Film yatim: Perbedaan antara revisi
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== Sejarah ==
Asal muasal istilah film yatim masih belum jelas. Namun pada 1990an, para pengarsip film umumnya memakai kolokuialisme tersebut untuk merujuk kepada film-film yang ditinggal oleh para pemiliknya. Sebelum akhir dekade tersebut, frase tersebut dianggap sebagai kiasan bagi penyajian film, mula-mula di Amerika Serikat, kemudian dunia.<ref>Gregory Lukow, "The Politics of Orphanage: The Rise and Impact of the 'Orphan Film' Metaphor on Contemporary Preservation Practice", paper delivered at the University of South Carolina symposium, "Orphans of the Storm: Saving Orphan Films in the Digital Age", September 23, 1999. http://www.sc.edu/filmsymposium/archive/orphans2001/lukow.html {{Webarchive|url=https://web.archive.org/web/20230416025214/http://www.sc.edu/filmsymposium/archive/orphans2001/lukow.html |date=2023-04-16 }} . As early as October 1950 ''Industrial Marketing'' magazine referred to 16mm industrial sales movies as orphan films. Restoration expert Robert Gitt was quoted using the metaphor as early as 1992, to refer to silent-era films, newsreels, and kinescopes. Robert Epstein, “Mining Hollywood's Old Movie Gold,” ''Los Angeles Times'', July 16, 1992, p. F1.</ref>
== Referensi ==
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=== Daftar pustaka ===
* Asch, Mark. [http://www.thelmagazine.com/TheMeasure/archives/2010/01/22/three-questions-for-cullen-gallagher-about-the-orphan-film-symposium "Three Questions for Cullen Gallagher About the Orphan Film Symposium,"] {{Webarchive|url=https://web.archive.org/web/20131025151944/http://www.thelmagazine.com/TheMeasure/archives/2010/01/22/three-questions-for-cullen-gallagher-about-the-orphan-film-symposium |date=2013-10-25 }} ''The L Magazine,'' January 22, 2010.
* Boyle, James, et al. [http://www.law.duke.edu/cspd/orphanworks.html ''Access to Orphan Films''] {{Webarchive|url=https://web.archive.org/web/20070607055402/http://www.law.duke.edu/cspd/orphanworks.html |date=2007-06-07 }}, submission to the Copyright Office, from the Center for the Study of the Public Domain, Duke University Law School, March 2005.
* Cave, Dylan. “Born Digital – Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm,” ''The Moving Image'' 8.1 (Spring 2008): 1–13.
* [[Paolo Cherchi Usai|Cherchi Usai, Paolo]]. "What Is an Orphan Film? Definition, Rationale, Controversy." Paper delivered at the symposium "Orphans of the Storm: Saving Orphan Films in the Digital Age", University of South Carolina, September 23, 1999. Transcript at http://www.sc.edu/filmsymposium/archive/orphans2001/usai.html {{Webarchive|url=https://web.archive.org/web/20230416025214/http://www.sc.edu/filmsymposium/archive/orphans2001/usai.html |date=2023-04-16 }}
* Cherchi Usai, Paolo. "Are All (Analog) Films 'Orphans'? A Pre-digital Appraisal," ''The Moving Image'' 9.1 (2009): 1–18.
* Coffey, Liz. “Orphans of the Storm III: Listening to Orphan Films,” ''The Moving Image'' 3.2 (Fall 2003): 128–32.
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* Frick, Caroline. “Beyond Hollywood: Enhancing Heritage with the 'Orphan' Film," ''International Journal of Heritage Studie'' 14.4 (2008): 319–31.
* Frick, Caroline. 'Saving Cinema: The Politics of Preservation' (Oxford University Press, 2010).
* Goldsmith, Leo. [http://www.movingimagesource.us/articles/adventures-in-preservation-20100610 "Adventures in Preservation: A Report from the 7th Orphan Film Symposium,"] {{Webarchive|url=https://web.archive.org/web/20230626055741/http://movingimagesource.us/articles/adventures-in-preservation-20100610 |date=2023-06-26 }} ''Moving Image Source,'' June 10, 2010.
* Horak, Jan-Christopher. “Editor's Introduction,” ''The Moving Image'' 6.2 (2006): vi–viii.
* Horak, Jan-Christopher. “The Strange Case of ''The Fall of Jerusalem'': Orphans and Film Identification,” ''The Moving Image'' 5.2 (2005): 26–49.
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* [http://btlj.org/2013/03/11/volume-27-issue-3-symposium-2012 Orphan Works and Mass Digitization: Obstacles and Opportunities] {{Webarchive|url=https://web.archive.org/web/20140714222941/http://btlj.org/2013/03/11/volume-27-issue-3-symposium-2012/ |date=2014-07-14 }}, ''Berkeley Technology Law Journal'' 27.3 (2012): 1251-1550.
* Prelinger, Rick. ''The Field Guide to Sponsored Films''. San Francisco: National Film Preservation Foundation, 2006.
