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| gross = $167,6 juta<ref>{{Cite web|url=https://i.imgur.com/4Yewyi3.png|title=Worldwide Box Office Weekend Ending January 19|last=|first=|date=|website=|publisher=[[Comscore]]|url-status=live|archive-url=|archive-date=|access-date=}}</ref><ref name="BOM">{{Cite web |title= ''Parasite'' (2019) |website= [[Box Office Mojo]] |publisher= IMDB |url= https://www.boxofficemojo.com/title/tt6751668/ |access-date= 2 February 2020 |archive-url= https://web.archive.org/web/20191204002650/https://www.boxofficemojo.com/title/tt6751668/ |archive-date= 4 December 2019 |url-status= live }}</ref><ref name="NUM">{{Cite web |title= ''Parasite'' (2019) |website= [[The Numbers (website)|The Numbers]] |publisher= IMDB |url= https://www.the-numbers.com/movie/gi-saeng-chung-(South-Korea)-(2019)#tab=summary |access-date= 5 February 2020 |archive-url= https://web.archive.org/web/20191204002650/https://www.the-numbers.com/movie/gi-saeng-chung-(South-Korea)-(2019)#tab=summary |archive-date= 4 December 2019 |url-status= live }}</ref>
}}
'''''Parasite''''' ({{ko-hhrm|기생충||Gisaengchung}}) adalahmerupakan sebuahfilm [[film cerita seru|cerita seru]] [[komedi gelaphitam]] Korea Selatan tahunyang 2019disutradarai, garapandiproduseri, dan ditulis [[Bong Joon-ho bersama Kwak Sin-ae dan Jang Young-hwan yang memproduseri film ini serta [[Han Jin-won]] yang juga menulis naskah untuk film ini. Film tersebutini dibintangi oleh [[Song Kang-ho]], [[Lee Sun-kyun]], [[Cho Yeo-jeong]], [[Choi Woo-shik]], dan [[Park So-dam]]. Film ini memenangi [[Palme d'Or]] di [[Festival Film Cannes 2019]] dan menjadi film Korea pertama yang mendapatkan penghargaan ini.<ref>{{cite web|url=https://www.theguardian.com/film/live/2019/may/25/cannes-film-festival-2019-palme-dor-winner-announced-live |title=Cannes 2019: Bong Joon-ho's Parasite wins the Palme d'Or – live |first=Gwilym |last=Mumford |work=The Guardian |accessdate=25 May 2019}}</ref>
 
Film ini ditayangkan perdana di [[Festival Film Cannes 2019]] pada 21 Mei 2019, yang menjadi film Korea Selatan pertama yang memenangi [[Palme d'Or]] dan film pertama yang menang dengan suara bulat setelah ''[[Blue Is the Warmest Colour]]'' pada [[Festival Film Cannes 2013 Cannes Film Festival]]. It was then released in South Korea by [[CJ Entertainment]] on 30 May 2019. It received universal critical acclaim, and has been hailed as one of the [[List of films considered the best#South Korea|greatest South Korean films ever made]] and one of the best films of the 2010s. It has grossed $167.6 million worldwide, becoming the [[List of highest-grossing films in South Korea|highest-grossing South Korean film]].
 
Among its [[List of accolades received by Parasite|numerous accolades]], ''Parasite'' won four awards at the [[92nd Academy Awards]] for [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]], [[Academy Award for Best Original Screenplay|Best Original Screenplay]] and [[Academy Award for Best International Feature Film|Best International Feature Film]]. It became the first South Korean film to receive Academy Award nominations, as well as the first non-English language film to win Best Picture.{{refn|group=note|Walaupun ''Parasite'' adalah film berbahasa bukan Inggris pertama yang memenangi Film Terbaik Academy Awards, tetapi tidak bisa dipertukarkan dengan film asing pertama (diproduksi oleh perusahaan yang bermarkas di negara yang tidak menggunakan bahasa Inggris sebagai bahasa utamanya) yang memenangi Film Pertama yang diraih ''[[The Artist]]'' pada 2012. Film yang diproduksi di Prancis ini sebagian besar menggunakan format [[film bisu]] dengan [[antarjudul]] berbahasa Prancis walau mengandung sejumlah dialog yang dituturkan dalam bahasa Inggris). The Academy dictates foreign language as the main qualification for international film, hence ''The Artist'' does not qualify.<ref>{{Cite web|url=https://www.oscars.org/oscars/rules-eligibility|title=Rules & Eligibility|date=2014-07-28|website=Oscars.org {{!}} Academy of Motion Picture Arts and Sciences|language=en|access-date=2020-02-10}}</ref>}} At the [[77th Golden Globe Awards]], it won the award for [[Golden Globe Award for Best Foreign Language Film|Best Foreign Language Film]]. It received four nominations at the [[73rd British Academy Film Awards]], winning [[BAFTA Award for Best Film Not in the English Language|Best Film Not in the English Language]] and [[BAFTA Award for Best Original Screenplay|Best Original Screenplay]]. It also became the first non-English language film to win the [[Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture]].
 
== Alur ==
Baris 48 ⟶ 52:
* [[Lee Jung-eun]] sebagai Guk Mun-gwang, pembantu keluarga Park
* [[Park Myung-hoon]] sebagai Geun-se, suami Mun-gwang
* Park Geun-rok sebagai sopir Yoon
* [[Park Seo-joon]] sebagai teman Gi-u dan mantan guru les privat keluarga Park (penampilan khusus)<ref>{{cite web |title=박서준 측 “봉준호 ‘기생충’ 특별출연” 2019년 스크린 열일(공식입장) |url=https://entertain.naver.com/now/read?oid=609&aid=0000047869 |website=entertain.naver.com |accessdate=3 February 2019 |language=ko}}</ref>
 
== Produksi ==
=== Pengembangan ===
[[Berkas:Bong Joon-ho Deauville 2013.jpg|150px|jmpl|''Parasite'' disutradarai oleh [[Bong Joon-ho]].]]
The ideaGagasan formengenai ''Parasite'' originatedtelah inbermula pada 2013., Whileketika workingsedang onberurusan dengan produksi ''[[Snowpiercer]]'' (2013), Bongseorang wastemannya encouragedyang bymenjadi aaktor theaterteater actormendorong friend[[Bong toJoon-ho]] writeuntuk amenulis naskah playsandiwara. HeIa hadsendiri beentelah amenjadi tutor forbagi theputra sonsulung ofkeluarga akaya wealthydi familySeoul inketika Seoulberusia inawal his20 earlytahunan 20sdan mempertimbangkan untuk bergantu menjadi produser sandiwara. Setelah menyelesaikan produksi ''Snowpiercer'', andBong consideredmenulis turningnaskah his[[pendalaman experiencewatak]] intosetebal a15 halaman stagebagi productionparuh awal sandiwara, manakala asisten produksinya di ''Snowpiercer'', [[Han Jin-won]], menggantinya dengan ketiga draf naskah yang berbeda. Setelah menyelesaikan ''[[Okja]]'' (2017), Joon-ho kembali mengurusi proyek itu dan menyelesaikan naskahnya.<ref name ="THRBrzeski">{{cite news |url = https://www.hollywoodreporter.com/features/making-parasite-how-bong-joon-hos-real-life-inspired-a-plot-twisty-tale-rich-poor-1252015 |title = Making of 'Parasite': How Bong Joon Ho's Real Life Inspired a Plot-Twisty Tale of Rich vs. Poor |website = [[The Hollywood Reporter]] |date = November 8, 2019 |accessdate = January 18, 2020 |last = Brzeski |first = Patrick |archive-url = https://web.archive.org/web/20200113115829/https://www.hollywoodreporter.com/features/making-parasite-how-bong-joon-hos-real-life-inspired-a-plot-twisty-tale-rich-poor-1252015 |archive-date = 13 January 2020 |url-status = live }}</ref> After completing ''Snowpiercer'', Bong wrote a 15-page [[film treatment]] for the first half of ''Parasite'', which his production assistant on ''Snowpiercer'', Han Jin-won, turned into three different drafts of the screenplay.<ref name ="THRBrzeski"/> After finishing ''[[Okja]]'', Bong returned to the project and finished the script; Han received credit as a co-writer.<ref name ="THRBrzeski"/>
 
