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Baris 35:
Pada bulan Februari 1967, setelah merekam judul lagu "Sgt. Pepper's Lonely Hearts Club Band", McCartney menyarankan agar The Beatles harus merilis seluruh album yang mewakili pertunjukan oleh Band Fiksi Sgt. Pepper. Kelompok [[Alter ego]] ini akan memberi mereka kebebasan untuk bereksperimen secara musikal. Selama sesi rekaman, band ini melanjutkan kemajuan teknologi yang telah mereka buat pada Album [[Revolver (album)|Revolver]] pada tahun 1966. Mengetahui bahwa mereka tidak harus melakukan trek secara langsung, mereka mengadopsi pendekatan eksperimental untuk komposisi dan rekaman pada lagu-lagu seperti "Lucy in the Sky with Diamonds", "Being for the Benefit of Mr. Kite!", dan "[[A Day in the Life]]". Produser [[George Martin]] dan Insinyur [[Geoff Emerick]] membantu mewujudkan ide-ide kelompok dengan mendekatkan studio sebagai instrumen, menerapkan [[Overdubbing]] [[Orkestra]], efek suara dan metode lain dari manipulasi pita. Rekaman selesai pada 21 April 1967. Sampulnya, yang menggambarkan The Beatles berpose di depan tablo selebriti dan tokoh sejarah, dirancang oleh seniman pop Inggris Peter Blake dan Jann Haworth.
 
''Sgt. Peppers'' dianggap oleh para ahli musik sebagai awal [[album konsep]] yang memajukan penggunaan bentuk panjang dalam musik populer sambil melanjutkan pematangan artistik terlihat pada rilisan sebelumnya The Beatles. Sebuah karya penting dari musik Psychedelia Inggris, album ini menggabungkan berbagai pengaruh gaya, termasuk [[Vaudeville]], Musik [[Sirkus]], [[Balai Musik]], [[Avant-garde]], [[Musik klasik]], dan [[Musik tradisional India]]. Album ini menggambarkan sebagai salah satu LP Pertama [[Art rock]], membantu pengembangan musik [[Progressive rock]] dan dikreditkan dengan menandai awal era album. Pada tahun 2003, [[Perpustakaan Kongres Amerika Serikat]] menempatkan ''Sgt. Peppers'' di [[Pendaftaran Rekaman Nasional]] sebagai "signifikan secara budaya, historis, atau estetis".<ref name="LoC2003" />. DiPada tahun yang sama, ''[[Rolling Stone]]'' memberikan peringkat nomor satu dalam daftar "''[[500 album terbaik sepanjang masa versi majalah Rolling Stones]]''". Pada tahun 2011, album ini telah terjual lebih dari 32 juta kopi di seluruh dunia, menjadikannya salah satu [[Daftar album terlaris di seluruh dunia|album terlaris]] yang pernah dirilis. Profesor Kevin Dettmar, yang menulis dalam ''The Oxford Encyclopedia of British Literature'', menggambarkannya sebagai "album rock-and-roll paling penting dan berpengaruh yang pernah direkam".
