Langgam Korintus: Perbedaan antara revisi

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=== Langgam Korintus Renaisans ===
Pada gelombang pertama [[Renaisans Italia]], pakar teori arsitektur Firenze, [[Francesco di Giorgio]], mewujudnyatakan analogi-analogi manusiawi yang kerap dihubung-hubungkan denganpara bentukpenulis tubuhpenganut manusiapandangan olehVitruvius paradengan penulisbentuk yangtubuh menganut pandangan Vitruviusmanusia. Pada gambar-gambar berukuran persegi, ia menumpangtindihkan gambar ganja langgam Korintus dengan gambar kepala manusia guna memperlihatkan proporsi-proporsi umum yang terdapat pada keduanya.<ref>Kertas-kertas kerja Francesco di Giorgio berikut gambar-gambarnya, dari kodeks Saluzziano buatan Turin yang memudat karya tulisnya, ''Trattati di architettura ingegneria e arte militare'', ''[[circa|ca]]''. 1480–1500, diilustrasi [[Rudolf Wittkower]], ''Architectural Principles in the Age of Humanism'' (1962) 1965, pl. ic</ref><!--
 
The Corinthian [[architrave]] is divided in two or three sections, which may be equal, or may bear interesting proportional relationships, to one with another. Above the plain, unadorned architrave lies the [[frieze]], which may be richly carved with a continuous design or left plain, as at the U.S. Capitol extension. At the Capitol the proportions of architrave to frieze are exactly 1:1. Above that, the profiles of the [[cornice (architecture)|cornice]] mouldings are like those of the Ionic order. If the cornice is very deep, it may be supported by brackets or modillions, which are ornamental brackets used in a series under a cornice.