Natasha Tontey: Perbedaan antara revisi
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Salah satu penelitiannya yang bertajuk "[https://www.tagesspiegel.de/kultur/transmediale-jetzt-auch-vor-ort-eine-geschichten-von-nein-sagern/27007182.html The Epoch of Mapalucene]"<ref>https://contemporaryarttasmania.org/luxury-bunker-4-the-epoch-of-mapalucene-natasha-tontey/</ref> terinspirasi dari falsafah hidup masyarakat adat Minahasa yaitu [[Mapalus]]<ref>https://www.akademie-solitude.de/de/online-publications/foreword/</ref> dan juga ritual kuno Makatana.
Karya-karyanya berbentuk video, performans, dan instalasi.<ref>https://www.thejakartapost.com/life/2019/08/19/artists-act-sing-about-their-works-in-artjogs-leksikon.html</ref><ref>https://www.mahkuscript.com/articles/10.5334/mjfar.56/</ref>
Karya-karyanya telah di presentasikan di [[:en:Transmediale|transmediale]] [https://archive.transmediale.de/content/artist-in-residence-interview-with-natasha-tontey for refusal] (Berlin, 2021), Molecular Minds Monstrous Matters di [[:en:Akademie_Schloss_Solitude|Akademie Schloß-Solitude]] (2021), Asian Film Archive<ref>https://www.thejakartapost.com/life/2021/01/26/singapore-art-week-returns-bigger-and-closer-than-ever.html</ref> (Singapore, 2021), Kyoto Experiment ([[:en:Kyoto_Art_Center|Kyoto]], 2021), [https://liquidarchitecture.org.au/events/polyphonic-social-2019 Polyphonic Social] yang di kurasi oleh Liquid Architecture<ref>https://www.thewire.co.uk/news/52196/instru-ment-builders-project-goes-to-kyoto</ref> (Melbourne, 2019) dan Other Futures: Multispecies Experiment<ref>https://www.vice.com/nl/article/43jnyd/wat-mensen-van-kakkerlakken-kunnen-leren</ref> (Amsterdam, 2019) salah satunya.
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