The incident of [[Christine and Léa Papin]]—two live-in maids who murdered their employers in 1930s France—also served as a source of inspiration to Bong.<ref name=JungEA>{{cite web|author=Jung, E. Alex|url=https://www.vulture.com/2020/01/parasite-ending-explained-by-bong-joon-ho.html|title=Bong Joon Ho on Why He Wanted ''Parasite'' to End With a 'Surefire Kill'|work=[[Vulture (website)|Vulture]]|date=2020-01-14|accessdate=2020-01-23|archive-url=https://web.archive.org/web/20200115024246/https://www.vulture.com/2020/01/parasite-ending-explained-by-bong-joon-ho.html|archive-date=15 January 2020|url-status=live}}</ref>
 
[[Darcy Paquet]], anseorang Americanberkewarganegaraan residingAmerika inSerikat Korea,yang servedtinggal asdi theKorea translatorSelatan, formenjadi thepenerjemah Englishtakarir subtitlesdalam andbahasa workedInggris directlydan withbekerja Bonglangsung dengan Joon-ho.<ref name=Hanweaving>{{cite web|author=Han, Karen|url=https://www.polygon.com/2019/10/14/20906430/parasite-bong-joon-ho-interview-rock-peach-spoilers|title=Bong Joon-ho on weaving his personal memories into Parasite|work=[[Polygon (magazine)|Polygon]]|date=2019-10-14|accessdate=2020-02-09|archive-url=https://web.archive.org/web/20191226230904/https://www.polygon.com/2019/10/14/20906430/parasite-bong-joon-ho-interview-rock-peach-spoilers|archive-date=26 December 2019|url-status=live}}</ref> PaquetDarcy renderedmenerjemahkan Jjapaguri or Chapagurijjapaguri (짜파구리), ami dishyang cookeddimasak byoleh aPark character in the filmChung-suk, assebagai "ram-don", meaningyang bermakna [[ramen]]-[[udon]]. ItMi isini aadalah mixcampuran ofdari [[ChapagettiJjapaghetti]] anddan [[Neoguri (instant noodle)|Neoguri]].<ref>{{cite web|author=Rochlin, Margy|url=https://www.latimes.com/food/story/2019-10-19/parasite-ramdon-bong-joon-ho-ramen-udon-jjapaguri|title=How steak and 'ramdon' illustrate class tensions in Bong Joon Ho's 'Parasite'|work=[[Los Angeles Times]]|date=2019-10-19|accessdate=2020-01-24|archive-url=https://web.archive.org/web/20200115132532/https://www.latimes.com/food/story/2019-10-19/parasite-ramdon-bong-joon-ho-ramen-udon-jjapaguri|archive-date=15 January 2020|url-status=live}}</ref> TheVersi Englishbahasa versionInggris offilm theini filmmenampilkan showskotak packagesmi labeledyang in Englishdilabeli "[[ramyeon]]" anddan "udon" todalam highlightbahasa toInggris Englishuntuk speakersmenampilkan howkepada thepenutur namebahasa Inggris asal mula wasnama createditu. PaquetDarcy believesyakin thatbahwa the wordkata "Ramram-don" didsebelumnya nottidak previouslyada existkarena asia hetidak foundmenemukan nohasil resultsapapun when hedi [[GoogledGoogle]] thedalam termsuatu as auji testpencarian.<ref name=LeeHanaParasub>{{cite web|author=Lee, Hana|url=http://m.korea.net/english/NewsFocus/People/view?articleId=171974&page=1|title='Parasite' subtitle translator: Comedies are a fun challenge|work=[[Korea.net]]|date=2019-06-19|accessdate=2020-02-08|archive-url=https://web.archive.org/web/20200208155256/http://m.korea.net/english/NewsFocus/People/view?articleId=171974&page=1|archive-date=8 February 2020|url-status=live}}</ref> PaquetDalam hadtakarir thebahasa subtitlesInggris, onPaquet one occasion, usememilih [[Universitas Oxford University]] as a reference instead ofalih-alih [[SeoulUniversitas NationalNasional UniversitySeoul]], and in another, usedan [[WhatsApp]] be the messaging application instead ofalih-alih [[KakaoTalk]].<ref name=Hanweaving/> PaquetDarcy chosememilih Oxford instead ofalih-alih [[Universitas Harvard University]] duekarena tokedekatan Bong'sJoon-ho affinitydengan forInggris thedan UnitedDarcy Kingdommeyakini and because Paquet believed usingmenggunakan Harvard wouldakan bemenjadi "toopilihan obviousyang aterlalu choice"jelas.<ref name=LeeHanaParasub/>Darcy Paquetmenyebut wrotepenonton thatharus "insegera ordermemahaminya foragar humorhumornya todapat work, people need to understand it immediatelymengena. With an unfamiliar word, the humor is lost."<ref name=LeeHanaParasub/>
 
TheJudul film's titleini "Parasite"awalnya wasadalah selected''Décalcomanie'', byyang menurut Bong asdalam itwawancaranya servedterilhami adari doublekonsep meaning,seni whichrupa he''[[decalcomania]]''.<ref>{{cite hadnews|last=Brzeski|first=Patrick|url=https://www.hollywoodreporter.com/news/bong-joon-ho-talks-making-parasite-1210781|title=Bong toJoon-ho convinceon theMaking First Full Korean Film in 10 Years With film'sParasite'|website=The Hollywood Reporter|date=15 Mei 2019|accessdate=16 November 2019}}</ref> Namun, judul tersebut kemudian diganti dengan "Parasite" marketingkarena groupmemiliki tomakna useganda. BongJoon-ho saidmengatakan, "BecauseKarena thecerita storyini ismengenai aboutkeluarga themiskin pooryang familymenyusup infiltratingdan andmerayap creepingke intodalam therumah richorang housekaya, ittampaknya seemssangat veryjelas obvious thatbahwa ''Parasite'' refersmengacu tokepada the poorkeluarga familymiskin, anddan Isaya thinkpikir that'siru whysebabnya thetim marketingpemasaran teamagak was a little hesitantragu. ButNamun, ifjika youAnda lookmelihatnya atdengan itcara the other waylain, youAnda candapat saymengatakan thatbahwa richkeluarga familykaya, they'remereka alsojuga parasitesparasit indalam termshal of laborpekerjaan. TheyMereka can'tbahkan eventidak washbisa dishes,mencuci theypiring can'tdan drivemenyetir themselvessendiri, sosehingga theymereka leechlintah offdari thepekerjaan poorkeluarga family'smiskin, labor.sehingga Sokedua bothkeluarga aretersebut parasitesadalah parasite."<ref>{{cite web | url = https://www.ign.com/articles/parasite-bong-joon-ho-reveals-the-meaning-behind-the-title-of-the-oscar-nominated-film | title = Parasite: Bong Joon-ho Reveals the Meaning Behind the Title of the Oscar-Nominated Film | first = Adele | last = Ankers | date = January 31, 2020 | accessdate = January 31, 2020 | work = [[IGN]] | archive-url = https://web.archive.org/web/20200131150546/https://www.ign.com/articles/parasite-bong-joon-ho-reveals-the-meaning-behind-the-title-of-the-oscar-nominated-film | archive-date = 31 January 2020 | url-status = live }}</ref>
 