 
== Latar Belakang ==
Baris 42:
Pada 1966, The Beatles sudah bosan dengan pertunjukan live.{{sfn|Lewisohn|2010|p=210}} Menurut pendapat [[John Lennon]], mereka dapat "mengirim empat lilin ... dan itu akan memuaskan banyak orang. Konser Beatles tidak ada hubungannya dengan musik lagi. Itu hanyalah ritual suku antah berantah."{{sfn|The Beatles|2000|p=229}} Pada bulan Juni tahun itu, dua hari setelah menyelesaikan album [[Revolver (album)|Revolver]], grup ini telah menyiapkan tur untuk Konser di [[Jerman Barat]]{{sfn|MacDonald|2005|p=212}}. Sementara di [[Hamburg]], mereka menerima telegram anonim yang menyatakan: "Jangan pergi ke Tokyo. Hidupmu dalam bahaya."{{sfn|Martin|Pearson|1994|p=7}} Ancaman itu ditanggapi dengan serius mengingat kontroversi seputar tur di antara kelompok-kelompok agama dan konservatif Jepang, dengan penentangan khusus terhadap rencana penampilan The Beatles di arena suci [[Nippon Budokan]].{{sfn|Martin|Pearson|1994|p=7}} Sebagai tindakan pencegahan tambahan, 35.000 polisi dikerahkan dan ditugaskan untuk melindungi kelompok itu, yang diangkut dari hotel ke tempat-tempat konser dengan kendaraan lapis baja.<ref>{{harvnb|Lewisohn|2010|p=211}}; {{harvnb|Martin|Pearson|1994|p=7}}.</ref> The Beatles kemudian tampil di [[Filipina]], di mana mereka diancam dan dianiaya oleh warganya karena tidak mengunjungi Ibu Negara [[Imelda Marcos]]. Grup tersebut marah dengan manajer mereka, [[Brian Epstein]], karena bersikeras pada apa yang mereka anggap sebagai rencana perjalanan yang melelahkan dan melemahkan moral.{{sfn|MacDonald|2005|pp=212–213}}
 
[[Berkas:WCFL Sound 10 survey October 1966 Beatles Jim Stagg (cropped).jpg|jmpl|The Beatles, bersama disc jockey [[Jim Stagg]], ketika melakukan Tur Terakhir ppadapada bulan Agustus 1966]]
 
Publikasi di AS dari pernyataan Lennon tentang The Beatles menjadi "[[Lebih populer ketimbang Yesus]]" kemudian melibatkan band dalam kontroversi dan protes di [[Sabuk Alkitab|Sabuk Alkitab Amerika]].{{sfn|MacDonald|2005|p=213}} Permintaan maaf publik meredakan ketegangan, tetapi tur di Amerika Serikat pada Agustus yang ditandai dengan berkurangnya penjualan tiket, relatif terhadap rekor kehadiran kelompok itu pada 1965, dan pertunjukan di bawah standar terbukti menjadi yang terakhir.<ref>{{harvnb|Lewisohn|2010|p=230: the Beatles' final commercial performance}}; {{harvnb|Turner|2016|pp=295, 299}}: reduced ticket sales, record attendances in 1965; {{harvnb|MacDonald|2005|p=213}}: subpar performances.</ref> Penulis Nicholas Schaffner menulis:
Baris 49:
 
Sekembalinya The Beatles ke Inggris, rumor mulai beredar bahwa mereka memutuskan untuk bubar.{{sfn|Julien|2008b|p=1}} [[George Harrison]] memberitahu Epstein bahwa dia akan meninggalkan band, tetapi dia dibujuk untuk bertahan dengan jaminan bahwa tidak akan ada lagi tur.{{sfn|MacDonald|2005|p=213}} Grup ini mengambil istirahat selama tiga bulan, di mana mereka fokus pada kepentingan individu.{{sfn|Gould|2007|p=367}} Harrison melakukan perjalanan ke India selama enam minggu untuk mempelajari [[sitar]] di bawah instruksi [[Ravi Shankar]]{{sfn|Julien|2008b|p=2}} dan mengembangkan minatnya pada filsafat [[Hindu]].{{sfn|Everett|1999|p=71}} Menjadi yang terakhir dari The Beatles yang mengakui bahwa pertunjukan live mereka menjadi sia-sia,
{{sfn|Rodriguez|2012|p=18}} [[Paul MccartneyMcCartney]] berkolaborasi dengan Produser Beatles, [[George Martin]] untuk mengisi Soundtrack film ''The Family Way''{{sfn|Blaney|2007|p=8}} dan berlibur ke [[Kenya]] bersama Mal Evans, salah satu Manajer Tur Beatles.{{sfn|Turner|2016|pp=364–65}} Lennon berakting dalam film ''How I Won the War'' dan menghadiri pertunjukan seni, seperti ke ''Indica Gallery'' dimana dia bertemu dengan calon istrinya, [[Yoko Ono]].{{sfn|Womack|2007|p=158, 160–161}} [[Ringo Starr]] menggunakan liburannya bersama sang Istri dan Anaknya, Maureen & Zak.<ref>{{harvnb|Harry|2000|pp=323, 333}}; {{harvnb|Julien|2008b|p=2}}.</ref>
 
