The Room: Perbedaan antara revisi
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*{{cite book|last1=Sestero|first1=Greg|last2=Bissell|first2=Tom|author-link1=Greg Sestero|author-link2=Tom Bissell|title=[[The Disaster Artist|The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made]]|date=October 2013|publisher=[[Simon & Schuster]]|location=New York|isbn=978-1-4516-6119-4|edition=First Hardcover}}
* [https://web.archive.org/web/20140107232058/http://www2.warwick.ac.uk/fac/arts/film/staff/macdowell/ James MacDowell] and [https://web.archive.org/web/20140622135734/http://www2.hull.ac.uk/fass/film-studies/staff/james-zborowski.aspx James Zborowski], [https://intensitiescultmedia.files.wordpress.com/2014/01/j-macdowell-j-zborowski-the-aesthetics-of-so-bad-its-good1.pdf "The Aesthetics of 'So Bad It's Good': Value, Intention, and The Room"], Intensities: The Journal of Cult Media, 6 (Autumn/Winter 2013), pp. 1–30.
* [https://research.hud.ac.uk/ourstaff/profile/index.php?staffid=1469 Richard McCulloch], [http://www.participations.org/Volume%208/Issue%202/2d%20McCulloch.pdf "'Most People Bring Their Own Spoons': The Room's Participatory Audiences as Comedy Mediators"] {{Webarchive|url=https://ghostarchive.org/archive/20221009/http://www.participations.org/Volume%208/Issue%202/2d%20McCulloch.pdf |date=2022-10-09 }}, Participations: Journal of Audience & Reception Studies, 8.2 (November 2011), pp. 189–218.
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