=== Pengambilan gambar ===
[[Pengambilan gambar utama]] dimulai pada tanggal 18 Mei 2018.<ref>{{cite web |last1=Kil |first1=Sonia |title=Bong Joon-ho’s ‘Parasite’ Starts Shooting (EXCLUSIVE) |url=https://variety.com/2018/film/asia/bong-joon-ho-parasite-shooting-1202825038/ |website=Variety |accessdate=3 February 2019 |language=en |date=30 May 2018}}</ref><ref>{{cite web |title=BONG Joon-ho’s PARASITE Enters Production |url=https://www.koreanfilm.or.kr/eng/news/news.jsp?pageIndex=2&blbdComCd=601006&seq=4849&mode=VIEW |website=Korean Film Biz Zone |accessdate=3 February 2019 |language=en}}</ref> [[Pengambilan gambar utama]] berlangsung selama 77 hari hingga 19 September 2018.<ref name="release">{{cite web |title=BONG Joon-ho’s PARASITE Wraps Production |url=https://www.koreanfilm.or.kr/eng/news/news.jsp?pageIndex=1&blbdComCd=601006&seq=5001&mode=VIEW |website=Korean Film Biz Zone |accessdate=3 February 2019 |language=en}}</ref> Tempat pengambilan gambar di [[Jeonju]] dan sekitar [[Seoul]].<ref>{{cite news |url = https://www.screendaily.com/features/bong-joon-ho-talks-parasite-it-deals-with-polarisation/5139556.article |title = Bong Joon Ho talks 'Parasite': "It deals with polarisation" |website = [[Screen International|Screen Daily]] |date = June 30, 2019 |accessdate = January 18, 2020 |last = Noh |first = Jean |archive-url = https://web.archive.org/web/20190727005536/https://www.screendaily.com/features/bong-joon-ho-talks-parasite-it-deals-with-polarisation/5139556.article |archive-date = 27 July 2019 |url-status = live }}</ref> Judul film ini awalnya adalah ''Décalcomanie'', yang menurut Bong dalam wawancaranya terilhami dari konsep seni rupa ''[[decalcomania]]''.<ref>{{cite news|last=Brzeski|first=Patrick|url=https://www.hollywoodreporter.com/news/bong-joon-ho-talks-making-parasite-1210781|title=Bong Joon-ho on Making First Full Korean Film in 10 Years With 'Parasite'|website=The Hollywood Reporter|date=15 Mei 2019|accessdate=16 November 2019}}</ref>
 
Rumah keluarga Park yang dikatakan di film ini dirancang arsitek fiksifiktif bernama Namgoong Hyeonja, wasadalah anlatar entirelyyang newly-builtsepenuhnya setbaru dibangun.<ref name="Nast">{{cite web |last=Nast |first=Condé |title=Inside the House From Bong Joon Ho's ''Parasite'' |website=Architectural Digest |url=https://www.architecturaldigest.com/story/bong-joon-ho-parasite-movie-set-design-interview |access-date=2019-11-06 |archive-url=https://web.archive.org/web/20191106032043/https://www.architecturaldigest.com/story/bong-joon-ho-parasite-movie-set-design-interview |archive-date=6 November 2019 |url-status=live }}</ref> ProductionPerancang designerproduksi Lee Ha-jun saidmengatakan thematahari sunadalah wasfaktor anpenting importantdengan factormembangun withlatar buildingluar. theHa-jun outdoor set.menjelaskan, "TheArah sun'smatahari directionadalah wastitik apertimbangan crucialpenting pointsaat ofkami considerationmencari whiletempat weterbuka. wereKami searchingharus formengingat outdoorposisi lots,"matahari explainedselama Lee.jangka "Wewaktu hadyang tokami rememberinginkan theserta sun'smenentukan positionposisi duringdan ourukuran desiredjendela timeyang framesesuai. andDalam determinehal thepencahayaan positionspraktis, andsinematografer sizes[Hong ofGyeong-pyo] thememiliki permintaan khusus windowsmengenai accordinglywarna. InIa termsingin ofpencahayaan practicaltidak lighting,langsung theyang DPcanggih dan kehangatan dari [director[lampu ofpijar|sumber photographycahaya Hongtungsten]]. KyungSebelum membangun latar, Gyeong-pyo] haddan specificsaya requestsmengunjungi regardingbanyak thetempat color.beberapa Hekali wanteduntuk sophisticatedmemeriksa indirectpergerakan lightingmatahari anddi thesetiap warmthwaktu, fromdan [[Incandescentkami lightmemutuskan bulb|tungstenlokasi lightlatar sources]]bersama-sama. BeforeKarena buildingrumah theTuan setPark dibangun oleh seorang arsitek dalam cerita itu, thetidak DPmudah andmenemukan Ipendekatan visitedyang thetepat lotuntuk severalmerancang timesrumah. toSaya checkbukanlah thearsitek sun'sdan saya kira ada perbedaan dalam cara arsitek membayangkan sebuah ruang dan cara perancang produksi melakukannya. Kami mengutamakan movementpemblokan atdan eachsudut timekamera, andsementara wearsitek decidedmembangun onruang thebagi set'sorang-orang untuk benar-benar tinggal dan dengan demikian merancang di sekitar orang. Jadi saya kira pendekatannya locationsangat togetherberbeda."<ref name="IndieWire 2019">{{cite web |title=How Bong Joon Ho Designed the House in ''Parasite'' |website=IndieWire |date=2019-10-29 |url=https://www.indiewire.com/2019/10/parasite-house-set-design-bong-joon-ho-1202185829/ |access-date=2019-11-06 |archive-url=https://web.archive.org/web/20191104232715/https://www.indiewire.com/2019/10/parasite-house-set-design-bong-joon-ho-1202185829/ |archive-date=4 November 2019 |url-status=live }}</ref>
 
"Since Mr. Park's house is built by an architect in the story, it wasn't easy finding the right approach to designing the house," he added. "I'm not an architect, and I think there's a difference in how an architect envisions a space and how a production designer does. We prioritize blocking and camera angles while architects build spaces for people to actually live in and thus design around people. So I think the approach is very different."<ref name="IndieWire 2019"/>
 
According to editor Jinmo Yang, Bong Joon-Ho chose to shoot the film without traditional [[Camera coverage|coverage]]. To give them more editing options with limited shots, they sometimes stitched together different takes of the same shot.<ref>{{cite web |last=Buder |first=Emily |title='Parasite' Editor Jinmo Yang Teaches Us How to Edit Without Coverage |url=https://nofilmschool.com/parasite-editor-interview |website=No Film School |date=6 December 2019 |accessdate=17 January 2020 |archive-url=https://web.archive.org/web/20200118035230/https://nofilmschool.com/parasite-editor-interview |archive-date=18 January 2020 |url-status=live }}</ref>
 
