Film wanita: Perbedaan antara revisi

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Rescuing 8 sources and tagging 0 as dead.) #IABot (v2.0.9.5
 
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;Daftar pustaka
* {{cite book
| ref = harv
| last = Altman
| first = Rick
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| chapterurl = https://books.google.com/books?id=lgFhfjS2hNsC&pg=PA27
| isbn = 978-0-520-91855-9
| access-date = 2018-08-03
| archive-date = 2023-07-21
| archive-url = https://web.archive.org/web/20230721145325/https://books.google.com/books?id=lgFhfjS2hNsC&printsec=frontcover
| dead-url = no
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* {{cite book
| ref = harv
| last = Ashby
| first = Justine
| authorlink =
| editor1-first = Melanie
| editor1-last = Bell
Baris 40 ⟶ 44:
| chapterurl = https://books.google.com/books?id=3ydEcsTY1VcC&pg=PA153
| isbn = 978-0-203-87200-0
| access-date = 2018-08-03
| archive-date = 2023-07-21
| archive-url = https://web.archive.org/web/20230721145326/https://books.google.com/books?id=3ydEcsTY1VcC&printsec=frontcover
| dead-url = no
}}
* {{cite book
| ref = harv
| last = Basinger
| first = Jeanine
| authorlink =
| editor1-first =
| editor1-last =
| editor2-first =
| editor2-last =
| title = A Woman's View: How Hollywood Spoke to Women, 1930–1960
| url = https://books.google.com/books?id=tbZVNPT6x6EC&printsec=frontcover
Baris 55 ⟶ 63:
| location = London
| year = 1994
| chapter =
| chapterurl =
| isbn = 978-0-7011-6093-7
| access-date = 2018-08-03
| archive-date = 2023-07-21
| archive-url = https://web.archive.org/web/20230721145245/https://books.google.com/books?id=tbZVNPT6x6EC&printsec=frontcover
| dead-url = no
}}
* {{cite book
Baris 78 ⟶ 90:
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* {{cite book
| ref = harv
| last = Doane
| first = Mary Ann
Baris 88 ⟶ 100:
| year = 1987
| isbn = 978-0-253-31682-0
| access-date = 2018-08-03
| archive-date = 2023-07-21
| archive-url = https://web.archive.org/web/20230721145333/https://books.google.com/books?id=FLWP6SPGQuYC&printsec=frontcover
| dead-url = no
}}
* {{cite book
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* {{cite book
| ref = harv
| editor1-last = Ferriss
| editor1-first = Suzanne
Baris 119 ⟶ 135:
| year = 2008
| isbn = 978-0-415-96255-1
| access-date = 2018-08-03
| archive-date = 2023-07-21
| archive-url = https://web.archive.org/web/20230721145332/https://books.google.com/books?id=KZ3oqbNWV0AC&printsec=frontcover
| dead-url = no
}}
* {{cite book
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* {{cite book
| ref = harv
| last = McKee
| first = Alison L.
| authorlink =
| editor1-first =
| editor1-last =
| editor2-first =
| editor2-last =
| title = The Woman's Film of the 1940s: Gender, Narrative, and History
| url = https://encrypted.google.com/books?id=yC5EAwAAQBAJ&printsec=frontcover
Baris 223 ⟶ 243:
| location = New York
| year = 2014
| chapter =
| chapterurl =
| isbn = 978-0-415-83306-6
| access-date = 2018-08-03
| archive-date = 2014-04-22
| archive-url = https://web.archive.org/web/20140422233422/https://encrypted.google.com/books?id=yC5EAwAAQBAJ&printsec=frontcover
| dead-url = no
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* {{cite book
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== Pranala luar ==
* Hollinger, Karen Wallis (2014): [http://indigo.uic.edu/handle/10027/15696 ''Embattled voices: The narrator and the woman in film noir and the woman's film''] {{Webarchive|url=https://web.archive.org/web/20140423041421/http://indigo.uic.edu/handle/10027/15696 |date=2014-04-23 }}. Thesis submitted for a [[Doctor of Philosophy]] degree at the [[University of Illinois at Chicago]].
* Laing, Heather (2000): [http://wrap.warwick.ac.uk/2320/ ''Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film''] {{Webarchive|url=https://web.archive.org/web/20220812121636/http://wrap.warwick.ac.uk/2320/ |date=2022-08-12 }}. Thesis submitted for a Doctor of Philosophy degree at the [[University of Warwick]].
* Nash, Melanie Leigh (1994): [https://circle.ubc.ca/handle/2429/5684 ''The woman's film, the new women's cinema, and the women's buddy film''] {{Webarchive|url=https://web.archive.org/web/20140504172826/http://circle.ubc.ca/handle/2429/5684 |date=2014-05-04 }}. Thesis submitted for a [[Master of Arts]] degree at the [[University of British Columbia]].
 
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