== Konsep & Inspirasi ==
Sementara di London tanpa teman satu bandnya, McCartney mengambil obat halusinogen [[Asam lisergat dietilamida|LSD]] (atau "asam") untuk pertama kalinya, setelah lama menolak desakan Lennon dan Harrison bahwa ia bergabung dengan mereka dan Starr dalam mengalami efek peningkatan persepsi.{{sfn|Gould|2007|p=388}}{{sfn|Rodriguez|2012|pp=54–56}} Menurut penulis Jonathan Gould, inisiasi ke dalam LSD ini memberi McCartney "sebuah ide baru yang luas" yang menentukan proyek kelompok berikutnya, ''Sgt. Pepper's Lonely Hearts Club Band''. Gould menambahkan bahwa McCartney yang menyerah pada tekanan teman memungkinkan Lennon "untuk memainkan peran sebagai pemandu psychedelic" kepada mitra penulisan lagunya, sehingga memfasilitasi kolaborasi yang lebih dekat antara keduanya daripada yang telah terbukti sejak awal karirkarier The Beatles.{{sfn|Gould|2007|pp=388–89}} Sementara itu, Lennon telah berubah sangat introspektif selama pembuatan film ''How I Won the War'' di Spanyol selatan pada bulan September 1966. Kegelisahannya atas masa depannya dan The Beatles tercermin pada lagu ''"[[Strawberry Fields Forever]]"'' yang akan memberikan tema awal, mengenai masa kecil Liverpool, dari album baru.{{sfn|Everett|1999|p=99}} Sekembalinya ke London, Lennon memeluk budaya seni kota, di mana McCartney menjadi bagian,{{sfn|Rodriguez|2012|p=88}} dan berbagi minat teman satu bandnya pada musik bertemakan [[Avant-garde]] dan Musik Elektronik komposer seperti [[Karlheinz Stockhausen]], John Cage dan Luciano Berio.{{sfn|Sounes|2010|p=165}}{{sfn|Prendergast|2003|p=193}}
 
Pada bulan November, selama penerbangannya kembali bersama Evans dari Kenya, McCartney mempunyai ide untuk lagu yang akhirnya membentuk konsep Sgt. Peppers.{{sfn|Julien|2008b|p=2}} Idenya melibatkan band militer [[Era Edward]], di mana Evans menemukan nama dalam gaya kelompok kontemporer yang berbasis di San Francisco seperti Big Brother and the Holding Company dan [[Quicksilver Messenger Service]].{{sfn|Womack|2007|p=168}}{{refn|group=nb|McCartney has said that the idea for the title came from his mishearing Evans asking for "salt and pepper" over a meal.<ref>{{cite web|url=https://www.paulmccartney.com/news-blogs/news/you-gave-me-the-answer-sgt-pepper-special|title='You Gave Me The Answer' – Sgt. Pepper Special|date=26 April 2017|website=Paulmccartney.com|accessdate=23 August 2017}}</ref> According to [[Larry Portis]], the "Sergeant Pepper" referred to in the song is "the ghost of either Will Pepper or his son [[Harry S. Pepper]]", described by Portis as "two outstanding figures in English show business". Will Pepper was the manager of an Edwardian concert party called "Will C. Pepper's White Coons".<ref>[[Larry Portis]], ''Soul Trains'' (2002), [https://books.google.com/books?id=8ZMcPwDzqCYC&pg=PA224#v=onepage&q&f=false p. 224]: "Sgt. Pepper was the ghost of either Will Pepper or his son Harry S. Pepper, two outstanding figures in English show business."</ref>}} Pada Februari 1967, McCartney menyarankan bahwa The Beatles harus merekam seluruh album yang akan mewakili pertunjukan oleh band fiksi.{{sfn|Moore|1997|pp=20–21}} Grup alter ego ini akan memberikan mereka kebebasan untuk bereksperimen secara musik dengan melepaskan mereka dari citra mereka sebagai Beatles.{{sfn|Miles|1997|pp=303–04}} Martin mengingat :
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* {{cite book|last=Blaney|first=John|year=2007|title=Lennon and McCartney: Together Alone|publisher=Jawbone Press|edition=1st|isbn=978-1-906002-02-2|url={{google books |plainurl=y |id=YkU5AQAAIAAJ}}|ref=harv}}
