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=Kanō Naonobu=
{{Use Canadian English|date=November 2015}}
{{Use dmy dates|date=November 2015}}
[[File:Sanjūrokkasen-gaku - 24 - Kanō Naonobu - Taira no Kanemori.jpg|thumb|alt=|''[[Taira no Kanemori]]'', 1648, from the ''Thirty-Six Immortals of Poetry'']]
'''Kanō Naonobu''' ({{lang|ja|狩野 尚信}}, 25 November 1607 – 7 May 1650) was a Japanese painter of the [[Kanō school]] of painting during the early [[Edo period]]. He was the younger brother of [[Kanō Tan'yū]], with whom he completed a number of prominent commissions for the [[Tokugawa shogunate]]. His style differed somewhat from Tan'yū's in his bold use of [[negative space]] and his mastery of [[ink wash painting]]. Naonobu also used the art name '''Jitekisai''' ({{lang|ja|自適斎}}).
==Life and career==
Naonobu was born in [[Kyoto]] on the 6th day of the 10th month of the 12th year of [[Keichō]] (25 November 1607). He was the second son of the [[Kanō school]] painter [[Kanō Takanobu]] and the younger brother of [[Kanō Tan'yū]], who was to continue the line and become one of the foremost painters of the school.{{sfn|Yasumura|2006|p=44}}
The [[shogun]]ate invited Naonobu to the administrative capital [[Edo]] (modern Tokyo) in 1630, where he established himself at the Takekawa workshop affiliated with the Kanō school and became a {{illm|Goyō eshi|ja|御用絵師|lt=''goyō eshi''}}, an exclusive position painting for the shogunate.{{sfn|Yasumura|2006|p=44}} He studied under his brother Tan'yū{{sfn|Yamashita|2004|p=74}} and was quick to acquire his techniques. The two completed a number of prominent commissions for the shogunate.{{sfn|Yasumura|2006|p=44}}
Naonobu's skills differed somewhat from Tan'yū's, particularly in his delving into [[ink wash painting]] and his bold use of [[negative space]]. His work had a more Japanese feel deriving from nativist [[Yamato-e]] traditions. On gilt sliding doors and partitions he tended to suggest the form of the subject rather than delineate it.{{sfn|Yasumura|2006|p=44}} Works such as the ''Fujimi saigyō-zu byōbu'' screen show his interest in contrasts, depicted an enormous, barely-delineated [[Mount Fuji]] against a background of mostly negative space with a tiny seated figure gazing up at it.{{sfn|Yamashita|2004|p=74}}
In his personal life Naonobu had the nickname Shume ({{lang|ja|主馬}}). He enjoyed trips to Kyoto and visiting the artist and aristocrat [[Kobori Masakazu]]. Naonobu went missing on the 7th day of the 4th month of the 3rd year of [[Keian]] (7 May 1650). He was said to have died of illness, though rumours circulated that he had drowned while fishing or had set off for China.{{sfn|Yasumura|2006|p=44}}
<gallery caption="Folding screen paintings by Kanō Naonobu" mode="packed" heights="220px">
Kanō Naonobu (17th century) Fushimi saigyoku-zu byōbu.jpg|''Fujimi saigyō-zu byōbu'', ink on paper, 155.8 cm × 363.4 cm
Kanō Naonobu (17th century) The Four Sages of Mount Shang.jpg|One of a pair of ''[[byōbu]]'' depicting the The Four Sages of Mount Shang (商山四皓).
