James Tissot: Perbedaan antara revisi

[[File:Edgar Degas - Portrait of James Tissot.jpg|thumb|left|Portret James Tissot larya Edgar Degas]]

[[:en:Émile Péreire|Émile Péreire]] mengirimkan lukisan Tissot ''Walk in the Snow'' ("Berjalan kaki di salju") ke pameran internasional 1862 di London. Tiga tahun berturut-turut kemudian lukisan-lukisan Tissot dipaqmerkan di galeri London milik [[Ernest Gambart]].<ref name=ODNB /><!-- In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot found himself held in high critical acclaim, quickly becoming a successful artist. Like contemporaries such as [[Alfred Stevens (painter)|Alfred Stevens]] and [[Claude Monet]], Tissot also explored ''japonisme'', including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.<ref>{{cite web|title=Portrait of James-Jacques-Joseph Tissot|url=http://www.metmuseum.org/works_of_art/collection_database/european_paintings/james_jacques_joseph_tissot_1836_1902_edgar_degas/objectview.aspx?page=1&sort=6&sortdir=asc&keyword=edgar%20degas&fp=1&dd1=11&dd2=0&vw=1&collID=11&OID=110000583&vT=1&hi=0&ov=0}}</ref>-->

Tissot turut berperang pada [[:en:Franco-Prussian War|Perang Franco-Prussian War]] sebagai bagian pertahanan darurat kota Paris, bergabung dalam dua paukan [[Garde Nationale]] dan kemudian menjadi bagian [[Paris Commune]]. Entah karena asosiasi politik akibat kaitan dengan Paris Commune, di mana diyakini bahwa ia bergabung untuk melindungi kepentingannya sendiri, maupun untuk kesempatan lebih baik, ia meninggalkan Paris dan pindah ke London pada tahun 1871.<ref name=Misfeldt>{{citation |first=Willard E. |last=Misfeldt |title=Tissot, James |journal=Grove Art Online, Oxford Art Online |publisher=Oxford University Press |accessdate=5 July 2014 |url=http://www.oxfordartonline.com/subscriber/article/grove/art/T085236 |subscription=yes}}</ref> Dalam periode ini [[Francis Seymour Haden|Seymour Haden]] membantunya belajar mengenai pembuatan ukiran (''etching'').<ref>{{cite EB1911|wstitle=Tissot, James Joseph Jacques|volume=26|pages=1015-1016}}</ref><!--

Having already worked as a caricaturist for [[Thomas Gibson Bowles]], the owner of the magazine ''[[Vanity Fair (British magazine)|Vanity Fair]]'', as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Bowles gave Tissot both a place to stay as well as a cartooning job for ''[[Vanity Fair (British magazine)|Vanity Fair]]''.<ref name=heilbrunn>[http://www.metmuseum.org/toah/works-of-art/1998.170. "James Tissot: Tea" (1998.170) In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–.(December 2008)]</ref>