Raiders of the Lost Ark: Perbedaan antara revisi
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Adegan kematian Freeman, Lacey, dan Kahler dibuat dengan menggunakan model yang berbeda.<ref name="MentalFloss20"/><ref name="VanityFairToht"/> Sebuah cetakan dibuat menyerupai wajah Kahler dan dilapisi dengan kandung kemih berisi udara. Udara cetakan itu dihilangkan untuk membuat kepala mengerut. Cetakan itu dikendalikan hingga sepuluh orang.<ref name="Cinephilia"/> Special effects artist [[Chris Walas]] sculpted Lacey's melting face using different colored layers of gelatin placed over a carved, heat-resistant stone skull. Propane heaters were used to melt the gelatin and filmed using a slower-than-normal camera so the effect appears to take place rapidly when played at normal speed.<ref name="VanityFairToht"/><ref name="ScreenRantToht"/> Belloq's head mold contained a thin-plaster skull filled with blood bags and detritus. It was blown up using explosives, shotguns, and an air cannon. It took three attempts to get the desired effect.<ref name="Cinephilia"/> Belloq's death was considered so extreme the Motion Picture Association of America initially classified the film with an [[R rating (Motion Picture Association of America)|R rating]] restricting it to those over the age of 17 without an adult. Flames were superimposed over the scene to conceal the effect.<ref name="MovieFone"/>
Kasdan
=== Visual dan suara ===
[[Matte painting]]s were used to create more elaborate backgrounds: these included the establishing shot of Marion's Nepalese bar and the warehouse where the Ark is later stored, the latter painted by [[Michael Pangrazio]]. Spielberg disliked the painting of the [[China Clipper]] plane (by [[Alan Maley]]) as he did not think it looked real against the water they had filmed.<ref name="Cinephilia"/><ref name="ASCMag"/><ref name="Vishi"/><ref name="SlashPangrazio"/> Jones's attire—a leather jacket and khaki pants—was based on [[Humphrey Bogart]]'s in ''[[The Treasure of the Sierra Madre (film)|The Treasure of the Sierra Madre]]'' (1948) and [[Charlton Heston]] in ''[[Secret of the Incas]]'' (1954).<ref name="Cinephilia"/><ref name="ASCMag"/><ref name="TheRinger"/> Costume designer [[Deborah Nadoolman Landis]] dumped boxes of hats on the floor for Ford to try on. After picking the right style, she purchased an Australian model she aged with [[Fuller's earth]] and [[mineral oil]], and then scrunched beneath a bed. The hat allowed them to create a recognizable image even in silhouette.<ref name="TheRinger"/> Designer [[Ralph McQuarrie]] was responsible for the Ark decorations.<ref name="SyfyArk"/>
Spielberg wanted a moodier [[film noir]] lighting style like in ''[[The Informer (1935 film)|The Informer]]'' (1935). In contrast, Slocombe wanted to make things brighter and used backlighting to create a greater depth of field; Spielberg preferred his changes. Slocombe often employed natural light, using solar position predictions to plot a scene's layout. Spielberg liked the beams of sunlight glimpsed through scenery and tasked special effects artist [[Kit West]] with using a smoke machine to create artificial sunlight shards. For the bar fight, Spielberg wanted pitch-black shadows on the wall, but the lighting required to achieve this would have shrouded the actors' eyes; he settled for subtler shadings. He also wanted to illuminate the Well of Souls with a lighting effect through the ceiling opening, but once this was sealed it no longer made sense. The flaming torches used in the scene did not provide enough light, so he opted to use an artificial light source. Spielberg noted Allen always looked beautiful in her scenes because Slocombe would spend twice as long setting up her lighting as he would Ford's.<ref name="ASCMag"/>
Sound effects supervisor [[Ben Burtt]] recorded the film's many sounds. The snake slithering is a mix of Burtt running his hands through cheese casserole and wet sponges being dragged across grip tape; the rolling boulder is a [[Honda Civic]] driving down a gravel hill; and the Ark lid opening is the sound of a [[Cistern#Toilet cisterns|toilet cistern]] being opened.<ref name="MovieFone"/><ref name="MentalFloss20"/> The Ark spirits are the cries of sea lions and dolphins filtered through a [[vocoder]]. Jones's revolver is the sound of a [[Winchester rifle]] firing, while his whip-crack was made by recording Ford using the whip.<ref name="MentalFloss20"/>
== Rujukan ==
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