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Baris 67: [[File:Brit Mus 13sept10 brooches etc 015-crop.jpg\|thumb\|[[Kerongsang Breadalbane]], Irlandia, abad ke-8, diubah dari bentuk penanuler semunya di Skotlandia pada abad ke-9.<ref>Youngs, 94–95</ref>]] Teknik-teknik mencakup [[chip-carving]], cast "imitation chip-carving", [[filigree]], [[engraving]], inlays of various types including [[niello]], kaca dan email [[champlevé]], serta berbagai macam teknik tempa dan tatah: "the range of materials and techniques is almost the full range known to man."<ref>Youngs, 171–173, quote 171</ref> Two techniques that do not appear are the "true pierced openwork ''[[interasile]]'', much used in Byzantine jewellery",<ref>Youngs, 171–173</ref> and the [[cloisonné]] work that typified ~~much~~banyak ~~Western~~perhiasan ~~European~~Eropa ~~jewellery~~Barat, ~~and~~dan ~~especially~~teristimewa ~~large~~fibula-fibula ~~fibulae~~besar, at the time, whether in enamel or stone inlays like the garnets used so effectively at Sutton Hoo and in the Anglo-Saxon [[Khazanah Staffordshire]]. Pada kerongsang-kerongsang bersepuh emas, penggunaan email dibatasi pada studs that punctuate the composition like gems; the larger areas of champlevé found on the flared terminals of earlier types perhaps continue in simpler types, though dating is difficult. Pada beberapa kerongsang, the decoration is too detailed to be appreciated when the kerongsang is being worn, and some of the most elaborate brooches have their backs, invisible when worn, decorated almost as elaborately as their fronts. Kerongsang Tara shows both features, and in addition, shares with some others a difference in decorative styles between front and back, with "Celtic" [[triskele]]s and other spiral motifs restricted to the back, while the front has more [[Interlace (visual arts)\|interlace]] and zoomorphic elements.<ref>NMI, O'Floinn, 177; Youngs, 207</ref> These features are also shared by the most ornate brooches in London dan Edinburgh, respectively the Londesborough and [[Hunterston Brooch]]es.<ref>Youngs, nos. 69 and 71; [http://nms.scran.ac.uk/database/results.php?offset=1&no_results=12&scache=73160e864v&searchdb=scran&sortby=&sortorder=ASC&field=&searchterm=%2B%22Melbrigda%22 Hunterston Brooch from NMI]; see external links for the other museum pages.</ref> This may be because decoration on the backs relies more on engraving than filigree, which would risk wires getting caught in the clothing on which the brooch was worn.<ref>NMI, 183</ref>

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