Masque: Perbedaan antara revisi
Konten dihapus Konten ditambahkan
Saya meminta untuk penghapusan cepat Tag: Suntingan perangkat seluler Suntingan peramban seluler Suntingan seluler lanjutan |
Badak Jawa (bicara | kontrib) Tidak ada ringkasan suntingan Tag: Suntingan perangkat seluler Suntingan peramban seluler Suntingan seluler lanjutan |
||
Baris 1:
{{
[[File:IJonesKnightmasque.jpg|thumb|upright|Costume for a Knight, by [[Inigo Jones]]: the plumed helmet, the [[Muscle cuirass|"heroic torso"]] in armour and other conventions were still employed for [[opera seria]] in the 18th century.]]
The '''masque''' was a form of festive [[Noble court|courtly]] [[entertainment]] that flourished in 16th- and early 17th-century Europe, though it was developed earlier in [[Italy]], in forms including the [[intermedio]] (a public version of the masque was the [[medieval pageant|pageant]]). A masque involved music, dancing, singing and acting, within an elaborate [[stage design]], in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen [[Anne of Denmark]] frequently danced with her ladies in masques between 1603 and 1611, and [[Henry VIII of England|Henry VIII]] and [[Charles I of England]] performed in the masques at their courts.{{Citation needed|date=September 2022}} In the tradition of masque, [[Louis XIV of France]] danced in [[ballet]]s at [[Palace of Versailles|Versailles]] with music by [[Jean-Baptiste Lully]].<ref>[http://www.mith.umd.edu/comus/cegenre.htm 'History of the Masque Genre']</ref>
|