Film yatim: Perbedaan antara revisi
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Rescuing 4 sources and tagging 0 as dead.) #IABot (v2.0.8 |
Rescuing 1 sources and tagging 0 as dead.) #IABot (v2.0.8 |
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Baris 39:
* Prelinger, Rick. ''The Field Guide to Sponsored Films''. San Francisco: National Film Preservation Foundation, 2006.
* Prelinger, Rick. "On the Virtues of Preexisting Material," [http://blackoystercatcher.blogspot.com/2007/05/on-virtues-of-preexisting-material.html Black Oyster Catcher], blog, May 30, 2007. Republished as "Prelinger Manifesto: On the Virtues of Preexisting Material," [http://enclosureofthecommons.wordpress.com/2010/02/23/prelinger-manifesto-on-the-virtues-of-preexisting-material/ ''Enclosure of the Commons'' blog] Feb. 23, 2010; and in [http://contentsmagazine.com/articles/on-the-virtues-of-preexisting-material/ ''Contents'' magazine no. 5] (2013).
* Prelinger, Rick, with Raegan Kelly. “Panorama Ephemera,” [http://www.vectorsjournal.net/index.php?page=7&projectId=58 ''Vectors: Journal of Culture and Technology in a Dynamic Vernacular''] {{Webarchive|url=https://web.archive.org/web/20061221134800/http://www.vectorsjournal.net/index.php?page=7&projectId=58 |date=2006-12-21 }}, vol. 2.
* Schwartz, Eric J. and Matt Williams. “Access to Orphan Works: Copyright Law, Preservation, and Politics,” ''Cinema Journal'' 46.2 (Winter 2007): 139–45.
* Streible, Dan. “Orphan Films,” [http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0064.xml ''Oxford Bibliographies Online: Cinema and Media Studies,'''] ed. Krin Gabbard (Oxford University Press, added Oct. 29, 2013). DOI: 10.1093/OBO/9780199791286-0064.
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