</gallery>
==References==
{{Reflist}}
==Works cited==
{{Refbegin|colwidth=40em}}
* {{cite book
|last = Yamashita|<!-- 監修山下裕二 -->
|first = Yūji
|script-title = ja:狩野派決定版
|title = Kanō-ha ketteiban
|language = Japanese
|series = Bessatsu Taiyō
|publisher = [[Heibonsha]]
|year = 2004
|isbn = 978-4-58292131-1
|oclc = 64782262
|ref = harv}}
* {{cite book
|last = Yasumura|<!-- 安村敏信 -->
|first = Toshinobu
|script-title = ja:もっと知りたい狩野派: 探幽と江戸狩野派
|title = Motto Shiritai Kanō-ha: Tan'yū to Edo Kanō-ha
|url = https://books.google.com/books?id=yf_VPAAACAAJ
|year = 2006
|publisher = Tokyo Bijutsu
|isbn = 978-4-8087-0815-3
|ref = harv}}
{{Refend}}
==External links==
*{{Commons-cat-inline}}
{{Portal bar|Biography|Japan|Visual arts}}
{{DEFAULTSORT:Kano, Michinobu}}
[[Category:1607 births]]
[[Category:1650 deaths]]
[[Category:Japanese painters]]
[[Category:17th-century Japanese people]]
[[Category:17th-century Japanese artists]]
[[Category:17th-century painters]]
[[Category:17th-century Japanese painters]]
[[Category:Kanō school]]
=Kanō Yasunobu=
{{Use Canadian English|date=November 2015}}
{{Use dmy dates|date=November 2015}}
[[File:KoreanEmbassy1655KanoTounYasunobu.jpg|thumb|350px|alt=|Korean Embassy to Japan, 1655]]
'''Kanō Yasunobu''' ({{lang|ja|狩野 安信}}, 10 January 1614 – 1 October 1685) was a Japanese painter of the [[Kanō school]] of painting during the [[Edo period]]. He was the third son of [[Kanō Takanobu]], who had been head of the school, and succeeded [[Kanō Sadanobu]] as head of the Kyoto branch in 1623 until he joined his brothers in . Yasunobu was the youngest brother of [[Kanō Tan'yū]], one of the most prominent painters of the Kanō school. His best remembered work is the ''Gadō Yōketsu'', a Kanō school history and training manual. He also worked under the art names '''Eishin''' and '''Bokushinsai'''.
==Life and career==
Kanō Yasunobu was born in Kyoto on the 1st day of the 12th month of the 18th year of [[Keichō]] (10 January 1614). His father was [[Kanō Takanobu]] (1571–1618){{sfn|Yasumura|2006|p=48}} whose two elder sons [[Kanō Tan'yū|Tan'yū]] and [[Kanō Naonobu|Naonobu]] moved to [[Edo]] (modern Tokyo) to become {{illm|Goyō eshi|ja|御用絵師|lt=''goyō eshi''}}, an exclusive position painting for the [[Tokugawa shogunate]]. The Kyoto line continued after Takanobu's death in 1618 under [[Kanō Mitsunobu]]'s son [[Kanō Sadanobu|Sadanobu]], who adopted Yasunobu as he had no heir. Yasunobu succeeded him as head of the Kyoto Kanō in 1623. Yasunobu thus continued the Kyoto line until he also was made ''goyō eshi'' and moved to Edo, though he maintained his claim as head of the Kyoto branch.{{sfn|Gerhart|2003|p=16}}
Yasunobu was a dedicated scholar and painter, but his skill is considered inferior to that of his brothers. His was a studied technique learned through faithful copying of masters' models. His colour work was in the idiom of Tan'yū, and his [[ink wash painting]] had a realistic vigour.{{sfn|Yasumura|2006|p=48}} His most important work was not his painting but the ''Gadō Yōketsu'' ({{lang|ja|画道要訣}},{{sfn|Yamashita|2004|p=75}} ''"The Secret Way of Painting"'',{{sfn|Addiss|Groemer|Rimer|2006|p=248}} 1680), a training manual for Kanō painters and hagiography of the school. Before this book's publication, Kanō techniques were passed down orally from master to apprentice, and there was disunity in the teaching methods of the school's branches.{{sfn|Jordan|2003|pp=22–23}}
Yasunobu died in Edo on the 4th day of the 9th month of the 2nd year of [[Jōkyō]] (1 October 1685). He also worked under the art names Eishin ({{lang|ja|永真}}) and Bokushinsai ({{lang|ja|牧心斎}}).{{sfn|Yasumura|2006|p=48}}
