Led Zeppelin I: Perbedaan antara revisi

''Led Zeppelin'' wasdiproduseri produced byoleh Jimmy Page anddan ditangani secara engineeredteknis byoleh [[Glyn Johns]], whoyang hadsebelumnya previouslysudah workedpernah withbekerja bersama [[The Beatles]], [[The Rolling Stones]] anddan [[The Who]]. According toKata Page, "TheAlbum firstpertama adalah album is a ''live album'', itbenar-benar really is''live'', anddan it'sini donedilakukan intentionallydengan in that waysengaja. It'sTerdapat gotbanyak ''overdubs'' on itdisana-sini, buttetapi thelagu originalaslinya tracks areadalah ''live''."<ref name="Uncut09">“I first met Jimmy on Tolworth Broadway, holding a bag of exotic fish...”, ''[[Uncut magazine|Uncut]]'', January 2009, p. 42.</ref>

Page reportedlydilaporkan usedmenggunaka naturalruangan roomdengan ambiencenuansa toalami enhanceuntuk themeningkatkan reverbefek and''reverd'' dan recordingtekstur textureperekaman onsaat thepengambilan recordsuara, demonstratingmenujukan theinovasi innovationspada inperekaman soundyang recordingtelah heia hadpelajari learnedselama duringhari-hari hisawal session dayskariernya. UpSampai untilakhir the late 1960s1960-an, mostmayoritas musicproduser producersmusik placedmenempatkan [[microphone]]smikrofonnya directlytepat indi frontdepan of the [[''amplifier]]s'' anddan drumsdrum. ForUntuk ''Led Zeppelin'' Page developedmengembangkan theide ideauntuk ofmenempatkan placingmikrofon antambahan additionalyang microphonediletakan someagak distancejauh fromdari the amplifieramplifiar (asbeberapa farsejauh ashampir twenty20 feetkaki) anddan thenkemudian recordingmerekam thedengan balanceseimbang between the twokeduanya. ByDengan adoptingmenerapkan thisteknik "distancejarak sama equalsdengan depthkedalaman" techniqueini, Page becamemenjadi oneproduser ofpertama theuntuk first producers to record a band'smerekam "ambient soundsuara-nuansa"—the-jarak distancedari ofsetiap a note's 'time-lag' from onenot enddari ofujung theruangan roomke toujung theruangan otherlainnya.<ref name="LightShade">Tolinski, Brad; Di Bendetto, Greg (January 1998). "Light and Shade". ''Guitar World''.</ref><ref name=RS2006>Gilmore, Mikal (10 August 2001). "[http://www.rollingstone.com/news/story/11027261/the_long_shadow_of_led_zeppelin/print The Long Shadow of Led Zeppelin]". ''Rolling Stone''. Retrieved on 26 June 2008.</ref>

AnotherFitur notablelainnya featureyang ofpatut thedicatat dari album wasini theadalah "leakagekebocoran" on thepada recordingsperekaman ofvokal Robert Plant's vocals. InPada asebuah 1998interview yang dilakukan oleh ''Guitar World'' interviewtahun 1998, Pagepage statedmenyatakan thatbahwa "Suara Robert's voicesangat waskuat extremely powerful anddan, assebagai a resulthasilnya, wouldakan getbocor onke some of the other''track'' trackslainnya. ButTetapi oddlyanehnya, thekebocoran leakageini soundstampaknya intentionaldisengaja."<ref name="LightShade"/> OnPada the tracklagu "[[You Shook Me]]", Page usedmemakai theteknik "[[backward echo]]" technique. It involves hearing the echo before the main sound (instead of after it), and is achieved by turning the tape over and employing the echo on a spare track, then turning the tape back over again to get the echo preceding the signal.<ref name="LightShade"/>