* {{cite book|editor1-last=Sawyers|editor1-first=June Skinner|title=Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter|chapter= Robert Christgau: 'Secular Music', from ''Esquire'' magazine|last=Christgau|first=Robert|origyear=December 1967|year=2006|publisher=Penguin Books|url={{google books |plainurl=y |id=EIgR8wbhPDoC}} |isbn=978-0-14-303732-3|ref=harv}}
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* {{cite book|ref=harv|last=Covach|first=John|chapter=Progressive Rock, 'Close to the Edge,' and the Boundaries of Style|editor1-last=Covach|editor1-first=John|editor2-last=Boone|editor2-first=Graeme M. |title=Understanding Rock: Essays in Musical Analysis|url=https://books.google.com/books?id=Pj3OqpZCQmUC&pg=PA31|year=1997|publisher=Oxford University Press|location=New York, NY|isbn=978-0-19-535662-5}}
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* {{cite book|first=Peter|last=Doggett|authorlink=Peter Doggett|year=2015|title=Electric Shock: From the Gramophone to the iPhone: 125 Years of Pop Music|url=https://archive.org/details/electricshockfro0000dogg|publisher=The Bodley Head|location=London|isbn=978-1-84792-218-2|ref=harv}}
* {{cite book|editor1-last=Wolf|editor1-first=Werner|editor2-last=Bernhart|editor2-first=Walter|last= Elicker|first=Martina|chapter=Concept Albums: Song Cycles in Popular Music|year=2001|title=Essays on the Song Cycle and on Defining the Field|publisher=Rodopi B.V.|url={{google books |plainurl=y |id=tVPFUS7FIAQC|page=227}}|page=227|isbn=978-90-420-1565-4|ref=harv}}
* {{cite book|last=Emerick |first=Geoff |year=2006 |authorlink=Geoff Emerick |last2=Massey |first2=Howard |title=Here, There and Everywhere: My Life Recording the Music of the Beatles |publisher=Gotham |isbn=978-1-59240-269-4 |ref=harv|url={{google books |plainurl=y |id=WOk8TP8o018C}}}}
* {{cite book|last=Everett|first=Walter|authorlink=Walter Everett (musicologist)|year=1999|title=The Beatles as Musicians: Revolver Through the Anthology|publisher=Oxford University Press|isbn=978-0-19-512941-0|url={{google books |plainurl=y |id=eTkHAldi4bEC}} |ref=harv}}
* {{cite book|last=Frontani|first=Michael R.|year=2007|title=The Beatles: Image and the Media|url=https://archive.org/details/beatlesimagemedi0000fron|publisher=University Press of Mississippi|location=Jackson, MS|isbn=978-1-57806-966-8|ref=harv}}
* {{cite book|last=Gendron|first=Bernard|title=Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde|url=https://archive.org/details/betweenmontmartr0000gend|year=2002|publisher=University of Chicago Press|location=Chicago, IL|isbn=978-0-226-28737-9|ref=harv}}
* {{cite book|last=Glausser |first=Wayne |title=Cultural Encyclopedia of LSD |url=https://archive.org/details/culturalencyclop0000glau |publisher=MacFarland|year=2011|isbn=978-0-7864-4785-5|ref=harv}}
* {{cite book|editor1-last=Sawyers|editor1-first=June Skinner|title=Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter|chapter=We Still Need the Beatles, but&nbsp;... |last=Goldstein|first=Richard|origyear=18 June 1967|year=2006|publisher=Penguin Books|url= {{google books |plainurl=y |id=EIgR8wbhPDoC}} |isbn=978-0-14-303732-3|ref=harv}}
* {{cite book|last=Gould|first=Jonathan|title=Can't Buy Me Love: The Beatles, Britain and America|year=2007|publisher=Three Rivers Press|edition=First Paperback|isbn=978-0-307-35338-2|url={{google books |plainurl=y |id=gTAjZ235qfsC}} |ref=harv}}
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* {{cite book|last=Greene|first=Doyle|year=2016|title=Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era|publisher=McFarland|location=Jefferson, NC|isbn=978-1-4766-6214-5|ref=harv}}
* {{cite book|last=Hannan|first=Michael |year=2008|chapter= The sound design of ''Sgt. Pepper's Lonely Hearts Club Band''|title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|publisher=Ashgate|isbn=978-0-7546-6708-7|ref=harv|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}}}
