details/romanymariequeen0000robe |pages=85–86[https://archive.org/details/romanymariequeen0000robe/page/85 85]–86, 109–110 |location=[[Louisville, Kentucky|Louisville]] |publisher=Butler Books |year=2006 |isbn=1-884532-74-8}}</ref> Noguchi dan Fuller dengan cepat berkolaborasi dalam beberapa proyek,<ref name="Haskell"/><ref name="Interview">{{cite web |url=http://www.aaa.si.edu/collections/interviews/oral-history-interview-isamu-noguchi-11906 |title= Oral history interview with Isamu Noguchi, 1973 Nov. 7-Dec. 26 |publisher=[[Smithsonian Institution]] |work=Archives of American Art |language=bahasa Inggris |accessdate=09-08-2016}}</ref> termasuk membuat model mobil Dimaksi berdasarkan karya terbaru [[Aurel Persu]].<ref name="Gorman">{{cite web |url= http://hotgates.stanford.edu/Bucky/dymaxion/noguchi.htm |title= Passenger Files: Isamu Noguchi, 1904–1988 |first= Michael John |last= Gorman |work= Towards a cultural history of Buckminster Fuller's Dymaxion Car |publisher= [[Stanford University|Stanford]] Humanities Lab |date= 12-03-2002 |access-date= 2016-08-10 |archive-date= 2007-06-13 |archive-url= https://web.archive.org/web/20070613214749/http://hotgates.stanford.edu/Bucky/dymaxion/noguchi.htm |dead-url= yes }} Termasuk beberapa gambar.</ref> Itu adalah awal dari persahabatan mereka yang abadi.

[[Kategori:PenemuPereka cipta Amerika Serikat|Fuller, Richard]]