Gábor Kósa: Perbedaan antara revisi
Konten dihapus Konten ditambahkan
k clean up, added orphan tag |
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Baris 1:
{{Orphan|date=November 2022}}
{{Yatim|Oktober 2022}}
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Baris 66 ⟶ 68:
* “Uchū-zu no ‘Kōki no hojisha’ ni tsuite 宇宙図の「光輝の保持者」について [Splenditenens in the Cosmology painting].” (Trans. Dr. Inoue Takami) In: Yoshida Yutaka 吉田豊 and Furukawa Shōichi 古川 攝一 (eds.) 2015. ''Chūgoku kōnan Manikyō kaiga kenkyū'' 中国江南マニ教絵画研究 [Studies of the Chinese Manichaean paintings of South Chinese origin preserved in Japan]''.'' Kyoto: Rinsen, 292‒302.
* “Uchū-zu no Atorasu ni tsuite 宇宙図のアトラスについて [Atlas in the Cosmology painting].” (Trans. Dr. Inoue Takami) In: Yoshida Yutaka 吉田豊 and Furukawa Shōichi 古川 攝一 (eds.) 2015. ''Chūgoku kōnan Manikyō kaiga kenkyū'' 中国江南マニ教絵画研究 [Studies of the Chinese Manichaean paintings of South Chinese origin preserved in Japan]''.'' Kyoto: Rinsen, 261‒274.
* “Chūgoku no Manikyō uchū-zu ni egakareta sabaki no bamen: zuzō no kigen to shūkyō-tekina messēji 中国のマニ教宇宙図に描かれた裁きの場面''':''' 図像の起源と宗 教的なメッセージ.” [The Judgment Scene in the Chinese Manichaean Cosmology Painting and its Religious Message].” (Trans. Ikematsu-Papp Gabriella 池松パプガブリエラ and Ikematsu Hiroshi 池松 裕史) In: Yoshida Yutaka 吉田豊 and Furukawa Shōichi 古川 攝一 (eds.) 2015. ''Chūgoku kōnan Manikyō kaiga kenkyū'' 中国江南マニ教絵画研究 [Studies of the Chinese Manichaean paintings of South Chinese origin preserved in Japan]''.'' Kyoto: Rinsen, 275‒291.
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