* {{cite book|last=Harry |first=Bill |authorlink=Bill Harry|year=2000|title=The John Lennon Encyclopedia |url=https://archive.org/details/johnlennonencycl0000harr |publisher=Virgin |isbn=978-0-7535-0404-8 |ref=harv}}
* {{cite book|last=Harry|first=Bill|title=The Paul McCartney Encyclopedia|year=2002|publisher=Virgin|isbn=978-0-7535-0716-2|ref=harv}}
* {{cite book|last=Howard|first=David N.|year=2004|title=Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings|url=https://books.google.com/books?id=y4Sk0FNXkjcC&pg=PA64&dq=rubber+soul+album+without+filler#v=onepage&q=rubber%20soul%20album%20without%20filler&f=false |publisher=Hal Leonard |location=Milwaukee, WI|isbn=978-0-634-05560-7|ref=harv}}
* {{cite book|first=Chris|last=Ingham|title=The Rough Guide to the Beatles |url=https://archive.org/details/roughguidetobeat0000ingh|edition=2nd|publisher=Rough Guides/Penguin|location=London|year=2006 |isbn=978-1-84836-525-4|ref=harv}}
* {{cite book|last=Inglis|first=Ian |year=2008|chapter= Cover story: magic, myth, and music|title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|publisher=Ashgate|isbn=978-0-7546-6708-7|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}|ref=harv}}
* {{cite book|last=Jones|first=Carys Wyn|title=The Rock Canon: Canonical Values in the Reception of Rock Albums|url=https://books.google.com.au/books?id=AiQxDwAAQBAJ&source=gbs_book_other_versions |year=2016|origyear=2008|publisher=Routledge|location=Abingdon, UK|isbn=978-0-7546-6244-0|ref=harv}}
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* {{cite book|last=Julien|first=Olivier |year=2008c|chapter= 'A lucky man who made the grade': ''Sgt. Pepper'' and the rise of a phonographic tradition in twentieth-century popular music |title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|location=|publisher=Ashgate|isbn=978-0-7546-6708-7|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}|ref=harv}}
* {{cite book|last=Kimsey|first=John |year=2008|chapter= The Whatchamucallit in the garden: ''Sgt. Pepper'' and fables of interference |title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|publisher=Ashgate|isbn=978-0-7546-6708-7|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}|ref=harv}}
* {{cite book|last=Larkin|first=Colin|authorlink=Colin Larkin (writer)|title=Guinness Book of Top 1000 Albums|url=https://archive.org/details/alltimetop1000al0000lark_e9k1|publisher=Gullane Children's Books|year=1994|edition=1|isbn=978-0-85112-786-6|ref=harv}}
* {{cite book|first=Colin (ed.)|last=Larkin|year=2006|title=The Encyclopedia of Popular Music ''(4th edn)''|url=https://archive.org/details/encyclopediaofpo0007unse|location=London|publisher=Oxford University Press|isbn=978-0-19-531373-4|ref=harv}}
* {{cite book|last=Lavezzoli|first=Peter|title=The Dawn of Indian Music in the West|url=https://archive.org/details/dawnofindianmusi0000lave|publisher=Continuum|location=New York, NY|year=2006|isbn=0-8264-2819-3|ref=harv}}
* {{cite book|editor1-last=Levy|editor1-first=Joe|year=2005|edition=First Paperback|title=Rolling Stone's 500 Greatest Albums of All Time|publisher=Wenner Books|isbn=978-1-932958-61-4|url=https://archive.org/details/rollingstones5000000unse|ref=harv}}
* {{cite book|first=Mark|last=Lewisohn|authorlink=Mark Lewisohn|title=The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970|publisher=Bounty Books|location=London|year=2005|origyear=1988|isbn=978-0-7537-2545-0|ref=harv}}
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* {{cite book|editor1-last=Marcus|editor1-first=Greil|title=Stranded: Rock and Roll for a Desert Island |year=2007|edition=2|publisher=Da Capo|isbn=978-0-306-81532-4|url={{google books |plainurl=y |id=JNctDAFKuioC}} |ref=harv}}
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* {{cite book|last1=Martin|first1=George|first2=William|last2=Pearson|title=Summer of Love: The making of Sgt. Pepper|year=1994|publisher=Macmillan|isbn=978-0-333-60398-7|ref=harv}}