<gallery mode="packed" caption="Works by Kanō Yasunobu" heights="220">
Tokugawa Ietsuna.jpg
Sanjūrokkasen-gaku - 25 - Kanō Yasunobu - Chūnagon Asatada.jpg
Sanjūrokkasen-gaku - 26 - Kanō Yasunobu - Fujiwara no Takamitsu.jpg
Sanjūrokkasen-gaku - 27 - Kanō Yasunobu - Mibu no Tadamine.jpg
Sanjūrokkasen-gaku - 28 - Kanō Yasunobu - Ōnakatomi no Yoritomo Asomi.jpg
Sanjūrokkasen-gaku - 29 - Kanō Yasunobu - Minamoto no Shigeyuki.jpg
Sanjūrokkasen-gaku - 30 - Kanō Yasunobu - Saneakira Asomi.jpg
Sanjūrokkasen-gaku - 31 - Kanō Yasunobu - Minamoto no Shitagō.jpg
Sanjūrokkasen-gaku - 32 - Kanō Yasunobu - Kiyohara no Motosuke.jpg
Sanjūrokkasen-gaku - 33 - Kanō Yasunobu - Fujiwara no Motozane.jpg
Sanjūrokkasen-gaku - 36 - Kanō Yasunobu - Nakatsukasa.jpg
Sanjūrokkasen-gaku - 34 - Kanō Yasunobu - Fujiwara no Nakafumi.jpg
Sanjūrokkasen-gaku - 35 - Kanō Yasunobu - Mibu no Tadami.jpg
</gallery>
==References==
{{Reflist|colwidth=20em}}
==Works cited==
{{Refbegin|colwidth=40em}}
* {{cite book
|last1 = Addiss
|first1 = Stephen
|last2 = Groemer
|first2 = Gerald
|last3 = Rimer
|first3 = J. Thomas
|authorlink3 = J. Thomas Rimer
|title = Traditional Japanese Arts And Culture: An Illustrated Sourcebook
|url = https://books.google.com/books?id=wmDFn2YEEpAC
|year = 2006
|publisher = University of Hawaii Press
|isbn = 978-0-8248-2878-3
|ref = harv}}
* {{cite book
|last = Gerhart
|first = Karen M.
|chapter = Talent, Training, and Power: The Kano Painitng Workshop in the Seventeenth Century
|pages = 9–30
|editor1-first = Jordan
|editor1-last = Brenda G.
|editor2-first = Weston
|editor2-last = Virginia
|title = Copying the Master and Stealing His Secrets
|date = 2003
|isbn = 9780824862008
|publisher = [[University of Hawai'i Press]]
|url = https://muse.jhu.edu/books/9780824862008
|via = [[Project MUSE]]
|subscription = yes
|ref = harv}}
* {{cite book
|last = Jordan
|first = Brenda G.
|title = Copying the Master and Stealing His Secrets: Talent and Training in Japanese Painting
|url = https://books.google.com/books?id=TMCHpmDXUeIC
|year = 2003
|publisher = University of Hawaii Press
|isbn = 978-0-8248-2608-6
|ref = harv}}
* {{cite book
|last = Yamashita|<!-- 監修山下裕二 -->
|first = Yūji
|script-title = ja:狩野派決定版
|title = Kanō-ha ketteiban
|language = Japanese
|series = Bessatsu Taiyō
|publisher = [[Heibonsha]]
|year = 2004
|isbn = 978-4-58292131-1
|oclc = 64782262
|ref = harv}}
* {{cite book
|last = Yasumura|<!-- 安村敏信 -->
|first = Toshinobu
|script-title = ja:もっと知りたい狩野派: 探幽と江戸狩野派
|title = Motto Shiritai Kanō-ha: Tan'yū to Edo Kanō-ha
|url = https://books.google.com/books?id=yf_VPAAACAAJ
|year = 2006
|publisher = Tokyo Bijutsu
|isbn = 978-4-8087-0815-3
|ref = harv}}
{{Refend}}
==External links==
*{{Commons-cat-inline}}
{{Portal bar|Biography|Japan|Visual arts}}
{{DEFAULTSORT:Kano, Michinobu}}
[[Category:1614 births]]
[[Category:1685 deaths]]
[[Category:Japanese painters]]
[[Category:17th-century Japanese people]]
[[Category:17th-century Japanese artists]]
[[Category:17th-century painters]]
[[Category:17th-century Japanese painters]]
[[Category:Kanō school]]
=Kanō Takanobu=
{{Use Canadian English|date=November 2015}}
{{Use dmy dates|date=November 2015}}
[[File:Emperor Go-Yōzei2.jpg|thumb|alt=|Portrait of [[Emperor Go-Yōzei]], {{circa|1610s}}, colour on silk, 107.2 x 60.2 cm]]
'''Kanō Takanobu''' ({{lang|ja|狩野 孝信}}, 1 December 1571 – 18 October 1618) was a Japanese painter of the [[Kanō school]] of painting during the [[Azuchi–Momoyama period]] (1573–{{not a typo|1615}}<!-- in the art world, the Azuchi–Momoyama period is considered to have ended in 1615 -->). He was the father of [[Kanō Tan'yū]], one of the most prominent painters of the school.
