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=Kanō Takanobu=
{{Use Canadian English|date=November 2015}}
{{Use dmy dates|date=November 2015}}
[[File:Emperor Go-Yōzei2.jpg|thumb|alt=|Portrait of [[Emperor Go-Yōzei]], {{circa|1610s}}, colour on silk, 107.2 x 60.2 cm]]
'''Kanō Takanobu''' ({{lang|ja|狩野 孝信}}, 1 Desember 1571 – 18 Oktober 1618) adalah seorang pelukis berkebangsaan Jepang yang berasal dari sekolah seni Kanō pada [[Zaman Azuchi–Momoyama]] (1573–1615). Kanō Takanobu adalah ayah dari [[Kanō Tan'yū]], salah satu pelukis dari sekolah seni Kanō yang paling terkenal.
 
==Biografi==
'''Kanō Takanobu''' ({{lang|ja|狩野 孝信}}, 1 December 1571&nbsp;– 18 October 1618) was a Japanese painter of the [[Kanō school]] of painting during the [[Azuchi–Momoyama period]] (1573–{{not a typo|1615}}<!-- in the art world, the Azuchi–Momoyama period is considered to have ended in 1615 -->). He was the father of [[Kanō Tan'yū]], one of the most prominent painters of the school.
[[File:Hotei by Kano Takanobu, 1616, Metropolitan Museum of Art, 2006.115.jpg|thumb|left|''[[Hotei]]'', 1616.]]▼
Takanobu waslahir born indi [[Kyoto]] onpada thehari 25thke-25 daydi ofbulan theke-11 11thpada monthtahun of the 2nd year ofke-2 [[Genki]].{{sfn|Yamashita|2004|p=60}} Kanō HeTakanobu wasadalah theanak youngest sontermuda{{sfn|Gerhart|2003|p=15}} ofdari thekepala sekolah seni [[Kanō school]]pada headsaat painteritu [[Kanō Eitoku]] (1543–90). Kanō andTakanobu youngeradalah brotheradik ofdari [[Kanō Mitsunobu]].{{sfn|Yasumura|2006|p=14}}▼
 
Pada saat [[Kanō Naganobu]] (1577–1654) — adik dari Eitoku — pindah ke [[Edo]] (sekarang [[Tokyo]]) disekitar tahun 1610-1615 untuk menjadi pelukis resmi [[Keshogunan Tokugawa]] pada saat itu, Takanobu tetap tinggal di Kyoto. Di Kyoto, Takanobu mendapatkan banyak komisi dari yang mengindikasikan bahwa dirinya menjadi favorit di istana Keshogunan di Kyoto. Pada saat itu, hanya Takanobu dan Naganobu yang memiliki keterampilan melukis cukup untuk bisa mengepalai cabang dari sekolah seni tersebut.{{sfn|Gerhart|2003|p=15}}
==Life and career==
 
Dengan bantuan finansial dari Keshogunan Tokugawa, Takanobu menghasilkan dan memperhatikan kualitas lukisan yang dibuat untuk menghiasi istana [[Kaisar Go-Mizunoo]], suatu pekerjaan yang diselesaikan pada tahun 1614 dengan Takanobu memberikan sentuhan terakhir untuk pintu-pintu geser dan juga di bangunan sekitarnya.{{sfn|Lillehoj|2011|pp=88–89}} Dua puluh panel yang menggambarkan 32 [[orang bijak Cina]] di ruang mahligai [[Istana Kekaisaran Kyoto]] adalah beberapa karya terkenal Takanobu.{{sfn|Lillehoj|2011|p=91}} Panel-panel di ruangan ini adalah beberapa dari karya Takanobu yang selamat dari kerusakan, dan beberapa lukisan tertua yang disimpan di Istana Kekaisaran Kyoto.{{sfn|Lillehoj|2011|p=96}}
▲Takanobu was born in [[Kyoto]] on the 25th day of the 11th month of the 2nd year of [[Genki]].{{sfn|Yamashita|2004|p=60}} He was the youngest son{{sfn|Gerhart|2003|p=15}} of the [[Kanō school]] head painter [[Kanō Eitoku]] (1543–90) and younger brother of [[Kanō Mitsunobu]].{{sfn|Yasumura|2006|p=14}}
 