* {{cite book|last=Miles|first=Barry|authorlink=Barry Miles|title=Paul McCartney: Many Years From Now|year=1997|publisher=Henry Holt & Company|edition=1st Hardcover|isbn=978-0-8050-5248-0|url={{google books |plainurl=y |id=-eh8BedNtLgC}} |ref=harv}}
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* {{cite book|last=Moore|first=Allan F.|year=2002|title=Rock: The Primary Text: Developing a Musicology of Rock|publisher=Ashgate|edition=2nd|isbn=978-0-7546-0298-9|ref=harv}}
* {{cite book|last=Moore|first=Allan F.|year=2008|chapter=The act you've known for all these years: a re-encounter with ''Sgt. Pepper'' |title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|publisher=Ashgate|isbn=978-0-7546-6708-7|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}|ref=harv}}
* {{cite book|last=Norman|first=Philip|authorlink=Philip Norman (author)|title=Paul McCartney: The Biography|url=https://archive.org/details/paulmccartneybio0000norm|year=2016|publisher=Weidenfeld & Nicolson|location=London|isbn=978-0-297-87075-3|ref=harv}}
* {{cite book|last=Philo|first=Simon|title=British Invasion: The Crosscurrents of Musical Influence|url=https://books.google.com/books?id=WqiDBQAAQBAJ|year=2015|publisher=Rowman & Littlefield|location=Lanham, MD|isbn=978-0-8108-8626-1|ref=harv}}
* {{cite book|first=Mark|last=Prendergast|title=The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age|url=https://books.google.com.au/books?id=No48PgAACAAJ&source=gbs_book_other_versions|publisher=Bloomsbury|location=New York, NY|year=2003|isbn=1-58234-323-3|ref=harv}}
* {{cite book|first=Tim|last=Riley|authorlink=Tim Riley (music critic)|title=Tell Me Why – The Beatles: Album by Album, Song by Song, the Sixties and After|url=https://books.google.com/books?id=JXn8AgAAQBAJ&dq |publisher=Da Capo Press|location=Cambridge, MA|year=2002|origyear=1988|isbn=978-0-306-81120-3|ref=harv}}
* {{cite book|last=Roberts|first=David (editor) |title=British Hit Singles & Albums |url=https://archive.org/details/britishhitsingle0000unse_s2a5|publisher=Guinness World Records Limited |edition=18 |year=2005 |isbn=978-1-904994-00-8 |ref=harv}}
* {{cite book|last=Rodriguez|first=Robert|title=Revolver: How the Beatles Reimagined Rock 'n' Roll|year=2012|publisher=Backbeat Books|location=Milwaukee, WI|isbn=978-1-61713-009-0|url={{google books |plainurl=y |id=farlJScWrTMC}} |ref=harv}}
* {{cite book|last=Romano|first=Will|title=Mountains Come Out of the Sky: The Illustrated History of Prog Rock|url=https://archive.org/details/mountainscomeout0000roma|date=2010|publisher=Backbeat Books|isbn=978-1-61713-375-6 |ref=harv}}
* {{cite book|last=Romanowski|first=William D.|title=Pop Culture Wars: Religion and the Role of Entertainment in American Life|url=https://books.google.com.au/books?id=D41LAwAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false|year=2006|publisher=Wipf and Stock|location=Eugene, OR|isbn=978-1-59752-577-0|ref=harv}}
* {{cite book|last=Rosen|first=Craig|title=The Billboard Book of Number One Albums|year=1996|publisher=Billboard Books|isbn=978-0-8230-7586-7|ref=harv}}
* {{cite journal|last=Scapelliti|first=Christopher|title=The Making of ''Sgt. Pepper'': Rock's Big Bang|journal=[[Guitar World]] |volume=28|issue=6|date=June 2007|url=|ref=harv}}
* {{cite book|last=Schaffner|first=Nicholas|authorlink=Nicholas Schaffner|title=The Beatles Forever|url=https://archive.org/details/beatlesforever00schaf|year=1978|publisher=McGraw-Hill|isbn=0-07-055087-5|ref=harv}}
* {{cite book|last=Sheff|first=David|authorlink=David Sheff|editor1-last=Golson|editor1-first=G. Barry|year=1981|edition=2000|title=All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono|publisher=St Martin's Griffin|isbn=978-0-312-25464-3|url={{google books |plainurl=y |id=HL7X-YyrINUC}}|ref=harv}}
