Dziga Vertov: Perbedaan antara revisi
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Baris 94:
* Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera." in Barry Keith Grant, and Jeannette Sloniowski, eds.Documenting the Documentary: Close Readings of Documentary Film and Video. Wayne State University Press, 1998. pp. 40–53.
* Feldman, Seth. "Evolution of style in the early work of Dziga Vertov." 1977, Arno Press, New York.
* Graffy, Julian; Deriabin, Aleksandr ;Sarkisova, Oksana ; Keller, Sarah ; Scandiffio, Theresa . "Lines of resistance
* Jeremy Hicks. Dziga Vertov: Defining Documentary Film. London & New York: IB Tauris, 2007.
* Christie,Ian. "Rushes: Pordenone Retrospective: Gazing into the Future."Sight and Sound. 2005, 15, 1, 4-5, British Film Institute
Baris 107:
* Thomas Tode, Barbara Wurm, Austrian Film Museum eds.Dziga Vertov. The Vertov Collection at the Austrian Film Museum, Bilingual (German-English). (Paperback - May 2006), FilmmuseumSynemaPublikationen, available at [www.filmmuseum.at].
* Yuri Tsivian, ed. Lines of Resistance: Dziga Vertov and the Twenties. La Giornate del Cinema Muto, 2004. ISBN 88-86155-15-8
* Dziga Vertov. On Kinopravda. 1924, and The Man with the Movie Camera. 1928, in Annette Michelson ed. Kevin O'Brien tr. Kino-Eye
* Dziga Vertov. We. A Version of a Manifesto. 1922, in Ian Christie, Richard Taylor eds. The Film Factory: Russian and Soviet Cinema in Documents, 1896-1939 Routledge, 1994. ISBN 0-415-05298-X
* Charles Warren ed. Beyond Document: Essays on Nonfiction Film. Wesleyan University Press, 1996.
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