== Tema ==
[[Berkas:Moon Jae-in 2017-10-01.jpg|ka|jmpl|150px|Salah satu ulasan menyebut film ini mengkritik Presiden Korea Selatan Moon Jae-in]]▼
[[Berkas:Dokdo 20080628-panorama.jpg|ka|jmpl|250px|Terdapat sebuah lagu yang disenandungkan di film ini yang erat kaitannya dengan sengketa Karang Liancourt]]
Tema utama ''Parasite'' adalah [[perjuangan kelas]] dan [[kesenjangan sosial]].<ref name="classconflict">{{cite web|url=https://www.npr.org/2019/11/05/776388423/the-hit-movie-parasite-puts-basement-structures-in-structural-inequality|title=The Hit Movie 'Parasite' Puts Basement Structures In Structural Inequality|date=November 5, 2019|accessdate=February 3, 2020|last=Ulaby|first=Neda|publisher=[[NPR]]}}</ref><ref name="hustlers">{{cite web|url=https://ew.com/movies/2019/10/15/parasite-2019-cinematic-class-conflict/|accessdate=February 3, 2020|last=Holub|first=Christian|date=October 15, 2019|work=[[Entertainment Weekly]]|title=From Parasite to Hustlers: How 2019 became the year of cinematic class conflict}}</ref> Pengkritik film termasuk Joon-ho sendiri menganggap film ini sebagai cerminan [[kapitalisme]] zaman modern<ref name="Bean">{{cite web|url=https://www.forbes.com/sites/travisbean/2020/01/30/capitalism-gone-wild-the-ending-of-parasite-explained/#2a97c8df6dbd|title=Capitalism Gone Wild: The Ending Of ‘Parasite’ Explained|last=Bean|first=Travis|date=January 30, 2020|accessdate=February 3, 2020|work=[[Forbes]]}}</ref><ref name="capitalismGQ">{{cite web|url=https://www.gq.com/story/parasite-director-bong-joon-ho-interview|title=Parasite Director Bong Joon-ho on the Art of Class Warfare|date=October 8, 2019|accessdate=February 3, 2020|last=Paiella|first=Gabriella|work=[[GQ]]}}</ref> dan beberapa pengkritik lainnya mengaitkan dengan istilah "[[Neraka Joseon]]" yang terutama populer di kalangan orang muda pada akhir 2010-an untuk menggambarkan kesulitan hidup di Korea Selatan.<ref>{{cite web|first1=Minsoo|last1=Kim|accessdate=2020-02-07|title=Why “Parasite” Is Bong Joon-ho’s Biggest Hit and Darkest Film Yet|url=https://www.cinemaescapist.com/2019/10/parasite-korean-movie-review/|date=11 October 2019}}</ref><ref>{{cite news|accessdate=2020-02-07|title=Opinion: For South Korean youth, Parasite burrows close to home|url=https://www.theglobeandmail.com/opinion/article-for-south-korean-youth-parasite-burrows-close-to-home/|via=The Globe and Mail}}</ref> Film ini juga menyinggung kebiasaan menggunakan orang dalam dalam kehidupan sehari-hari.<ref name="WBFO">{{cite web|first1=Kelly|last1=Kasulis|accessdate=2020-02-07|title=Oscar-nominated &#039;Parasite&#039; speaks to a growing divide in South Korea|url=https://news.wbfo.org/post/oscar-nominated-parasite-speaks-growing-divide-south-korea|website=news.wbfo.org}}</ref> Choi Ha-young dan Park Ju-min lewat tulisan yang mengkritik Presiden Korea Selatan saat itu [[Moon Jae-in]] di ''[[The Japan Times]]'' mengaitkan film ini dengan [[teori kelas sendok]] yang erat kaitannya dengan Jae-in yang dianggap tidak memiliki banyak kemajuan dalam memperbaiki kehidupan pemuda negara itu.<ref>{{cite news|last1=Choi|first1=Ha-young|last2=Park|first2=Ju-min|url=https://www.japantimes.co.jp/news/2019/11/27/asia-pacific/social-issues-asia-pacific/south-korea-dirt-spoons-moon-jae-in/#.Xj-maCMxXIU|title=No money, no hope: South Korea's 'dirt spoons' turn against President Moon Jae-in|website=The Japan Times|date=27 November 2019|accessdate=27 November 2019}}</ref>
Baris 92 ⟶ 94:
== Penerimaan ==
=== Pencapaian dan sambutan ===
''Parasite'' menjadi film Korea Selatan terlaris kedua tahun 2019 setelah ''[[Extreme Job]]'' dan terlaris kelima secara keseluruhan setelah ''Extreme Job'', ''[[Avengers: Endgame]]'', ''[[Frozen II]]'', dan ''[[Aladdin (film 2019)|Aladdin]]'', dengan perolehan 10.085.275 penonton dan pendapatan kotor sebesar $72,22 juta di Korea.<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Yearly.jsp?mode=BOXOFFICE_YEAR&selectDt=2019&category=ALL&country=ALL|title=Yearly|website=Korean Film Council|accessdate=1 Januari 2020}}</ref> Di seluruh dunia, film ini mengantongi pendapatan kotor sebesar $163,3 juta. Film ini mendapat sambutan yang sangat baik di Amerika Serikat dengan pendapatan kotor sebesar $33,2 juta dan Jepang dengan pendapatan kotor sebesar $8,9 juta.<ref name="BOM"/><ref name="NUM"/>▼
 
==== Korea Selatan ====
▲[[Berkas:Moon Jae-in 2017-10-01.jpg|ka|jmpl|150px|Salah satu ulasan menyebut film ini mengkritik Presiden Korea Selatan Moon Jae-in]]
{|class="wikitable collapsible collapsed" style="float:right; margin:1em; margin-top:0; font-size:90%"
! style="background:tan;" colspan="6"|Pencapaian ''Parasite'' di Korea Selatan
Baris 183 ⟶ 184:
|-
|Hari kesembilan (hingga 7 Juni)
|5,.874,.755
|1,.560
|1
|$42,28 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-07-2019&searchTo=Jun-07-2019&category=ALL&country=ALL|title=Daily [7 June 2019]|website=Korean Film Council|date=67 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari kesembilankesepuluh (hingga 8 Juni)
|6,.512,.196
|1,.560
|1
|$47,018,60102 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-08-2019&searchTo=Jun-08-2019&category=ALL&country=ALL|title=Daily [8 June 2019]|website=Korean Film Council|date=68 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari kesebelas (hingga 9 Juni)
|7.021.208
|1.576
|1
|$51,04 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-09-2019&searchTo=Jun-09-2019&category=ALL&country=ALL|title=Daily [9 June 2019]|website=Korean Film Council|date=9 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari kedua belas (hingga 10 Juni)
|7.215.820
|1.459
|1
|$52,34 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-10-2019&searchTo=Jun-10-2019&category=ALL&country=ALL|title=Daily [10 June 2019]|website=Korean Film Council|date=10 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari ketiga belas (hingga 11 Juni)
|7.373.547
|1.459
|1
|$53,41 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-11-2019&searchTo=Jun-11-2019&category=ALL&country=ALL|title=Daily [11 June 2019]|website=Korean Film Council|date=11 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari keempat belas (hingga 12 Juni)
|7.519.763
|1.217
|1
|$54,38 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-12-2019&searchTo=Jun-12-2019&category=ALL&country=ALL|title=Daily [12 June 2019]|website=Korean Film Council|date=12 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari kelima belas (hingga 13 Juni)
|7.655.938
|1.169
|1
|$55,3 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-13-2019&searchTo=Jun-13-2019&category=ALL&country=ALL|title=Daily [13 June 2019]|website=Korean Film Council|date=13 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari keenam belas (hingga 14 Juni)
|7.824.101
|1.193
|1
|$56,56 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-14-2019&searchTo=Jun-14-2019&category=ALL&country=ALL|title=Daily [14 June 2019]|website=Korean Film Council|date=14 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari ketujuh belas (hingga 15 Juni)
|8.103.067
|1.205
|2
|$58,66 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-15-2019&searchTo=Jun-15-2019&category=ALL&country=ALL|title=Daily [15 June 2019]|website=Korean Film Council|date=15 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari kedelapan belas (hingga 16 Juni)
|8.344.626
|1.193
|2
|$60,5 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20190606&endYMD=20190606&searchFrom=Jun-16-2019&searchTo=Jun-16-2019&category=ALL&country=ALL|title=Daily [16 June 2019]|website=Korean Film Council|date=16 Juni 2019|accessdate=1 Januari 2020}}</ref>
|-
|Hari pertama penayangan ulang (hingga 10 Februari)
|10,099,478
|73
|9
|$72,75 juta
|<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Daily.jsp?mode=BOXOFFICE_DAILY&startYMD=20200210&endYMD=20200210&searchFrom=Feb-10-2020&searchTo=Feb-10-2020&category=ALL&country=ALL|title=Daily [10 Febuary 2020]|website=Korean Film Council|date=10 Februari 2020|accessdate=10 Februari 2020}}</ref>
|-
|}
▲''Parasite'' menjadi film Korea Selatan terlaris kedua tahun 2019 setelah ''[[Extreme Job]]'' dan terlaris kelima secara keseluruhan setelah ''Extreme Job'', ''[[Avengers: Endgame]]'', ''[[Frozen II]]'', dan ''[[Aladdin (film 2019)|Aladdin]]'', dengan perolehan 10.085.275 penonton dan pendapatan kotor sebesar $72,22 juta di Korea.<ref>{{cite web|url=http://www.koreanfilm.or.kr/eng/news/boxOffice_Yearly.jsp?mode=BOXOFFICE_YEAR&selectDt=2019&category=ALL&country=ALL|title=Yearly|website=Korean Film Council|accessdate=1 Januari 2020}}</ref> Di seluruh dunia, film ini mengantongi pendapatan kotor sebesar $163,3 juta. Film ini mendapat sambutan yang sangat baik di Amerika Serikat dengan pendapatan kotor sebesar $33,2 juta dan Jepang dengan pendapatan kotor sebesar $8,9 juta.<ref name="BOM"/><ref name="NUM"/>
 
Sebelum ditayangkan di seluruh negara, film ini ditayangkan terbatas sejak 27 Mei dengan jumlah penonton yang dijaring mencapai 307 penonton. Hingga 28 Mei, film ini ditonton 4.264 penonton di sembilan bioskop sehingga menempati peringkat ketujuh di tangga film terlaris mingguan Korea Selatan. Jumlah layar bertambah menjadi 25 bioskop dan ditonton 9.862 penonton hingga 29 Mei, walau turun satu peringkat.
 