==Life and career==
Takanobu was born in [[Kyoto]] on the 25th day of the 11th month of the 2nd year of [[Genki]].{{sfn|Yamashita|2004|p=60}} He was the youngest son{{sfn|Gerhart|2003|p=15}} of the [[Kanō school]] head painter [[Kanō Eitoku]] (1543–90) and younger brother of [[Kanō Mitsunobu]].{{sfn|Yasumura|2006|p=14}}
When [[Kanō Naganobu]] (1577–1654)—Eitoku's brother—moved at the behest of the recently ascendent [[Tokugawa shogunate]] to its new administrative capital of [[Edo]] (modern Tokyo) around 1610–15, Takanobu remained in Kyoto, where the commissions he received indicate he was a favourite of the court. At the time only Takanobu and Naganobu had sufficient skill to head branches of the school.{{sfn|Gerhart|2003|p=15}}
With financial backing from the Tokugawa shogunate, Takanobu conceived and oversaw the painting to be done for the new palace of [[Emperor Go-Mizunoo]], work which was finished in 1614 with Takanobu applying the final touches to many of the sliding panels there and in surrounding buildings.{{sfn|Lillehoj|2011|pp=88–89}} The twenty panels depicting thirty-two Chinese sages in the throne room of the ''[[Kyoto Imperial Palace#Shishin-den|shishin-den]]'' are attributed to Takanobu.{{sfn|Lillehoj|2011|p=91}} These panels are some of the few works of Takanobu to have survived, and are the oldest surviving paintings from the ''shishin-den''.{{sfn|Lillehoj|2011|p=96}}
In 1617 Naganobu's eldest son [[Kanō Tan'yū|Tan'yū]] was called to Edo and made a {{illm|Goyō eshi|ja|御用絵師|lt=''goyō eshi''}}, an exclusive position painting for the shogunate. Another son, [[Kanō Naonobu]] (1607–50), succeeded as head of the Kyoto branch upon Takanobu's death in 1618, though he too moved to Edo{{sfn|Gerhart|2003|pp=15–16}} in 1630.{{sfn|Yasumura|2006|p=44}} The line continued under Mitsunobu's son [[Kanō Sadanobu|Sadanobu]], who died without an heir in 1623 but had adopted Takanobu's youngest son [[Kanō Yasunobu|Yasunobu]], who thus continued the Kyoto line until he also was made ''goyō eshi'' and moved to Edo, though he maintained his claim as head of the Kyoto branch.{{sfn|Gerhart|2003|p=16}}
{{clear}}
<gallery caption="Works by Kanō Takanobu" mode="packed" heights="220px">
Hotei by Kano Takanobu, 1616, Metropolitan Museum of Art, 2006.115.jpg|[[Hotei]], 1616
Portrait of Murasaki Shikibu.jpg|Portrait of [[Murasaki Shikibu]]
Rakuchu rakugai zu byobu (Fukuoka City Museum).jpg|File:''Rakuchu Rakugai-zu'', ''[[byobu]]'' folding screen, [[Azuchi–Momoyama period]]
</gallery>
==References==
{{Reflist|colwidth=20em}}
==Works cited==
{{Refbegin|colwidth=40em}}
* {{cite book
|last = Gerhart
|first = Karen M.
|chapter = Talent, Training, and Power: The Kano Painitng Workshop in the Seventeenth Century
|pages = 9–30
|editor1-first = Jordan
|editor1-last = Brenda G.