* {{cite book|last=Simonelli|first=David|title=Working Class Heroes: Rock Music and British Society in the 1960s and 1970s|url=https://books.google.com.au/books?id=mnrwy7P3KvQC&dq=%22jack+Kroll%22+%22A+Day+in+the+Life%22&source=gbs_navlinks_s|year=2013|publisher=Lexington Books|location=Lanham, MD|isbn=978-0-7391-7051-9|ref=harv}}
* {{cite book|last=Smith|first=Chris|title=101 Albums That Changed Popular Music|url=https://archive.org/details/101albumsthatcha0000smit|publisher=Oxford University Press|location=New York, NY|year=2009|isbn=978-0-19-537371-4|ref=harv}}
* {{cite book|last=Sounes|first=Howard|title=Fab: An Intimate Life of Paul McCartney |year=2010|publisher=Da Capo Press|isbn=978-0-306-81783-0|url={{google books |plainurl=y |id=jQJk-qRy5IUC}} |ref=harv}}
* {{cite book|last=Spitz|first=Bob|authorlink=Bob Spitz|title=The Beatles: The Biography|url=https://archive.org/details/beatlesbiography00spitz|year=2005|publisher=Little, Brown and Company|isbn=978-0-7394-6966-8|ref=harv}}
* {{cite book|last=Tillery|first=Gary|authorlink=Gary Tillery|title=Working Class Mystic: A Spiritual Biography of George Harrison|year=2011|publisher=Quest|isbn=978-0-8356-0900-5|url={{google books |plainurl=y |id=ajhTvx3NQPYC}} |ref=harv}}
* {{cite book|last=Turner|first=Steve|authorlink=Steve Turner (writer)|title=Beatles '66: The Revolutionary Year|url=https://archive.org/details/beatles66revolut0000turn|year=2016|publisher=Ecco|location=New York, NY|isbn=978-0-06-247558-9|ref=harv}}
* {{cite book|last=Wagner|first=Naphtali|year=2008|chapter= The Beatles' psycheclassical synthesis: psychedelic classicism and classical psychedelia in ''Sgt. Pepper''|title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|location=|publisher=Ashgate|isbn=978-0-7546-6708-7|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}|ref=harv}}
* {{cite book|last=Wiener |first=Allen J.|year=1992 | title=The Beatles: The Ultimate Recording Guide |publisher= Checkmark Books |isbn=978-0816025114 |ref=harv}}
* {{cite book|last=Whiteley|first=Sheila|year=2008|chapter= 'Tangerine trees and marmalade skies': cultural agendas or optimistic escapism? |title= Sgt. Pepper and the Beatles: It Was Forty Years Ago Today|editor-last=Julien |editor-first=Olivier|publisher=Ashgate|isbn=978-0-7546-6708-7|ref=harv|url={{google books |plainurl=y |id=vZ-SB57WBo8C}}}}
* {{cite book|last=Winn|first=John C.|year=2009|title=That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970|url=https://archive.org/details/thatmagicfeeling0002winn|publisher=Three Rivers Press|location=New York, NY|isbn=978-0-307-45239-9|ref=harv}}
* {{cite book|last= Womack |first= Kenneth |authorlink=Kenneth Womack|year= 2007 | title = Long and Winding Roads: The Evolving Artistry of the Beatles|url= https://archive.org/details/longwindingroads0000woma |publisher= Continuum |isbn= 978-0-8264-1746-6 |ref=harv}}
* {{cite book|last=Womack|first=Kenneth|year=2014|title=The Beatles Encyclopedia: Everything Fab Four|publisher=ABC-CLIO|location=Santa Barbara, CA|isbn= 978-0-313-39171-2|ref=harv}}
* {{cite book|last=Womack|first=Kenneth|year=2018|title=Sound Pictures: The Life of Beatles Producer George Martin – The Later Years, 1966–2016|url=https://books.google.com/books?id=qghODwAAQBAJ|publisher=Chicago Review Press|location=Chicago, IL|isbn=978-0-912777-74-0|ref=harv}}
Baris 190:
* {{cite book|last=Roberts|first=Michael James|title=Tell Tchaikovsky the News: Rock ’n’ Roll, the Labor Question, and the Musicians’ Union, 1942–1968|url=https://books.google.com/books?id=pIBXAwAAQBAJ|year=2014|publisher=Duke University Press|isbn=978-0-8223-7883-9}}
 
== ExternalPranala Linkluar ==
{{Sister project links |display=''Sgt. Pepper's Lonely Hearts Club Band'' |commonscat=yes |c=Sgt. Pepper's Lonely Hearts Club Band
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