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=Kōgyo Tsukioka=
{{Infobox artist
| name = Tsukioka Kōgyo
| image = Dojoji道成寺.jpg
| imagesize = 300px
| caption = {{Nihongo|''[[Dōjōji (Noh play)|Dōjōji]]''|道成寺|}}, Lukisan di sutra, 148.5 x 176.3 cm karya Tsukioka Kogyo
| birth_date = {{Birth date|1869|04|18|mf=yes}}
| birth_place = [[Tokyo]], [[Japan]]
| death_date = {{Death date and age|1927|02|25|1869|04|18|mf=yes}}
| nationality = Japanese
| field = [[Ukiyo-e]]
}}
{{Nihongo|'''Tsukioka Kōgyo'''|月岡 耕漁|}}, sometimes called {{Nihongo|'''Sakamaki Kōgyo'''|坂巻 耕漁|}}, (April 18, 1869 – February 25, 1927) was a Japanese artist of the Meiji period. He was a student and adopted son of [[Tsukioka Yoshitoshi]], and also studied with [[Ogata Gekkō]]. Although Kōgyo sometimes painted other subjects, for most of his career he made pictures of Japanese [[noh]] theatre, either as large-scale paintings or colored woodblock prints. Many of the latter were published in series and sold as multi-volume sets. Some sets, such as ''Nōgaku zue'', have been preserved as albums in their original bindings, including accordion-style bindings known as ''orihon,'' while other sets such as ''Nōga taikan'', were issued in sewn bindings known as ''yamato toji''. Although most bound sets belong to institutional collections, individual prints by Kōgyo can still be found through dealers specializing in Japanese prints.
[[File:Horse Riding Competition (母衣引 Horohiki).jpg|thumb|{{Nihongo|''Horse Riding Competition''|母衣引|Horohiki}}, 1901, one of a series of 12 prints entitled {{Nihongo|''Brocades of the Capital''|都の錦|Miyako no nishiki}}]]
==References==
*Mizuta Museum of Art (2005). ''Kindai no Nōgakka: Tsukioka Kōgyo ten''. Tōgane-shi: Jōsai Kokusai Daigaku Mizuta Bijutsukan.
*Merritt, Helen and Nanako Yamada (1992). ''Guide to Modern Japanese Prints: 1900-1975.'' Honolulu: University of Hawai'i Press.
*Bondi, Don. "Tsukioka Kôgyo and Nô Ukioyo-e." ''Daruma'' 52, Vol.13, no.4 (Autumn 2006), 12-24.
*Schaap, Robert and [[J. Thomas Rimer]] (2010). ''The Beauty of Silence: Japanese Nō and Nature Prints by Tsukioka Kōgyo 1869-1927''. Leiden: Hotei Publishing.
==External links==
{{Commons category|Kōgyo Tsukioka}}
*[http://art.thewalters.org/viewwoa.aspx?id=1876 Image from 'Nōgaku Zue' at the Walters Art Museum]
*[http://www.artic.edu/aic/collections/search/citi/category:103?page=190 Kōgyo prints at the Art Institute of Chicago]
*[http://web-kiosk.scrippscollege.edu/prt414?sid=12048&rec=1&page=414 Kōgyo prints at the Ruth Chandler Williamson Gallery]
*[http://collectionsonline.lacma.org/mwebcgi/Searchall.exe?keyword=tsukioka+kogyo&submit=Submit+Query Kōgyo prints at the Los Angeles County Museum of Art]
*[http://www.frickart.org/collection_exhibitions/pastexhibitions/80.php Kōgyo prints at the Frick Art & Historical Center]
*[http://digital.library.pitt.edu/k/kogyo/index.html Kōgyo prints at the University of Pittsburgh]
{{Authority control}}
{{DEFAULTSORT:Tsukioka, Kogyo}}
[[Category:1869 births]]
[[Category:1927 deaths]]
[[Category:Ukiyo-e artists]]
[[Category:People of Meiji-period Japan]]
[[Category:People from Tokyo]]
[[Category:19th-century Japanese painters]]
[[Category:20th-century Japanese painters]]
[[Category:20th-century printmakers]]
{{Japan-painter-stub}}
Kōgyo Tsukioka (月 岡 耕 漁), (18 April 1869 - February 25, 1927) was a Japanese artist of the Meiji era , specializing in engraving and painting techniques .
Throughout his life, he produced more than 500 different engravings. The themes were very focused on traditional artistic expression in Japan , especially in theater scenes Noh , a theatrical practice that emerged in the 8th century on the basis of the concepts that unite singing, dancing and interpretation.
Biography [ edit ]
Theater of the Noh scene ", c. 1910.
Kogyo, born as Hanyu Sadanosuke , [1] in 1869 in the Nihonbashi district in Tokyo , son of a former geisha named Sakamaki Taiko. [2] He began his artistic practice at age fifteen, under the tutelage of Yoshitoshi Tsukioka , a great master of ukiyo-e , with which his mother got married. To be adopted by Yoshitoshi, Kogyo changed his name to Tsukioka, the same as his adoptive father. Although Yoshitoshi was not so focused on Japanese theater themes, Kogyo's interest in the Noh theater scenes was probably awakened by Yoshitoshi, who was a great enthusiast of art.[3]
After the death of Yoshitoshi , in 1892, Kōgyo continued his studies with Matsumoto Fuko, a painter specializing in simple landscapes and historical scenes; Later, he studied with the painter and woodcutter Ogata Gekko , who became his master. [4] After the Japanese tradition of naming the students, Gekko appointed him Kogyo. Their works, during the decade of 1890, signed to them with the last name of single of their mother, Sakamaki. When Kogyo Tsukioka takes over the school, he goes from Sakamaki Kogyo (坂 巻 耕 漁) to signing as Tsukioka Kogyo (月 岡 耕 漁). [4]
In 1908, Kogyo had a daughter, named Fumiko, who later became known as Tsukioka Gyokusei. He also became a record label, with the publication of Noh theater scenes under the Shazaburo Watanabe edition , and studied yamato-e with the teacher Matsuoka Eikyu. [5] In 1927, Kogyo died, and Gyokusei went on to direct the engraving school of his father. [3]
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