Hingga hari pertama penayangan luas, film ini ditonton 577.955 penonton di 1.783 layar, sehingga langsung melompat ke peringkat pertama.
 
Film ini meraup keuntungan kotor sebesar $20,7 juta pada akhir pekan pembukaan di Korea Selatan.<ref name="NUM">{{Cite web |title= ''Gisaengchung'' (2019) - Financial Information |website= [[The Numbers (website)|The Numbers]] |url= https://www.the-numbers.com/movie/gi-saeng-chung-(South-Korea)-(2019) |access-date= 10 January 2020 |archive-url= https://web.archive.org/web/20191219081447/https://www.the-numbers.com/movie/gi-saeng-chung-(South-Korea)-(2019) |archive-date= 17 January 2020 |url-status= live }}</ref>
 
Film ini juga mendapat ucapan selamat oleh Moon lewat pernyataan resmi di akun media sosial.<ref>{{cite news|url=http://www.koreaherald.com/view.php?ud=20190526000038|title=President Moon celebrates Korean film's Cannes victory|website=Korea Herald|date=26 Mei 2019|accessdate=14 November 2019}}</ref>
Baris 207 ⟶ 273:
==== Jepang ====
{{double image|right|Hirokazu Kore-eda Cannes 2015.jpg|153|Mamoru-Hosoda (cropped).jpg|150|Film ini mendapat pujian dari seniman Jepang, termasuk Hirokazu Koreeda ''(kiri)'' dan Mamoru Hosoda ''(kanan)''.}}
Walaupun film ini baru ditayangkan di Jepang pada 10 Januari 2020, tetapi film ini mendapat sambutan bagus dari kalangan penonton. Pada akhir pekan pembukaan, film ini ditayangkan di 131 layar dan menempati peringkat keempat tangga film terlaris mingguan dengan mendulang $1,28 juta dengan jumlah keseluruhan lebih dari 220 juta yen ($2,05) juta pada minggu pertama.<ref>{{cite web|url=https://natalie.mu/eiga/news/363073|title=「アナ雪2」が動員トップ、「カイジ」「フォードvsフェラーリ」「パラサイト」登場|trans-title=Frozen II memuncaki tangga film terlaris, sementara Kaiji, Ford v Ferrari, dan Parasite langsung merangsek ke lima besar|website=Natalie|date=14 Januari 2020|accessdate=14 Januari 2020|language=Jepang}}</ref><ref>{{cite web|url=https://eiga.com/news/20200114/17/|title=【国内映画ランキング】「アナ雪」V2、好スタート「カイジ」は2位、「パラサイト」は5位発進|trans-title=[Tangga Film Terlaris Mingguan di Dalam Negeri] Frozen II Kembali Menguasai Film Terlaris Mingguan Dua Kali Berturut-turut, Kaiji: Final Game Mengawali dengan Baik di Peringkat Kedua, Parasite Menempati Peringkat Kelima|language=Jepang|website=Eiga|date=14 Januari 2020|accessdate=14 Januari 2020}}</ref><ref>{{cite web|url=https://www.boxofficemojo.com/weekend/2020W02/?area=JP&ref_=bo_rl_table_1|title=Japanese 2020 Weekend 2 — January 11-12, 2020|website=Box Office Mojo|accessdate=4 Februari 2020}}</ref> Hingga 13 Januari, film ini ditonton lebih dari 700 ribu penonton di Jepang dan meraih pendapatan kotor sebesar 1 miliar yen. Pada akhir pekan kedua, film ini turun satu peringkat tangga film terlaris mingguan dengan mendulang $1,21 juta dengan keuntungan kotor keseluruhan hingga minggu kedua sebesar $5,42 juta.<ref>{{cite web|url=https://natalie.mu/eiga/news/363815|title=「アナ雪2」が8度目の動員トップ、初登場は「ラストレター」「記憶屋」など5本|trans-title=Frozen II menduduki peringkat pertama untuk kedelapan kalinya, manakala Last Letter dan Kiokuya menapaki 10 besar tangga film terlaris mingguan|website=Natalie|date=20 Januari 2020|accessdate=20 Januari 2020}}</ref><ref>{{cite web|url=https://eiga.com/news/20200120/14/|title=【国内映画ランキング】「アナ雪」V7で興収125億突破！新作は5本がランクイン|trans-title=[Tangga Film Terlaris Mingguan di Dalam Negeri] Frozen 2 Menguasai Tangga Film Terlaris Mingguan Sebanyak 7 Kali dengan Pendapatan Kotor 12,5 Miliar Yen! Lima Film Baru Menghuni Tangga Film Terlaris Mingguan|language=Jepang|website=Eiga|date=20 Januari 2020|accessdate=20 Januari 2020}}</ref><ref>{{cite web|url=https://www.boxofficemojo.com/weekend/2020W03/?area=JP&ref_=bo_rl_table_2|title=Japanese 2020 Weekend 3 — January 18-19, 2020|website=Box Office Mojo|accessdate=4 Februari 2020}}</ref> Pada akhir pekan ketiga, film ini kembali ke peringkat semula tangga film terlaris mingguan dengan mendulang $1,51 juta dengan keuntungan kotor keseluruhan hingga minggu kedua sebesar hampir 1 juta yen ($8,86 juta) dan jumlah penonton mencapai 680 ribu penonton.<ref>{{cite web|url=https://natalie.mu/eiga/news/364769|title=「キャッツ」初登場で動員トップ！「パラサイト」は4位に浮上|trans-title=Cats langsung menempati peringkat pertama! Parasite naik ke peringkat keempat tangga film terlaris mingguan|website=Natalie|date=27 Januari 2020|accessdate=27 Januari 2020}}</ref><ref>{{cite web|url=https://www.boxofficemojo.com/weekend/2020W04/?area=JP&ref_=bo_rl_table_3|title=Japanese 2020 Weekend 4 — January 25-26, 2020|website=Box Office Mojo|accessdate=4 Februari 2020}}</ref><ref>{{cite web|url=https://eiga.com/news/20200127/14/|title=【国内映画ランキング】「キャッツ」V！「パラサイト」が4位、「ヒロアカ」は9位にランクアップ|trans-title=[Tangga Film Terlaris Mingguan di Dalam Negeri] Cats Menduduki Peringkat Pertama! Parasite Naik ke Peringkat Naik ke Peringkat Keempat dan My Hero Academia: Heroes Rising Berada di Peringkat Kesembilan|language=Jepang|website=Eiga|date=27 Januari 2020|accessdate=27 Januari 2020}}</ref> Pada akhir pekan keempat, film ini naik satu peringkat tanggadengan filmmendulang terlarislebih mingguandari dengan147 mendulangjuta yen ($1,36 juta) dengandan keuntungan kotor keseluruhan hingga minggu kedua sebesar lebih dari 1,3 miliar yen ($12,07 juta) serta jumlah penonton bertambah 112 ribu penonton menjadi 930 ribu penonton.<ref>{{cite web|url=https://natalie.mu/eiga/news/365696|title=「AI崩壊」週末動員1位、「バッドボーイズ」第3弾ほか初登場作品4本ランクイン|trans-title=AI Amok menempati peringkat pertama dan Bad Boys for Life menempati peringkat ketiga tangga film terlaris mingguan|website=Natalie|date=3 Februari 2020|accessdate=3 Februari 2020|language=Jepang}}</ref><ref>{{cite news|url=https://eiga.com/news/20200203/15/|title=【国内映画ランキング】「AI崩壊」首位スタート！「パラサイト」が3位にアップ|trans-title=[Tangga Film Terlaris Mingguan di Dalam Negeri] AI Amok Menduduki Peringkat Pertama! Parasite Naik ke Peringkat Ketiga|website=Eiga|date=3 Februari 2020|accessdate=3 Februari}}</ref><ref>{{cite web|url=https://www.boxofficemojo.com/weekend/2020W05/?area=JP&ref_=bo_rl_table_4|title=Japanese 2020 Weekend 5 — February 1-2, 2020|website=Box Office Mojo|accessdate=4 Februari 2020}}</ref> Pada akhir pekan kelima, film ini kembali turun satu peringkat dengan jumlah penonton mencapai 1,13 juta penonton dan mendulang pendapatan kotor hampir menyentuh 1,6 miliar yen. Jumlah layar diperkirakan bertambah sekitar 55 hingga 245 layar sebagai dampak dari kemenangan di [[Academy Awards ke-92]]. Pencapaian tersebut menyebabkan terbuka kemungkinan pendapatan kotor film ini akan mengalahkan ''[[A Moment to Remember]]'' (2004) yang menjadi film Korea Selatan terlaris sepanjang masa di Jepang dengan capaian pendapatan kotor sebesar 3 miliar yen ($20 juta).<ref>{{cite web|last=Yamazaki|first=Kento|url=https://natalie.mu/eiga/news/366655|title=「ヲタ恋」が週末動員トップ、「犬鳴村」「スーパー戦隊MOVIEパーティー」初登場|trans-title=Wotakoi: Love Is Hard for Otaku, Howling Village menempati tangga film terlaris|language=Jepang|date=10 Februari 2020|accessdate=10 Februari 2020}}</ref><ref>{{cite web|url=https://eiga.com/news/20200210/18/|title=【国内映画ランキング】「ヲタクに恋は難しい」首位！オスカー4冠「パラサイト」は16億目前|trans-title=[Tangga Film Terlaris Mingguan di Dalam Negeri] Wotakoi: Love Is Hard for Otaku Menduduki Peringkat Pertama! Film Pemenang 4 Kategori Academy Awards Parasite Menyentuh 1,6 Miliar Yen|website=Eiga|date=10 Februari 2020|accessdate=10 Februari 2020}}</ref>
 
