Ien Ang: Perbedaan antara revisi
Konten dihapus Konten ditambahkan
k Bot: Penggantian teks otomatis (- + ) |
k Bot: Perubahan kosmetika |
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Baris 27:
* Migrasi, Etnisitas dan Multikulturalisme di Australia dan Indonesia
* Representasi dalam Institusi-institusi Budaya Kontemporer
Buku-bukunya yang telah dikenal luas antara lain ''Watching Dallas'', ''Desperately seeking'' ''the audience''
Sebagai seorang akademisi dunia, Ang sering menjadi pembicara utama di Australia dan internasional. Sebagai seorang ''ARC'' ''Professorial Fellow'', Ang senantiasa mengeksplorasi implikasi-implikasi praktis dan teoretis terkait gagasan-gagasan tentang 'kompleksitas budaya' dalam penelitiannya yang berjudul '''Cultural Research for the 21st Century: Building Cultural Intelligence for a Complex World'.'' Dia sangat istimewa dalam penelitan budaya yang bersifat kolaboratif dan telah mengerjakan itu secara ekstensif dengan organisasi-organisasi mitra seperti N''SW Migration Heritage Centre'', ''The Art Gallery of New South Wales, The Special Broadcasting Service and the Museum of Contemporary Art.'' Profesor Ang dianugerahi gelar ''Distinguished Professor oleh Western Sydney University'' sebagai suatu bentuk pengakuan terhadap rekam jejak dan keunggulannya yang istimewa penelitiannya. Dia adalah orang pertama yang mendapat penghargaan bergengsi ini dari [http://www.uws.edu.au/ics/people/researchers/ien_ang Universitas].
Baris 90:
=== Chapter Buku ===
* Ang, I 2013, 'No longer Chinese? residual Chineseness after the rise of China', in J Kuehn, K Louie & DM Pomfret (eds), ''Diasporic Chineseness after the rise of China: communities and cultural production'', University of British Columbia Press, Vancouver, pp. 17–31.
* Ang, I 2013, 'On display: the state of the world', in T Winter (ed.), ''Shanghai Expo: an international forum on the future of cities'', Routledge, London, pp. 101–19.
* Ang, I 2012, 'Culture as a site of struggle: the contribution of cultural studies', in Z Ibrahim & J Petaling (eds), ''Social science and knowledge in a globalising world'', PSSM and Strategic Information and Research Development Centre, Malaysia, pp. 313–22.
* Ang, I & Mar, P 2011, 'Making art matter: navigating the collaborative turn', in B Zelizer (ed.), ''Making the university matter'', Routledge, London & New York, pp. 113–21.
* Ang, I & Pothen, N 2011, 'The transnational communication of "racism": media, migration, and the shaping of international relations', in T Kuhn (ed.), ''Matters of communication: political, cultural, and technological challenges to communication theorizing,'' Hampton Press, New York, pp. 125–44.
* Ang, I 2011, 'Unsettling the national: heritage and diaspora', in H Anheier & YR Isar (eds), ''Heritage, memory and identity,'' Sage, Los Angeles, London, New Delhi, Singapore & Washington DC, pp. 82–94.
* Ang, I 2011, 'Partnerships for contemporary art: bridging diverging worlds', in E Lally, I Ang, & K Anderson (eds), ''The art of engagement: culture, collaboration, innovation'', University of Western Australia Press, Perth, pp. 69–91.
* Mar, P, Lally, E, Ang, I & Kelly, M 2011, 'The artists and their projects: Craig Walsh, Heads Up; Sylvie Blocher/Campement Urbain, The Panthers of the Future/The Future of the Panthers; Ash Keating, Activate 2750; Jeanne van Heeswijk, Talking Trash: Personal Relationships with Waste', in E Lally, I Ang, & K Anderson (eds), ''The art of engagement: culture, collaboration, innovation'', University of Western Australia Press, Perth, pp. 19–63.
* Ang, I, Lally, E, Anderson K, Mar P & Kelly M 2011, 'Introduction: what is the art of engagement?', in E Lally, I Ang, & K Anderson (eds), ''The art of engagement: culture, collaboration, innovation'', University of Western Australia Press, Perth, pp. 1–13.
* Anderson, K, Ang, I & Lally, E 2011, 'Conclusion', in E Lally, I Ang, & K Anderson (eds), ''The art of engagement: culture, collaboration, innovation'', University of Western Australia Press, Perth, pp. 225–29.
