Good Times Bad Times: Perbedaan antara revisi

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"'''Good Times Bad Times'''" adalah lagu oleh band [[rock music|rock]] asal [[Inggris]] [[Led Zeppelin]], yang menjadi lagu pembuka mereka pada album debut mereka, ''[[Led Zeppelin I|Led Zeppelin]]''.
 
Untuk solo gitar lagu ini, gitaris [[Jimmy Page]] mencolokan gitar [[Telecaster]]nya lewat sebuah [[Leslie speaker]] untuk membuat efek suara berputar-putar.<ref name=Complete>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9</ref><ref name="JPinterview">Steven Rosen, [http://www.modernguitars.com/archives/003340.html 1977 Jimmy Page Interview], ''Modern Guitars'', 25 May 2007 (originally published in the July 1977, issue of ''[[Guitar Player]]'' magazine).</ref> This type of [[loudspeaker|speakerSpeaker]] containsini aberisi rotatingsebuah [[paddle]]kayuh berputar andyang wasdidesain designedkhusus foruntuk [[Hammond organ]]. HoweverKendati demikian, guitarsgitar coulddapat bejuga useddipakai withbersama speaker itini. [[George Harrison]] anddan [[Eric Clapton]] employedmenggunakan thisteknik techniqueini onpada thelagu "[[CreamBadge (bandlagu)|CreamBadge]]" songoleh "[[BadgeCream (songband)|BadgeCream]]", anddan Harrison usedmenggunakan juga teknik itini inpada severalbeberapa oflagu [[The Beatles]]' recordings.<ref>[http://www.norwegianwood.org/beatles/disko/uklp/abbey.htm Abbey Road<!-- Bot generated title -->]</ref> InPada sebuah sesi tanya anjawab interviewyang hediadakan gaveoleh tomajalah ''[[Guitar World]]'' magazinepada intahun 1993, Pagepage explainedmenjelaskan thatbahwa:
 
{{quote|ISaya doingat rememberketika usingsaya themenggunakan boardpapan tountuk meng-''overdrive'' asebuah kabinet Leslie cabinetuntuk formerekam theriff mainutama riffpada inlagu "How Many More Times". ItSuaranya doesn'ttidak sound like aseperti Leslie becausekarena Isaya wasn'ttidak employingmenggunakan thespeaker rotating speakersberputarnya. Surprisingly,Tetapi thatyang soundmengejutkan, hassuaranya realsangat weightmantap. TheGitarnya guitarmelewati ispapan going through the boarditu, thenlalu throughmelewati an''amplifier'' ampyang whichmenyalakan waskabinet drivingLeslie. theitu Leslie cabinet.adalah Itsalah wassatu aeksperimen veryyang successfulpaling experimentsukses.<ref name=page93>[http://www.iem.ac.ru/zeppelin/docs/interviews/page_93.gw Interview with Jimmy Page], ''[[Guitar World]]'' magazine, 1993</ref>}}
 
Page, yang juga merupakan [[Produser rekaman|produser]], meletakan mikrofon di seluruh studio rekaman untuk mendapatkan suara langusng ketika lagu ini direkam.
Page, also the band's [[Record producer|producer]], placed [[microphone]]s all over the recording [[studio]] to capture a live sound when this song was recorded.
 
ThisLagu songini isjuga alsodikenal notableatas forpermainan [[drummer]] [[John Bonham]]'s yang berulang kali menggunakan triplet dua perenambelas pada satu repeated use of a series of two sixteenth-note triplets on a single [[bass drum]], an effect many subsequent rock drummers have imitated, and as well as keeping the hi-hat playing quarter notes throughout almost the entire song with his left foot. Bonham had reportedly developed this technique after listening to [[Vanilla Fudge]]. He was unaware that drummer [[Carmine Appice]] was actually playing on a [[Double_bass_drum#Double_bass_drum|double bass set]]. As Page has stated:
 
{{quote|The most stunning thing about the track, of course, is Bonzo's amazing kick drum. It's superhuman when you realize he was not playing with double kick. That's one kick drum! That's when people started understanding what he was all about.<ref name=page93/>}}