Tidak seperti kebanyakan film Korea Selatan lain yang cenderung mendapat sambutan yang biasa saja di Jepang berkaitan dengan perselisihan Jepang-Korea, ''Parasite'' mendapat sambutan yang bagus baik dari kalangan penonton juga dari kalangan seniman. Selain dari kalangan penonton, film ini juga mendapat pujian dari kalangan seniman seperti aktor sekaligus pemusik [[Exile (grup musik)|Exile]] [[Taku Saito]], [[Kenchi Tachibana]], aktor [[Shinosuke Mitshushima]], dan sutradara [[anime]] [[Mamoru Hosoda]] juga memuji film ini. [[Hirokazu Koreeda]] yang sebelumnya memenangkan Palme d'Or lewat ''[[Shoplifters]]'' juga turut memuji film ini.<ref>{{cite web|url=https://natalie.mu/eiga/news/359317|title=斎藤工、橘ケンチ、満島真之介、細田守が「パラサイト」を絶賛！コメント動画解禁|trans-title=Video Komentar: Taku Saito, Kenchi Tachibana, Shinosuke Mitsushima dan Mamoru Hosoda Memuji "Parasite"!|website=[[Natalie (situs wen)|Natalie]]|date=13 Desember 2019|accessdate=13 Desember 2019|language=Jepang}}</ref> Pencapaian tersebut disorot oleh ''[[Donga Ilbo]]'' yang menyebutkan beberapa faktor film ini laris di Jepang.<ref>{{cite news|url=http://www.donga.com/en/article/all/20200131/1966312/1/Parasite-enjoys-wide-popularity-also-in-Japan|title=‘Parasite’ enjoys wide popularity also in Japan|website=[[Donga Ilbo]]|date=31 Januari 2020|accessdate=31 Januari 2020}}</ref>
 
==== Amerika Serikat ====
Pada akhir pekan pembukaan penayangan di Amerika Serikat, film ini mendulang penghasilan kotor sebesar $376.264 hanya dari tiga bioskop, dengan rata-rata setiap bioskopnya adalah $125,421, mengalahkan ''[[La La Land]]'' pada 2016 dan terbaik sepanjang masa bagi film berbahasa asing yang ditayangkan di sana.<ref name=USdebut>{{cite web |url=https://deadline.com/2019/10/gemini-man-will-smith-joker-addams-family-jexi-weekend-box-office-1202757855/ |title=''Joker'' $55M+ Scores 2nd Weekend October Record, ''Addams Family'' Rich $30M+, ''Gemini Man'' Still Not Dazzling $20M – Sunday B.O. Update |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=October 13, 2019 |accessdate=October 13, 2019 |archive-url=https://web.archive.org/web/20191011150127/https://deadline.com/2019/10/gemini-man-will-smith-joker-addams-family-jexi-weekend-box-office-1202757855/ |archive-date=11 October 2019 |url-status=live }}</ref> Dengan pencapaian yang cemerlang, film ini ditayangkan di 33 bioskop pada akhir pekan kedua dengan mendulang $1,24 juta.<ref>{{cite web |url=https://deadline.com/2019/10/maleficent-mistress-of-evil-zombieland-double-tap-weekend-box-office-1202763525/ |title=‘Maleficent: Mistress Of Evil’ No Magic With $36M+, ‘Joker’ Still Stealing 2nd Place From ‘Zombieland 2’ With $28M+ |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=October 20, 2019 |accessdate=October 20, 2019 |archive-url=https://web.archive.org/web/20191019220728/https://deadline.com/2019/10/maleficent-mistress-of-evil-zombieland-double-tap-weekend-box-office-1202763525/ |archive-date=19 October 2019 |url-status=live }}</ref> Pencapaian mengagumkan ini berlanjut dengan penayangan film ini di 129 bioskop pada akhir pekan ketiga dengan mendulang $1,8 juta.<ref>{{cite web |url=https://deadline.com/2019/10/synonyms-nadav-lapid-kanye-west-jesus-is-king-frankie-ira-sachs-isabelle-huppert-specialty-box-office-1202769933/ |title=‘Synonyms’ And Kanye West’s ‘Jesus Is King’ Have Solid Premieres, ‘Frankie’ Debuts Soft – Specialty Box Office |last=Ramos |first=Dino-Ray |work=[[Deadline Hollywood]] |date=October 27, 2019 |access-date=October 27, 2019 |archive-url=https://web.archive.org/web/20191027175507/https://deadline.com/2019/10/synonyms-nadav-lapid-kanye-west-jesus-is-king-frankie-ira-sachs-isabelle-huppert-specialty-box-office-1202769933/ |archive-date=27 October 2019 |url-status=live }}</ref> The film made $2.5 million in its fourth weekend and $2.6 million in its fifth.<ref>{{cite web |last=Brueggemann |first=Tom |url=https://www.indiewire.com/2019/11/box-office-amazon-honey-boy-netflix-marriage-story-1202188521/ |title=Amazon’s ‘Honey Boy’ Tops Netflix’s ‘Marriage Story’ In Select Theaters |website=[[IndieWire]] |date=November 10, 2019 |accessdate=November 10, 2019 |archive-url=https://web.archive.org/web/20191110194039/https://www.indiewire.com/2019/11/box-office-amazon-honey-boy-netflix-marriage-story-1202188521/ |archive-date=10 November 2019 |url-status=live }}</ref> The film's theater count peaked in its sixth weekend at 620, when it made $1.9 million.<ref>{{cite web |last=Brueggemann |first=Tom |url=https://www.indiewire.com/2019/11/waves-a24-box-office-arthouse-1202190157/ |title=‘Waves’ Makes Box Office Splash as Amazon and Netflix Stay Quiet |website=[[IndieWire]] |date=November 17, 2019 |7= |accessdate=November 17, 2019 |url-status=live |archive-url=https://web.archive.org/web/20191117190609/https://www.indiewire.com/2019/11/waves-a24-box-office-arthouse-1202190157/ |archive-date=17 November 2019 }}</ref> It continued to hold well in the following weekends, making $1.3 million and $1 million.<ref>{{cite web |last=Brueggemann |first=Tom |url=https://www.indiewire.com/2019/11/box-office-dark-waters-arthouse-openers-1202191841/ |title=‘Dark Waters’ Leads Tepid Arthouse Openers at Crowded Box Office |website=[[IndieWire]] |date=November 24, 2019 |7= |accessdate=November 24, 2019 |url-status=live |archive-url=https://web.archive.org/web/20191125113120/https://www.indiewire.com/2019/11/box-office-dark-waters-arthouse-openers-1202191841/ |archive-date=25 November 2019 }}</ref><ref>{{cite web |last= Brueggemann |first= Tom |url= https://www.indiewire.com/2019/12/holiday-box-office-harriet-jojo-rabbit-two-popes-1202193331/ |title= ‘Harriet,’ ‘Jojo Rabbit,’ and ‘Parasite’ Reap Holiday Box Office Bounty |website= [[IndieWire]] |date= December 1, 2019 |url-status= live |accessdate= December 1, 2019 |archive-url= https://web.archive.org/web/20191201182642/https://www.indiewire.com/2019/12/holiday-box-office-harriet-jojo-rabbit-two-popes-1202193331/ |archive-date= 1 December 2019 }}</ref> In its tenth week of release the film crossed the $20 million mark (rare for a foreign-language film), making $632,500 from 306 theaters.<ref>{{cite web |url=https://deadline.com/2019/12/uncut-gems-shines-with-biggest-a24-per-screen-opening-a-hidden-life-debuts-lionsgate-drops-limited-bombshell-release-specialty-box-office-1202809673/ |title=Uncut Gems’ Shines With Biggest A24 Per-Screen Opening, ‘A Hidden Life’ Debuts, Lionsgate Drops Limited ‘Bombshell’ Release – Specialty Box Office |last=Ramos |first=Dino-Ray |work=[[Deadline Hollywood]] |date=December 15, 2019 |accessdate=December 15, 2019 |archive-url=https://web.archive.org/web/20191215173332/https://deadline.com/2019/12/uncut-gems-shines-with-biggest-a24-per-screen-opening-a-hidden-life-debuts-lionsgate-drops-limited-bombshell-release-specialty-box-office-1202809673/ |archive-date=15 December 2019 |url-status=live }}</ref> The weekend of the Oscars (its 18th of release) the film made $1.5 million from 1,060 theatres, for a running total of $35.5 million.<ref>{{cite web |url=https://deadline.com/2020/02/birds-of-prey-weekend-box-office-margot-robbie-1202853768/ |title=How 'Birds Of Prey' Went Astray With $33M+ Opening |last=D'Alessandro |first=Anthony |website=[[Deadline Hollywood]] |date=February 9, 2020 |accessdate=February 9, 2020|archive-url=https://web.archive.org/web/20200208173530/https://deadline.com/2020/02/birds-of-prey-weekend-box-office-margot-robbie-1202853768/|archive-date=8 February 2020|url-status=live}}</ref> As a result of the Oscar wins, Neon plans to double the number of theaters showing ''Parasite'' starting on the weekend of February 15-16, 2020.<ref>{{cite web | url = https://variety.com/2020/film/news/parasite-release-theaters-oscars-neon-1203499975/ | title = ‘Parasite’ Doubles North American Release After Historic Oscar Wins | first = Dave | last = McNary | date = February 10, 2020 | accessdate = February 10, 2020 | work = [[Variety (magazine)|Variety]] }}</ref>
 