* Ang, I 2010, 'Complex', in N Tsoutas (ed.), ''Australian'', Casula Powerhouse, Casula, pp. 32–38.
Baris 110:
* Ang, I 2005, 'Who needs cultural research?', in P Leystina (ed.), ''Cultural studies and practical politics: theory, coalition building, and social activism'', Blackwell, New York, pp. 477–83.
* Ang, I 2004, 'Beyond transnational nationalism: questioning the borders of the Chinese diaspora in the global city', in BSA Yeoh & K Willis (eds), ''State/nation/transnation: perspectives of transnationalism in the Asia-Pacific'' , Routledge, London & New York, pp. 179–98.
* Ang, I 2004, 'The cultural intimacy of TV drama', in K Iwabuchi (ed.), ''Feeling Asian modernities: transnational consumption of Japanese TV dramas'' , Hong Kong University Press, Hong Kong, pp. 303–09.
* Ang, I 2003, 'Im Reich der Unsicherheit. Das globale Dorf und die kapitalistische Postmoderne', in A Hepp & C Winter (eds), ''Die Cultural Studies Kontroverse'', Klumpen Verlag, Hamburg, pp. 84–110.
* Ang, I 2003, 'From White Australia to Fortress Australia: the anxious nation in the new century', in L Jayasuriya, D Walker & J Gothard (eds), ''Legacies of White Australia: race, culture and nation'', University of Western Australia Press, Crawley, pp. 51–69.
Baris 124:
* Ang, I, Isar, YR & Mar, P 2015, 'Cultural diplomacy: beyond the national interest?' , ''International Journal of Cultural Policy'', vol. 21, no. 4, pp. 365–381. Special issue: Cultural diplomacy – beyond the national interest? (guest eds I Ang, YR Isar & P Mar).
* Ang, I 2015, 'At home in Asia? Sydney's Chinatown and Australia's "Asian Century"' , ''International Journal of Cultural Studies''.
* Ang, I 2014, 'Beyond unity in diversity: cosmopolitanizing identities in a globalizing world', ''Diogenes'', vol. 60, no. 1, pp. 10–20.
* Ang, I 2014, 'Beyond Chinese groupism: Chinese Australians between assimilation, multiculturalism and diaspora', ''Ethnic and Racial Studies'', vol. 37, no. 7, pp. 1184–1196.
* Ang, I 2014, 'Not yet post-Asia: paradoxes of identity and knowledge in transational times', ''Asian Cinema'', vol. 25, no. 2, pp. 125–137.
* Ang, I 2013, 'Cultural studies matters (does it?): engaging inter/disciplinarity' , ''Inter-Asia Cultural Studies'', vol. 14, no. 3, pp. 432–37.
* Ang, I 2012, 'Dépasser l'unité dans la diversité: pour des identitiés cosmopolites' , ''Diogène'', vol. 237, pp. 12–27.
Baris 139:
* Hawkins, G & Ang, I 2007, 'Inventing SBS: televising the foreign' , ''ACH: The Journal of the History of Culture in Australia'', vol. 26, no.1, pp. 1–14.
* Ang, I & Cassity, E 2006, 'Humanities-industry partnerships and the "knowledge society": the Australian experience' , ''Minerva'', vol. 44, no. 1, pp. 47–63.
* Ang, I 2006, 'From cultural studies to cultural research: engaged scholarship in the 21st century' , ''Cultural Studies Review,'' vol. 12, no. 2, pp. 183–97.
* Ang, I 2005, 'The predicament of diversity: multiculturalism in practice at the art museum' , ''Ethnicities'', vol. 5, no. 3, pp. 305–20.
* Ang, I 2005, 'De-Americanizing the global? Overcoming fundamentalism in a volatile world' ,''Comparative American Studies'', vol. 3, no. 3, pp. 267–81.
Baris 149:
* Ang, I 2002, 'After "911": defending the global city' , ''Ethnicities'', vol. 2, no. 2, pp. 160–62.
* Ang, I 2001, 'Intertwining histories: heritage and diversity' , ''Australian Humanities Review'', 24 September.
* Ang, I & Stratton J 1996, 'Asianing Australia: notes toward a critical transnationalism in cultural studies', ''Cultural Studies'', vol. 10, no. 1, pp. 16–36.
=== Laporan ===
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