Emily Kame Kngwarreye: Perbedaan antara revisi
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Awalnya, [[Seni lukis|lukisan]] Kngwarreye tergabung sebagai bagian dari Wanita [[Utopia]] bersama [[Rodney Gooch]] di CAAMA<ref>{{Cite book|last=Schmidt|first=Chrischona|title=Rodney Gooch’s Role and Influence in the Development of the Utopia Art Movement: A History of the Art Movement and Rodney Gooch’s Role within it|publisher=Common Ground Research Networks|isbn=1833-1866|url-status=live}}</ref> dan kemudian diwakili oleh Christopher Hodges, pemilik Seni [[Utopia]] [[Sydney]] dari tahun 1988 hingga kematiannya.<ref>{{Cite web|date=2018-03-29|title='Uncanny similarity': new Damien Hirst works in spot of bother in Australia|url=http://www.theguardian.com/artanddesign/2018/mar/29/uncanny-similarity-new-damien-hirst-works-in-spot-of-bother-in-australia|website=the Guardian|language=en|access-date=2022-03-18}}</ref>
Pada April 1989,<ref>{{Cite web|title=NEW YORK EXHIBITION HIGHLIGHTS|url=https://www.dlandavidson.com.au/news-blog/2020/1/31/3-highlights-from-our-new-york-exhibitions|website=D'LAN CONTEMPORARY|language=en-US|access-date=2022-03-18|archive-date=2022-03-04|archive-url=https://web.archive.org/web/20220304165028/https://www.dlandavidson.com.au/news-blog/2020/1/31/3-highlights-from-our-new-york-exhibitions|dead-url=yes}}</ref> Kngwarreye mulai [[Seni lukis|melukis]] lebih dari 1.500 karya untuk Galeri Delmore yang terletak di wisma Delmore Downs yang berdekatan dengan [[Utopia]].<ref>{{Cite book|last=Newstead|first=Adrian|date=2014-02-01|url=https://books.google.co.id/books?id=yDnAAgAAQBAJ&redir_esc=y|title=The Dealer is the Devil: An Insiders History of the Aboriginal Art Trade|publisher=Brandl & Schlesinger|isbn=978-1-921556-44-9|language=en}}</ref>
Pada tahun 1991, ia telah menghasilkan berbagai karya untuk banyak pedagang penyalur seperti Galeri Mimpi Aborigin di [[Melbourne]] dan Fred Torres dari Dacou yang berlokasi di [[Adelaide, Australia Selatan|Adelaide]].<ref name=":5">{{Cite web|title=Emily Kame Kngwarreye – Pwerle|url=https://pwerle.com.au/emily-kame-kngwarreye|language=en-AU|access-date=2022-03-18}}</ref>
Baris 46:
Selama hidupnya dan setelah kematiannya, [[penulis]] dan [[Wartawan|jurnalis]] melaporkan bahwa banyak karya yang konon dilukis oleh Kngwarreye pada kenyataannya adalah palsu.<ref>{{Cite book|last=Myers|first=Fred R.|date=2002-12-16|url=https://books.google.co.id/books?id=KiEYSolx3RoC&dq=emily+kngwarreye+%22fakes%22&pg=PA327&redir_esc=y#v=onepage&q=emily%20kngwarreye%20%22fakes%22&f=false|title=Painting Culture: The Making of an Aboriginal High Art|publisher=Duke University Press|isbn=978-0-8223-2949-7|language=en}}</ref>
Karya-karya awal Kngwarreye dari Galeri Delmore yang masih bagus kemudian dilelang, tetapi para ahli percaya bahwa karyanya diperiode akhir untuk [[Rodey Grooch]] memiliki potensi pasar yang signifikan.<ref>{{Cite web|title=TOP 10 MOST COLLECTABLE CONTEMPORARY INDIGENOUS ARTISTS|url=https://www.dlandavidson.com.au/new-blog-22/2017/5/31/22-top-10-most-collectable-contemporary-indigenous-artists|website=D'LAN CONTEMPORARY|language=en-US|access-date=2022-03-18|archive-date=2022-03-04|archive-url=https://web.archive.org/web/20220304165506/https://www.dlandavidson.com.au/new-blog-22/2017/5/31/22-top-10-most-collectable-contemporary-indigenous-artists|dead-url=yes}}</ref>
Jurnalis pasar seni, [[Gabriella Coslovich]] mengutarakan bahwa karya yang berasal dari Galeri Delmore adalah "berharga".<ref>{{Cite web|date=2020-07-08|title=Artworks beat Melbourne lockdown|url=https://www.afr.com/life-and-luxury/arts-and-culture/artworks-beat-melbourne-lockdown-20200707-p559xq|website=Australian Financial Review|language=en|access-date=2022-03-18}}</ref>
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