Kerongsang Kelt: Perbedaan antara revisi
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Baris 62:
[[File:Brit Mus 17sept 016.jpg|thumb|left|Detail [[Kerongsang Londesborough]] (akhir abad ke-8 atau awal abad ke-9)]]
Batang tubuh kerongsang biasanya dibuat dengan cara cetak tuang, dan telah ditemukan beberapa bagian dari cetakan dua pelat.<ref>Youngs, 170–171, 189–193; NMI, 176–177</ref><!-- Banyak kerongsang memiliki cells for studs or bosses that are most often round hemispheres, but may be square, lozenges or other shapes; very often the studs themselves are now missing. These are in a variety of materials including
Like the Insular chalices and other metalwork, the very ornate Irish brooches were mostly made in many pieces which are pinned or slotted together. Filigree decoration was often made on "trays" which fitted into the main ring — on the Tara Brooch many of these are now missing (most were still in place when it was found in 1850).
[[File:Brit Mus 13sept10 brooches etc 015-crop.jpg|thumb|
Techniques include [[chip-carving]], cast "imitation chip-carving", [[filigree]], [[engraving]], inlays of various types including [[niello]], glass and [[champlevé]] enamel, and various hammering and chasing techniques: "the range of materials and techniques is almost the full range known to man."<ref>Youngs, 171–173, quote 171</ref> Two techniques that do not appear are the "true pierced openwork ''[[interasile]]'', much used in Byzantine jewellery",<ref>Youngs, 171–173</ref> and the [[cloisonné]] work that typified much Western European jewellery, and especially large fibulae, at the time, whether in enamel or stone inlays like the garnets used so effectively at Sutton Hoo and in the Anglo-Saxon [[Staffordshire Hoard]]. In the gilded brooches, enamel is restricted to studs that punctuate the composition like gems; the larger areas of champlevé found on the flared terminals of earlier types perhaps continue in simpler types, though dating is difficult.
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