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''Parasite'' alsojuga appearedmuncul ondalam manydaftar critics'10 Best-of-the-decadefilm topterbaik 10dasawarsa listsini oleh banyak pengkritik, di antaranya:<ref name="Metacritic"/> among them:
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* 1st{{snd}} ''[[Den of Geek]]''<ref>{{cite web|title=100 Best Movies of the Decade|url=https://www.denofgeek.com/us/movies/285041/100-best-movies-of-the-decade|date=30 December 2019|publisher=[[Den of Geek]]|access-date=31 December 2019|archive-url=https://web.archive.org/web/20191231195635/https://www.denofgeek.com/us/movies/285041/100-best-movies-of-the-decade|archive-date=31 December 2019|url-status=live}}</ref>
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Di [[Metacritic]], ''Parasite'' menempati peringkat ketujuh film yang memiliki skor tertinggi pada dasawarsa 2010-an.<ref name="Metacritic" /> Hingga 2019, film ini menempati peringkat ke-42 film yang memiliki skor tertinggi sepanjang masa di situs web itu.<ref name="Metacritic">{{cite web |title= Best Movies of All Time |url= https://www.metacritic.com/browse/movies/score/metascore/all/filtered?sort=desc |website= [[Metacritic]] |accessdate= 28 December 2019 |archive-url= https://web.archive.org/web/20190809210855/https://www.metacritic.com/browse/movies/score/metascore/all/filtered?sort=desc |archive-date= 9 August 2019 |url-status= live }}</ref>
 
== Penghargaan ==
{{utama|Daftar penghargaan dan nominasi yang diterima oleh Parasite}}
''Parasite'' won the [[Palme d'Or]] at the [[2019 Cannes Film Festival]]. It was the first South Korean film to do so, as well as the first film to win with a unanimous vote since [[2013 Cannes Film Festival|2013]]'s ''[[Blue Is the Warmest Colour]]''.<ref name="Mumford">{{cite web |url=https://www.theguardian.com/film/live/2019/may/25/cannes-film-festival-2019-palme-dor-winner-announced-live |title=Cannes 2019: Bong Joon-ho's Parasite wins the Palme d'Or – live |first=Gwilym |last=Mumford |work=The Guardian |accessdate=25 May 2019 |archive-url=https://web.archive.org/web/20190526093153/https://www.theguardian.com/film/live/2019/may/25/cannes-film-festival-2019-palme-dor-winner-announced-live |archive-date=26 May 2019 |url-status=live}}</ref><ref name="D'Alessandro">{{cite web |url=https://deadline.com/2019/05/parasite-bong-joon-ho-north-korea-jokes-cannes-palme-dor-1202622402/ |title='Parasite' Palme d'Or Winner Bong Joon-Ho On Pic's North Korea Jokes – Cannes |first1=Anthony |last1=D'Alessandro |date=25 May 2019 |publisher=Deadline Hollywood |access-date= 26 May 2019 |archive-url= https://web.archive.org/web/20190526020408/https://deadline.com/2019/05/parasite-bong-joon-ho-north-korea-jokes-cannes-palme-dor-1202622402/ |archive-date= 26 May 2019 |url-status= live}}</ref> At the [[77th Golden Globe Awards]], the film was nominated for three awards including [[Golden Globe Award for Best Director|Best Director]] and [[Golden Globe Award for Best Screenplay|Best Screenplay]], and won [[Golden Globe Award for Best Foreign Language Film|Best Foreign Language Film]], becoming the first ever Korean film to achieve that feat.<ref>{{cite web |url=https://variety.com/2019/film/news/2020-golden-globes-nominations-list-nominees-1203426905/ |archive-url=https://web.archive.org/web/20191209155146/https://variety.com/2019/film/news/2020-golden-globes-nominations-list-nominees-1203426905/ |title=Golden Globes 2020: The Complete Nominations List |website=[[Variety (magazine)|Variety]] |date=December 9, 2019 |accessdate=December 9, 2019 |archive-date=December 9, 2019 |url-status=live}}</ref><ref>{{cite web |url=https://www.npr.org/2019/12/10/785090210/parasite-director-bong-joon-ho-wanted-to-reflect-the-truth-of-current-times |title='Parasite' Director Bong Joon-ho 'Wanted To Reflect The Truth Of Current Times' |last=Ulaby |first=Neda |website=NPR |date=December 10, 2019 |accessdate=December 12, 2019 |archive-url=https://web.archive.org/web/20191212221503/https://www.npr.org/2019/12/10/785090210/parasite-director-bong-joon-ho-wanted-to-reflect-the-truth-of-current-times |archive-date=12 December 2019 |url-status=live}}</ref>
 
