Arsitektur Hindia Baru: Perbedaan antara revisi

File:COLLECTIE TROPENMUSEUM Station Semarang-West (Pontjol) van de Semarang-Cheribon Stoomtram Maatschappij kort na de opening in 1914 TMnr 10014003.jpg|SemarangStasiun Poncol StationSemarang duringsaat itsdibuka opening intahun 1914, shows one of the firstsalah formsatu ofbangunan Art Deco inpertama thedi DutchHindia IndiesBelanda.

File:Ministry_of_Transportation_Building%2C_Merdeka_Timur.jpg|FormerBekas KPMkantor headquarterKPM (1917) bykarya Ghijsels

File:Athena-discotheque-Kota.jpg|Athena Discothèque (1927) indi Jakarta.

File:Cirebon_City_Hall.JPG|CirebonBalai CityKota HallCirebon (1926), ancontoh examplebangunan forbergaya Mazhab Amsterdam School style indi theHindia IndiesBelanda.

LaterAntara betweentahun 1920 anddan 1940, Art Deco evolvedberubah intomenjadi agaya newbaru styleyang knowndikenal indengan the Netherlands assebutan '''Nieuwe Bouwen''' ([[Modernarsitektur architecturemodern|ModernismModernisme]]) oratau [[FunctionalismFungsionalisme (architecturearsitektur)|FunctionalismFungsionalisme]]. Thedi newBelanda. architecturalAliran movementarsitektur isbaru largelyini influencedsangat bydipengaruhi German'soleh [[Bauhaus]] andJerman France'sdan [[Le Corbusier]] Perancis. Instead of creating style onBukannya themenghiasi facadefasade, thesang architectarsitek createsjustru stylemenyesuaikan ingaya thebangunan cleardengan andpenataan logicalruang arrangementyang of spacejelas. TheTujuannya preferenceadalah ismenggunakan to usebentuk universal form such asseperti cubekubus oratau cylindertabung oratau curvinggaris horizontal linesmelengkung anddan nauticalmotif motifslaut; thatgaya areini knowndikenal assebagai [[Streamline Moderne]] indi thekalangan Anglophonepenutur worldbahasa Inggris. IndustrializationIndustrialisasi dan andstandardisasi materialbahan standardizationbangunan playsmemainkan aperan rolepenting. [[Albert Aalbers]] ismerupakan the most representative expression ofarsitek Nieuwe Bouwen internama di Indonesia,; apparent in his designkarya-karyanya formeliputi [[Savoy Homann Hotel]] (1939), Denis Bank (1936), and thedan "Driekleur" (1937) indi [[Bandung]]. InDi Indonesia, thegaya styleini isditandai characterizedoleh byketerbukaan its opennessbangunan, the sleekgaris facadefasade lineshalus, anddan strongefek spatialspasial effectyang onkuat thepada exterioreksterior andbangunan retreatdan ofsedikitnya curtaindinding wallpenutup.<ref name="indische"/> ManyBanyak buildingsbangunan employing this variation ofbergaya Art Deco stillyang existmasih inberdiri di Bandung,. oneBandung ofsendiri themerupakan largestsalah remainingsatu collectionskota ofdengan jumlah bangunan Streamline Moderne - Art Deco buildings interbanyak thedi worlddunia.<ref>{{cite book |last=Dawson|first=B. |last2=Gillow |first2=J. |title=The Traditional Architecture of Indonesia |publisher=Thames and Hudson |year=1994 |isbn=0-500-34132-X |page=25 }}</ref>

OtherContoh examplesbangunan oflain bergaya Nieuwe Bouwen indi Indonesia are the worksmeliputi ofkarya-karya [[Cosma Citroen]], [[K. Bos]], [[W. Lemei]], anddan somebeberapa buildings ofkarya AIA Bureau ofmilik Schoemaker, namelytermasuk [[KologdamGedung BuildingKologdam|Bandung Jaarbeurs]] whichyang heia designedrancang shortlysetelah afterdarmawisata hiske studyAmerika tripSerikat; toBandung America,Jaarbeurs clearlyterinspirasi inspiredoleh bykarya [[Frank Lloyd Wright]]. Also [[Villa Isola]] showsjuga strongmenonjolkan influence ofpengaruh Nieuwe Bouwen in its steellewat framingkerangka constructionbajanya, steeljendela windowsbaja, anddan reinforcedbeton concreteberkerangka.<ref name="indische">{{cite book |last= |first= |date=1990 |title=Het Indische bouwen: architectuur en stedebouw in Indonesie : Dutch and Indisch architecture 1800-1950 |url=https://books.google.co.id/books?id=wUa4nQEACAAJ&dq=het+indische+bouwen&hl=en&sa=X&ei=JNkYVdHMCcS2uASovIDQDg&redir_esc=y |location=Helmond |publisher=Gemeentemuseum Helmond |pages=28–31 |isbn= |access-date=March 30, 2015 }}</ref>