Cantique de Jean Racine: Perbedaan antara revisi
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|filename=Petits Chanteurs de Passy - Cantique de Racine de Gabriel Faure.ogg|title=Organ dan koor|description=Ditampilkan oleh {{ill|Les Petits Chanteurs de Passy|fr}}, dengan Astrid Delaunay sebagai dirigen
|filename2=Cantique de Jean Racine - Choeur et orchestre.ogg|title2=Orkestra dan koor|centre}}}}
The music is in [[D-flat major]], in [[common time]], marked [[Andante (tempo)|Andante]]. The instrumental introduction contains three elements: a calm melody imitated by the voices, a similarly calm bass, and a flowing inner part in ceaseless [[Triplet (music)|triplet]]s. The voices enter one after the other, beginning with the lowest, each presenting half a line of text, while the lower voices accompany in [[homophony]]. The second stanza is separated from the first by a short interlude similar to the introduction, while the third and final stanza follows immediately in the way of a [[reprise]]. The writing for the voices has been described as at the same time transparent and well balanced" ("zugleich durchlässig wie klanglich ausgewogen"). Models such as [[Felix Mendelssohn|Mendelssohn]] and [[Charles Gounod|Gounod]] show, but also a personal style.<ref name="Nectoux" /> Zachary Gates notes in a paper dedicated to the work: "The long sweeping melodies and strong melodic and harmonic appoggiaturas in ''Cantique'' are a testament to the Romantic side of the piece, but there is a definite contemporary tint to what he's writing, hidden in very minute and well-justified atonal note choices in the harmonic structure and melody.<ref name="Gates" /> After ten years of training at the school focused on liturgy, Fauré was able to set "the inspiring text with a gorgeously restrained and respectful charm".<ref name="Counts" />
== Referensi ==
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