It was selected as the South Korean entry for [[Academy Award for Best International Feature Film|Best International Feature Film]] at the [[92nd Academy Awards]],<ref name="South Korea">{{cite web |url=https://www.kofic.or.kr/kofic/business/board/selectBoardDetail.do?boardNumber=4&boardSeqNumber=49491 |title=제92회 아카데미영화상 국제장편영화 부문 한국영화 출품작 선정결과 (Selected Results of Korean Films for International Feature Films at the 92nd Academy Film Awards) |last=Kim |first=Hye-Ju |work=Korean Film Council |date=21 August 2019 |accessdate=21 August 2019}}</ref><ref>{{cite web |url=https://variety.com/2019/film/news/oscars-korea-selects-palme-dor-winner-parasite-international-feature-film-award-1203309121/ |title=Oscars: South Korea Selects Palme d'Or Winner 'Parasite' for International Feature Film Award |work=Variety |date=21 August 2019 |accessdate=21 August 2019 |archive-url= https://web.archive.org/web/20190821173038/https://variety.com/2019/film/news/oscars-korea-selects-palme-dor-winner-parasite-international-feature-film-award-1203309121/ |archive-date= 21 August 2019 |url-status= live}}</ref> making the December shortlist.<ref>{{cite web |url=https://www.nytimes.com/aponline/2019/12/16/us/ap-us-oscars-international-film-shortlist.html |title=10 Films Make Shortlist for Oscars' Best International Film |work=The New York Times |accessdate=17 December 2019 |archive-url=https://web.archive.org/web/20191217134423/https://www.nytimes.com/aponline/2019/12/16/us/ap-us-oscars-international-film-shortlist.html |archive-date=17 December 2019 |url-status=live}}</ref> It went on to win four Oscars: [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]], [[Academy Award for Best International Feature Film|International Feature Film]] and [[Academy Award for Best Original Screenplay|Original Screenplay]]. It was the first non-English language film in Oscar history to win the award for Best Picture. [[Bong Joon-ho]] won all three of the categories for which he was nominated.<ref>{{cite news|last=Brzeski|first=Patrick|url=https://www.hollywoodreporter.com/news/oscars-bong-joon-hos-parasite-wins-south-koreas-first-oscar-1277161|title=Oscars: 'Parasite' Makes History as First Foreign-Language Film to Win Best Picture|date=9 February 2020|accessdate=9 February 2020|website=[[The Hollywood Reporter]]}}</ref> ''Parasite'' is the first South Korean-made film to be nominated for the Best Picture award at the [[Academy Awards]] and the second film produced by an Asian country to receive a Best Picture nomination following ''[[Crouching Tiger, Hidden Dragon]]''.<ref>{{Cite web|url=http://www.koreaherald.com/view.php?ud=20200113000836|title='Parasite' earns six Oscar nominations, including best picture|last=Herald|first=The Korea|date=2020-01-13|website=www.koreaherald.com|language=en|url-status=live|archive-url=https://web.archive.org/web/20200115032343/http://www.koreaherald.com/view.php?ud=20200113000836|archive-date=15 January 2020|access-date=2020-01-17}}</ref> It also received nominations for [[Academy Award for Best Production Design|Best Production Design]], and [[Academy Award for Best Film Editing|Best Film Editing]],<ref>{{Cite web|url=https://www.latimes.com/entertainment-arts/movies/story/2020-01-13/parasite-oscar-nominations-everything-you-need-to-know|title=Everything you need to know about 'Parasite' and its Oscar nominations|date=2020-01-13|website=Los Angeles Times|language=en-US|url-status=live|archive-url=https://web.archive.org/web/20200115033844/https://www.latimes.com/entertainment-arts/movies/story/2020-01-13/parasite-oscar-nominations-everything-you-need-to-know|archive-date=15 January 2020|access-date=2020-01-17}}</ref> making it, along with ''[[In the Absence]]'', the first two South Korean films to receive Academy Award recognition in any category.<ref>{{cite web|url=https://slate.com/culture/2020/02/in-the-absence-documentary-korean-oscar-nominee-interview-sewol.html|title=The Filmmakers Behind ''In the Absence'' on What It Can Teach Americans|author=Violet Kim|date=2020-02-04|work=Slate|url-status=live|archive-url=https://web.archive.org/web/20200206005230/https://slate.com/culture/2020/02/in-the-absence-documentary-korean-oscar-nominee-interview-sewol.html|archive-date=6 February 2020|accessdate=2020-02-09}}</ref>
 
''Parasite'' became the second foreign film to ever be nominated for [[Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture]] since the 1997 film ''[[Life Is Beautiful]]'', and ultimately won the category, making history as the first ever foreign film to win the prize.
 
It was nominated for four awards at the [[73rd British Academy Film Awards]]: [[BAFTA Award for Best Film|Best Film]], [[BAFTA Award for Best Direction|Best Director]], [[BAFTA Award for Best Original Screenplay|Best Original Screenplay]] and [[BAFTA Award for Best Film Not in the English Language|Best Film Not in the English Language]]. It is the first Korean film to receive nominations at the [[British Academy Film Awards]] (except for [[BAFTA Award for Best Film Not in the English Language|Best Film Not in the English Language]]). It went on to win the awards for Best Film Not in the English Language and Best Original Screenplay.<ref>{{Cite web|url=https://www.indiewire.com/2020/02/bafta-winners-2020-1202208012/|title=BAFTA Awards: '1917' Crowned Best Film (Full Winners List)|last=Lattanzio|first=Ryan|date=2020-02-02|website=IndieWire|language=en|url-status=live|archive-url=https://web.archive.org/web/20200202193402/https://www.indiewire.com/2020/02/bafta-winners-2020-1202208012/|archive-date=2 February 2020|access-date=2020-02-03}}</ref><ref>{{Cite web|url=https://entertain.naver.com/read?oid=001&aid=0011373001|title='기생충', 영국 아카데미 외국어영화상·오리지널 각본상 2관왕|website=entertain.naver.com|language=ko|access-date=2020-02-03}}</ref>
 
== Seri televisi sempalan ==
An [[HBO]] limited series based on the film, with Bong and [[Adam McKay]] adapting and executively producing, is in early development.<ref>{{cite web |last=Kit |first=Borys |last2=Goldberg |first2=Lesley |url=https://www.hollywoodreporter.com/heat-vision/adam-mckay-bong-joon-ho-teaming-parasite-limited-series-hbo-1268397 |title='Parasite' HBO Limited Series in the Works From Bong Joon Ho, Adam McKay |magazine=[[The Hollywood Reporter]] |date=January 9, 2020 |accessdate=January 9, 2020 |archive-url=https://web.archive.org/web/20200110022107/https://www.hollywoodreporter.com/heat-vision/adam-mckay-bong-joon-ho-teaming-parasite-limited-series-hbo-1268397 |archive-date=10 January 2020 |url-status=live}}</ref> Bong has stated that the series, also titled ''Parasite'', will explore stories "that happen in between the sequences in the film".<ref>{{cite web |last=Ford |first=Rebessa |url=https://www.hollywoodreporter.com/heat-vision/adam-mckay-bong-joon-ho-teaming-parasite-limited-series-hbo-1268397 |title=Bong Joon Ho Says 'Parasite' Series Will Explore Stories "That Happen in Between the Sequences in the Film" |magazine=[[The Hollywood Reporter]] |date=January 21, 2020 |accessdate=January 21, 2020 |archive-url=https://www.hollywoodreporter.com/news/bong-joon-ho-says-parasite-series-will-explore-stories-happen-between-sequences-film-1269871 |archive-date=10 January 2020 |url-status=live}}</ref><ref>{{Cite web |url=https://www.indiewire.com/2020/01/parasite-tv-series-bong-joon-ho-six-hour-movie-1202205540/ |title=Bong Joon Ho Reveals Epic Plans for 'Parasite' Series as a Six-Hour Movie |first1=Ryan |last1=Lattanzio |first2=Ryan |last2=Lattanzio |date=23 January 2020|access-date=24 January 2020|archive-url=https://www.indiewire.com/2020/01/parasite-tv-series-bong-joon-ho-six-hour-movie-1202205540/|archive-date=24 January 2020|url-status=live}}</ref> In February, [[Mark Ruffalo]] was being eyed to star in the series.<ref>{{cite web|url=https://collider.com/parasite-hbo-series-cast-mark-ruffalo/|title=Exclusive: Mark Ruffalo Eyed to Star in ‘Parasite’ Series on HBO|website=Collider|last=Sneider|first=Jeff|date=February 10, 2020}}</ref>
 
== Catatan ==
{{reflist|group=note}}
 
== Rujukan ==
Diperoleh dari "https://wiki-indonesia.club/wiki/Parasite"