Tragedi Yunani: Perbedaan antara revisi

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Tag: halaman dengan galat kutipan
Tag: halaman dengan galat kutipan
Baris 133:
{{blockquote|Penggubah sandiwara terbanyak di dalam kategori ini adalah Euripides. Unsur-unsur retorika Atena abad ke-5, sketsa-sketsa yang bersifat politis, dan cerminan-cerminan lembaga-lembaga serta masyarakat Atena, memberi sandiwara-sandiwara dalam kategori ini suatu cita rasa Atena abad kelima yang khas. Penonjolan faksi-faksi politik di dalam Euripides gubahan Orestes misalnya, relevan secara langsung dengan Atena tahun 408 SM.{{sfn|Gregory|2005|p=8}}}}
 
Tragedi dipentaskan di Atena dalam perhelatan Dionisia Besar, perayaan untuk memuliakan Dionisos pada bulan [[Elafebolion]], menjelang akhir bulan Maret.{{refn|group=keterangan|name=Dionisia1}} Pertunjukan tersebut diselenggarakan oleh negara dan [[eponimos arkhon]], yang memilih tiga warga kaya untuk mengongkosinya. Di dalam tatanan demokrasi Atena, warga berada diwajibkan mendanai pelayanan-pelayanan masyarakat. AmalanAdat semacam ini disebut [[liturgi (Yunani Kuno)|''liturgi'']].<!--
 
During the Dionysia a [[Agon|contest]] took place between three plays, chosen by the ''archon eponymous''. This procedure might have been based on a provisional script, each of which had to submit a [[tetralogy]] consisting of three tragedies and a [[satyr play]]. Each tetralogy was recited in one day, so that the recitation of tragedies lasted three days. The fourth day was dedicated to the staging of five comedies.{{refn|group=keterangan|name=reduced1}} At the end of these three days a jury of ten people chosen by lot from the body of citizens chose the best choir, best actor and best author. At the end of the performances, the judges placed a tablet inscribed with the name of their choice inside an urn, after which five tablets were randomly selected. The person who received the highest number of votes won. The winning author, actor and choir were thus selected not purely by lot, but chance did play a part.