* Prelinger, Rick. "On the Virtues of Preexisting Material," [http://blackoystercatcher.blogspot.com/2007/05/on-virtues-of-preexisting-material.html Black Oyster Catcher] {{Webarchive|url=https://web.archive.org/web/20140216221013/http://blackoystercatcher.blogspot.com/2007/05/on-virtues-of-preexisting-material.html |date=2014-02-16 }}, blog, May 30, 2007. Republished as "Prelinger Manifesto: On the Virtues of Preexisting Material," [http://enclosureofthecommons.wordpress.com/2010/02/23/prelinger-manifesto-on-the-virtues-of-preexisting-material/ ''Enclosure of the Commons'' blog] {{Webarchive|url=https://web.archive.org/web/20230419224625/https://enclosureofthecommons.wordpress.com/2010/02/23/prelinger-manifesto-on-the-virtues-of-preexisting-material/ |date=2023-04-19 }} Feb. 23, 2010; and in [http://contentsmagazine.com/articles/on-the-virtues-of-preexisting-material/ ''Contents'' magazine no. 5] {{Webarchive|url=https://web.archive.org/web/20140809071116/http://contentsmagazine.com/articles/on-the-virtues-of-preexisting-material/ |date=2014-08-09 }} (2013).
* Prelinger, Rick, with Raegan Kelly. “Panorama Ephemera,” [http://www.vectorsjournal.net/index.php?page=7&projectId=58 ''Vectors: Journal of Culture and Technology in a Dynamic Vernacular''] {{Webarchive|url=https://web.archive.org/web/20061221134800/http://www.vectorsjournal.net/index.php?page=7&projectId=58 |date=2006-12-21 }}, vol. 2.
* Schwartz, Eric J. and Matt Williams. “Access to Orphan Works: Copyright Law, Preservation, and Politics,” ''Cinema Journal'' 46.2 (Winter 2007): 139–45.
* Streible, Dan. “Orphan Films,” [http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0064.xml ''Oxford Bibliographies Online: Cinema and Media Studies,'''] {{Webarchive|url=https://web.archive.org/web/20221108144613/https://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0064.xml |date=2022-11-08 }} ed. Krin Gabbard (Oxford University Press, added Oct. 29, 2013). DOI: 10.1093/OBO/9780199791286-0064.
* Streible, Dan. “The Role of Orphan Films in the 21st Century Archive,” ''Cinema Journal'' 46.3 (Spring 2007): 124–28.
* Streible, Dan. “Saving, Studying, and Screening: A History of the Orphan Film Symposium.” In ''Film Festival Yearbook 5: Archival Film Festivals''. Edited by Alex Marlow-Mann (St. Andrews, UK: St. Andrews Film Studies, 2013), 163-76.
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* Tynes, Teri. "*Gustav Deutsch and the Art of Found Footage.” Originally for ''Reframe'' (Tribeca Film Institute blog), May 6, 2009. [http://www.gustavdeutsch.net/index.php/en/bibliography/205-gustav-deutsch-and-the-art-of-found- footage.html Access via the filmmaker’s website] {{Webarchive|url=https://web.archive.org/web/20140714222406/http://www.gustavdeutsch.net/index.php/en/bibliography/205-gustav-deutsch-and-the-art-of-found- |date=2014-07-14 }}.
* Van Gompel, Stef and P. Bernt Hugenholtz. [http://www.informaworld.com/smpp/content~db=all~content=a919084373 “The Orphan Works Problem: The Copyright Conundrum of Digitizing Large-Scale Audiovisual Archives, and How to Solve It]," ''Popular Communication: International Journal of Media and Culture'', 8.1 (2010): 61-71.
* Wilson, Rachel. "Moving Pictures Around the World: The 7th Orphan Film Symposium," [http://www.sensesofcinema.com/2010/festival-reports/%E2%80%9Cmoving-images-around-the-world%E2%80%9D-the-7th-orphan-film-symposium ''Senses of Cinema,'' 55] {{Webarchive|url=https://web.archive.org/web/20230529112404/https://www.sensesofcinema.com/2010/festival-reports/%E2%80%9Cmoving-images-around-the-world%E2%80%9D-the-7th-orphan-film-symposium/ |date=2023-05-29 }} (2010).
* Ziebell Mann, Sarah. “A Meditation on the Orphan, via the University of South Carolina Symposium,” ''AMIA Newsletter'' 47 (Winter 2000), 30, 33.
== Pranala luar ==
* Orphan Film Symposium websites at New York University (Cinema Studies Dept., Tisch School of the Arts), [http://www.nyu.edu/orphanfilms] and at the University of South Carolina (Film and Media Studies Program, College of Arts & Sciences), [http://www.sc.edu/filmsymposium] {{Webarchive|url=https://web.archive.org/web/20230523002809/http://www.sc.edu/filmsymposium/ |date=2023-05-23 }}, including "What is an orphan film?" http://www.sc.edu/filmsymposium/orphanfilm.html {{Webarchive|url=https://web.archive.org/web/20230308220349/http://www.sc.edu/filmsymposium/orphanfilm.html |date=2023-03-08 }}. These sites include audio recordings of talks given at the symposia.
* [https://archive.org/details/OrphanFilmSymposium Orphan Film Symposium Collection], Internet Archive. Created May 3, 2010; last updated June 1, 2014. Audiovisual documentation generated at the Orphan Film Symposium.
* [http://www.filmpreservation.org National Film Preservation Foundation] {{Webarchive|url=https://web.archive.org/web/20220709233729/https://www.filmpreservation.org/ |date=2022-07-09 }}
* Orphan Works Website of the [http://www.ace-film.eu/?page_id=246 Association of European Film Archives and Cinematheques] {{Webarchive|url=https://web.archive.org/web/20141111025814/http://www.ace-film.eu/?page_id=246 |date=2014-11-11 }}
* [http://www.project-forward.eu FORWARD project website] {{Webarchive|url=https://web.archive.org/web/20220309085902/https://project-forward.eu/ |date=2022-03-09 }}
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