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=== Ganja-ganja Gandara ===
{{utama|Ganja India-Korintus}}<!--
[[File:Buddha Acanthus Capitol.jpg|thumb|FigureUkiran ofsosok theSang Buddha,Budha withinpada aganja Corinthianlanggam capital,Korintus buatan [[Gandhara|Gandara]], 3–4thabad centuryke-3 sampai ke–4 Masehi, koleksi [[MuseeMuseum Guimet]].]]
[[File:Kapitell Phokassäule.jpg|thumb|Capital of theGanja [[Column ofTugu PhocasFokas]]]]
[[File:Scamozzi portrait by Veronese.jpg|thumb|[[Vincenzo Scamozzi]] offersdan hisversi versionganja oflanggam theKorintus Corinthianyang capitaldiciptakannya, inlukisan apotret portrait bykarya [[Paolo Cagliari|Veronese]], koleksi ([[Denver Art Museum|Museum Seni Rupa Denver]])]]
 
[[Ganja India-Korintus]] adalah jenis ganja yang menghiasi mercu [[kolom|pilar]]-pilar maupun pilar-[[pilaster|pilar semu]] yang ditemukan di kawasan barat laut [[Anak Benua India]], dan yang lazimnya memadukan unsur-unsur [[Helenistik|Helenistik]] dengan unsur-unsur [[India]]. Ganja-ganja India-Korintus biasanya dipertanggal abad pertama Masehi, dan merupakan unsur-unsur penting [[seni rupa Yunani-Budha]] di [[Gandhara|Gandara]].
[[Indo-Corinthian capital]]s are capitals crowning [[column]]s or [[pilaster]]s, which can be found in the northwestern [[Indian subcontinent]], and usually combine [[Hellenistic]] and [[India]]n elements. These capitals are typically dated to the 1st centuries of our era, and constitute important elements of [[Greco-Buddhist art]] of [[Gandhara]].
 
Desain klasik kerap diadaptasi, biasanya menjadi bentuk yang lebih memanjang, kadang-kadang dipadukan dengan ukiran sulur batang, dan pada umumnya tampak pada bangunan-bangunan stupa dan rumah ibadat agama Buddha. Ganja-ganja India-Korintus juga menambahkan ukiran sosok [[Gautama Buddha|Sang Buddha]] atau para [[Bodhisatwa]], biasanya sebagai hiasan paling tengah, yang dikelilingi dan sering kali ditudungi ukiran dedaunan khas langgam Korintus.
The classical design was often adapted, usually taking a more elongated form, and sometimes being combined with scrolls, generally within the context of Buddhist stupas and temples. Indo-Corinthian capitals also incorporated figures of the [[Gautama Buddha|Buddha]] or [[Bodhisattva]]s, usually as central figures surrounded, and often in the shade, of the luxurious foliage of Corinthian designs.
 
=== Langgam Korintus Renaisans ===
===Renaissance Corinthian order===
Pada gelombang pertama [[Renaisans Italia]], pakar teori arsitektur Firenze, [[Francesco di Giorgio]], mewujudnyatakan analogi-analogi manusiawi yang kerap dihubung-hubungkan dengan bentuk tubuh manusia oleh para penulis yang menganut pandangan Vitruvius. Pada gambar-gambar berukuran persegi, ia menumpangtindihkan gambar ganja langgam Korintus dengan gambar kepala manusia guna memperlihatkan proporsi-proporsi umum yang terdapat pada keduanya.<ref>Kertas-kertas kerja Francesco di Giorgio berikut gambar-gambarnya, dari kodeks Saluzziano buatan Turin yang memudat karya tulisnya, ''Trattati di architettura ingegneria e arte militare'', ''[[circa|ca]]''. 1480–1500, diilustrasi [[Rudolf Wittkower]], ''Architectural Principles in the Age of Humanism'' (1962) 1965, pl. ic</ref><!--
 
During the first flush of the [[Italian Renaissance]], the Florentine architectural theorist [[Francesco di Giorgio]] expressed the human analogies that writers who followed Vitruvius often associated with the human form, in squared drawings he made of the Corinthian capital overlaid with human heads, to show the proportions common to both.<ref>Francesco di Giorgio's sheet with the drawings, from the Turin codex Saluzziano of his ''Trattati di architettura ingegneria e arte militare'', c. 1480–1500, is illustrated by [[Rudolf Wittkower]], ''Architectural Principles in the Age of Humanism'' (1962) 1965, pl. ic</ref>
 
The Corinthian [[architrave]] is divided in two or three sections, which may be equal, or may bear interesting proportional relationships, to one with another. Above the plain, unadorned architrave lies the [[frieze]], which may be richly carved with a continuous design or left plain, as at the U.S. Capitol extension. At the Capitol the proportions of architrave to frieze are exactly 1:1. Above that, the profiles of the [[cornice (architecture)|cornice]] mouldings are like those of the Ionic order. If the cornice is very deep, it may be supported by brackets or modillions, which are ornamental brackets used in a series under a cornice.
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