Pada tahun 1617, anak tertua Takanobu [[Kanō Tan'yū]] dipanggil ke Edo untuk menjadi {{illm|Goyō eshi|ja|御用絵師|lt=''goyō eshi''}}, sebuah posisi eksklusif untuk pelukis di Keshogunan. Anak Takanobu yang lain, [[Kanō Naonobu]] (1607–50) diangkat menjadi kepala sekolah seni Kanō cabang Kyoto setelah kematian Takanobu pada tahun 1618, walaupun pada akhirnya Naonobu juga berpindah ke Edo.{{sfn|Gerhart|2003|pp=15–16}} pada tahun 1630.{{sfn|Yasumura|2006|p=44}} Cabang Kyoto diteruskan oleh anak Kanō Mitsunobu, yaitu Kanō Sadanobu, yang meninggal tanpa pewaris pada tahun 1623 namun sudah mengadopsi anak termuda Takanobu, [[Kanō Yasunobu]], yang pada akhirnya menjadi penerus sekolah seni Kanō cabang Kyoto. Pada akhirnya, bahkan Yasunobu juga diangkat menjadi ''goyō eshi'' dan diharuskan untuk berpindah ke Edo, walaupun dia mempertahankan kedudukannya sebagai kepala sekolah seni Kanō dari cabang Kyoto.{{sfn|Gerhart|2003|p=16}}
When [[Kanō Naganobu]] (1577–1654)—Eitoku's brother—moved at the behest of the recently ascendent [[Tokugawa shogunate]] to its new administrative capital of [[Edo]] (modern Tokyo) around 1610–15, Takanobu remained in Kyoto, where the commissions he received indicate he was a favourite of the court. At the time only Takanobu and Naganobu had sufficient skill to head branches of the school.{{sfn|Gerhart|2003|p=15}}
 
With financial backing from the Tokugawa shogunate, Takanobu conceived and oversaw the painting to be done for the new palace of [[Emperor Go-Mizunoo]], work which was finished in 1614 with Takanobu applying the final touches to many of the sliding panels there and in surrounding buildings.{{sfn|Lillehoj|2011|pp=88–89}} The twenty panels depicting thirty-two Chinese sages in the throne room of the ''[[Kyoto Imperial Palace#Shishin-den|shishin-den]]'' are attributed to Takanobu.{{sfn|Lillehoj|2011|p=91}} These panels are some of the few works of Takanobu to have survived, and are the oldest surviving paintings from the ''shishin-den''.{{sfn|Lillehoj|2011|p=96}}
 
In 1617 Naganobu's eldest son [[Kanō Tan'yū|Tan'yū]] was called to Edo and made a {{illm|Goyō eshi|ja|御用絵師|lt=''goyō eshi''}}, an exclusive position painting for the shogunate. Another son, [[Kanō Naonobu]] (1607–50), succeeded as head of the Kyoto branch upon Takanobu's death in 1618, though he too moved to Edo{{sfn|Gerhart|2003|pp=15–16}} in 1630.{{sfn|Yasumura|2006|p=44}} The line continued under Mitsunobu's son [[Kanō Sadanobu|Sadanobu]], who died without an heir in 1623 but had adopted Takanobu's youngest son [[Kanō Yasunobu|Yasunobu]], who thus continued the Kyoto line until he also was made ''goyō eshi'' and moved to Edo, though he maintained his claim as head of the Kyoto branch.{{sfn|Gerhart|2003|p=16}}
 
{{clear}}
 
<gallery caption="Works by Kanō Takanobu" mode="packed" heights="220px">
▲Hotei by Kano Takanobu, 1616, Metropolitan Museum of Art, 2006.115.jpg|[[Hotei]], 1616
Portrait of Murasaki Shikibu.jpg|Portrait of [[Murasaki Shikibu]]
Rakuchu rakugai zu byobu (Fukuoka City Museum).jpg|File:''Rakuchu Rakugai-zu'', ''[[byobu]]'' folding screen, [[Azuchi–Momoyama period]]
</gallery>
 
==References==
 
==Referensi==
{{Reflist|colwidth=20em}}
 
==Works citedBibliografi==
 
{{Refbegin|colwidth=40em}}
 
* {{cite book
|last = Gerhart
Baris 83 ⟶ 69:
|isbn = 978-4-8087-0815-3
|ref = harv}}
 
{{Refend}}
 
[[Category:1571Kelahiran births1571]]▼
==External links==
[[Category:1618Kematian deaths1618]]▼
*{{Commons-cat-inline}}
[[Category:Kanō schoolJepang]]▼
 
{{Portal bar|Biography|Japan|Visual arts}}
 
{{DEFAULTSORT:Kano, Michinobu}}
▲[[Category:1571 births]]
▲[[Category:1618 deaths]]
[[Category:Japanese painters]]
[[Category:16th-century Japanese people]]
[[Category:17th-century Japanese people]]
[[Category:16th-century Japanese artists]]
[[Category:17th-century Japanese artists]]
[[Category:16th-century painters]]
[[Category:17th-century painters]]
[[Category:16th-century Japanese painters]]
[[Category:17th-century Japanese painters]]
▲[[Category:Kanō school]]
 
=Kanō Mitsunobu=
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