|editor2-first = Weston
|editor2-last = Virginia
|title = Copying the Master and Stealing His Secrets
|date = 2003
|isbn = 9780824862008
|publisher = [[University of Hawai'i Press]]
|url = https://muse.jhu.edu/books/9780824862008
|via = [[Project MUSE]]
|subscription = yes
|ref = harv}}
* {{cite book
|last = Lillehoj
|first = Elizabeth
|title = Art and Palace Politics in Early Modern Japan, 1580s–1680s
|url = https://books.google.com/books?id=-TMVF6kpoqkC
|year = 2011
|publisher = [[Brill Publishers]]
|isbn = 90-04-20612-4
|ref = harv}}
* {{cite book
|last = Yamashita|<!-- 監修山下裕二 -->
|first = Yūji
|script-title = ja:狩野派決定版
|title = Kanō-ha ketteiban
|language = Japanese
|series = Bessatsu Taiyō
|publisher = [[Heibonsha]]
|year = 2004
|isbn = 978-4-58292131-1
|oclc = 64782262
|ref = harv}}
* {{cite book
|last = Yasumura|<!-- 安村敏信 -->
|first = Toshinobu
|script-title = ja:もっと知りたい狩野派: 探幽と江戸狩野派
|title = Motto Shiritai Kanō-ha: Tan'yū to Edo Kanō-ha
|url = https://books.google.com/books?id=yf_VPAAACAAJ
|year = 2006
|publisher = Tokyo Bijutsu
|isbn = 978-4-8087-0815-3
|ref = harv}}
{{Refend}}
==External links==
*{{Commons-cat-inline}}
{{Portal bar|Biography|Japan|Visual arts}}
{{DEFAULTSORT:Kano, Michinobu}}
[[Category:1571 births]]
[[Category:1618 deaths]]
[[Category:Japanese painters]]
[[Category:16th-century Japanese people]]
[[Category:17th-century Japanese people]]
[[Category:16th-century Japanese artists]]
[[Category:17th-century Japanese artists]]
[[Category:16th-century painters]]
[[Category:17th-century painters]]
[[Category:16th-century Japanese painters]]
[[Category:17th-century Japanese painters]]
[[Category:Kanō school]]
=Kanō Mitsunobu=
{{Japanese name|Kanō}}
'''Kanō Mitsunobu''' ({{lang|ja|狩野 光信}}, 1565–1608) was a son of [[Kanō Eitoku]] and an influential artist of the [[Kanō school]] of [[Japanese painting]].
== Biography ==
Scholars disagree on the year of Mitsunobu's birth, placing it in either 1561 or 1565. The earliest record of his involvement on any major project was in conjunction with his father's commission to paint elements of [[Oda Nobunaga]]'s [[Azuchi Castle]]. He also worked with his father on a number of other major [[Japanese castle|castles]] and palaces, including [[Osaka Castle]], [[Kyoto Gosho]], and [[Toyotomi Hideyoshi]]'s [[Jurakudai]] palace.
He received a commission from [[Toyotomi Hideyori]] to paint the ceiling of the main hall of [[Shōkoku-ji]] in Kyoto with dragons.<ref>http://zen.rinnou.net/head_temples/11shokoku.html</ref>
After his father's death in 1590, Mitsunobu became the head of the family and of the school. He took over the Kyoto Imperial Palace project, and continued to receive many illustrious commissions. However, in part due to his poor leadership skills and political ability, he lost many commissions and patrons to the rival [[Hasegawa school]] of painting.
== Style ==
[[File:Toyotomi Hideyoshi.jpg|thumb|Portrait of [[Toyotomi Hideyoshi]], by Kanō Mitsunobu]]
While a master of the fundamental Kanō school style, and that of his father, Mitsunobu expressed elements of his own preferences and skills in his paintings. His color paintings of flowers, trees and similar subjects made extensive use of gold-leaf as most Kanō paintings did, but also displayed a delicate, elegant, and gentle lightness.
==References==
{{Reflist}}
*Kaputa, Catherine (1985). "Kanō Mitsunobu." <u>Kodansha Encyclopedia of Japan</u>. Tokyo: Kodansha Ltd.
==External links==
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/84980/rec/1 Momoyama, Japanese Art in the Age of Grandeur], an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Kanō Mitsunobu
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/153737 Bridge of dreams: the Mary Griggs Burke collection of Japanese art], a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Kanō Mitsunobu (see index)
{{Normdaten}}
{{DEFAULTSORT:Kano, Mitsunobu}}
[[Category:1560s births]]
[[Category:1608 deaths]]
[[Category:Japanese painters]]
[[Category:16th-century Japanese people]]
[[Category:17th-century Japanese people]]
[[Category:16th-century Japanese artists]]
[[Category:17th-century Japanese artists]]
[[Category:16th-century painters]]
[[Category:17th-century painters]]
[[Category:16th-century Japanese painters]]
[[Category:17th-century Japanese painters]]
[[Category:Kanō school]]
=Golden Cock and Hen=
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