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== Referensi ==
{{Reflist}}
 
'''''Bibliografi John Philip Sousa-'''''
'''''Buku/Koleksi'''''
 
*J. P. Sousa Collection. Washington D.C.: Archives of the U.S. Marine Band, 2011.
*The Sousa Archives and Center for American Music. University of Illinois at Urbana-Champaign, 2011.
*Berger, Kenneth W. The March King and His Band : The Story of John Philip Sousa. New York: Exposition Press, 1957.
*Bierley, Paul E. John Philip Sousa: A Descriptive Catalog of His Works. Urbana: University of Illinois Press, 1973.
*Bierley, Paul E. John Philip Sousa: American Phenomenon. Miami, FL: Warner Bros. Publications, 2001.
*Bierley, Paul E. The Incredible Band of John Philip Sousa. Urbana: University of Illinois Press, 2006.
*Bierley, Paul E. The Works of John Philip Sousa. Columbus, OH: Integrity Press, 1984.
*Delaplaine, Edward S. John Philip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.
*Heslip, Malcolm. Nostalgic Happenings in the Three Bands of John Philip Sousa. Westerville, OH: Integrity Press, 1992.
*Lingg, Ann M. John Philip Sousa. New York: Holt, 1954.
*Newsom, Jon, ed. Perspectives on John Philip Sousa. Washington: Library of Congress, 1983.
*Sousa, John Philip. Marching Along: Recollections of Men, Women and Music. Edited by Paul E. Bierley. Boston: Hale, Cushman & Flint, 1928, rev. 1994.
*Sousa, John Philip. National, Patriotic and Typical Airs of All Lands. N.Y.: Da Capo Press, 1977.
*Sousa, John Philip. Through the Year with Sousa: Excerpts from the Operas, Marches, Miscellaneous Compositions, Novels, Letters, Magazine Articles, Songs, Sayings and Rhymes of John Philip Sousa. New York: Thomas Y. Crowell &, 1910.
 
'''''Artikel'''''
 
*Bennett, Jeb. "John Philip Sousa: 100th Anniversary." Marine Corps Gazzette 64, no. 10 (1980): 31-34.
*Bierley, Paul E. "Sousa: America's Greatest Composer?" Musical Journal 25, no. 1 (1967): 83-87.
*Bierley, Paul E. "Sousa on Programming." Instrumentalist, December 1973.
*Bierley, Paul E. "Sousa's Mystery March." Instrumentalist, February 1966.
*Dvorak, Raymond F. "Recollections of Sousa's March Performances." School Musician, Director and Teacher, December 1969.
*Evenson, Orville. "The March Style of Sousa." Instrumentalist, November 1954.
*Fennell, Frederick. "Sousa: Still a Somebody." Instrumentalist, March 1982.
*Gaydos, Jeff. "Stars and Stripes and Sousa Forever!" Bandwagon, June 1980.
*Goldberg, Isaac. "Sousa." American Mercury 27 (1932): 193-200.
*Goldman, Richard Franko. "John Philip Sousa." HiFi/Stereo Review 19, no. 1 (1967): 35-47.
*Gordon, Marjorie M. "John Philip Sousa: A Centennial-Year Salute to the March King." Musical Journal 11, no. 11 (1954): 28-34.
*Heney, John J. "On the Road with the Sousa Band." School Musician, Director and Teacher, 1976.
*Howard, George S. "A New Era for Brass: Sousa's Role." Music Journal, January 1966.
*Interavia, Lawrence. "Wind Band Scoring Practices of Gilmore and Sousa." Instrumentalist, March 1965.
*Larson, Cedric. "John Philip Sousa as an Author." Etude, August 1941.
*Mangrum, Mary Gailey. "I Remember Sousa." Instrumentalist 24, no. 5 (1969): 38-41.
*Mangrum, Mary Gailey. "Sousa the Patriot." Instrumentalist 24, no. 6 (1970): 33-35.
*Marek, George Richard. "John Philip Sousa." HiFi/Musical America 23, no. 11 (1973): 57-61.
*Mathews, William Smith Babcock. "An Interview with John Philip Sousa." Music: A Monthly Magazine 9 (1896): 487-92.
*Mayer, Francis N. "John Philip Sousa: His Instrumentation and Scoring." Music Educator's Journal, January 1960.
*Peterson, O. A. "The Human Side of Sousa." Musical Messenger, May 1916.
*Pleasants, Henry. "A Look at Sousa: Ormandy and Critics." International Herald Tribune (Paris Edition), December 1969.
*"Sousa and His Mission." Music: A Monthly Magazine 16 (July 1899): 272-76.
*"Sousa as He Is." Music: A Monthly Magazine 14 (May 1899).
*"Sousa's New Marine Band." Musical Courier, November 9, 1892.
*Stoddard, Hope. "Sousa: Symbol of an Era." International Musician, December 1948.
*Thomson, Grace F. "Memories of the March King." Musical Journal 22, no. 5 (1964): 27-49.
*Trimborn, Thomas J. "In the Footsteps of Sousa." Instrumentalist 35, no. 4 (1980): 10-13.
*Wimbush, Roger. "Sousa at the "Proms"" Monthly Musical Record 68:238-40.
 
'''''Disertasi'''''
 
*Bly, Leon Joseph. “The March in American Society.” Diss., University of Miami, 1977.
*Bowie, Gordon W. “R. B. Hall and the Community Bands of Maine.” Diss., University of Maine, 1993.
*Carpenter, Kenneth William. “A History of the United States Marine Band.” Diss., University of Iowa, 1971.
*Church, Charles Fremont. “The Life and Influence of John Philip Sousa.” Diss., Ohio State University, 1942.
*Darling, Matthew H. “A Study and Catalogue of the Solos Composed, Arranged, and Transcribed for Xylophone and Band by John Joseph Heney (1902-1978), Percussionist (1926-31) and Xylophone Soloist (1931) with the John Philip Sousa Band.” Diss., University of Arizona, 1998.
*Hemberger, Glen J. “Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Repertoire of John Philip Sousa.” Diss., University of North Texas, 2001.
*Hester, Michael E. “A Study of the Saxophone Soloists Performing with the John Philip Sousa Band, 1893-1930.” Diss., University of Arizona, 1995.
*Jorgensen, Michael R. “John Philip Sousa's Operetta El Capitan: A Historical, Analytical, and Performance Guide.” Diss., Ball State University, 1995.
*Korzun, Jonathan Nicholas. “The Orchestral Transcriptions for Band of John Philip Sousa: a Description and Analysis.” Diss., University of Illinois at Urbana-Champaign, 1994.
*Kreitner, Mona Bulpitt. “'A Splendid Group of American Girls': The Women Who Sang with the Sousa Band.” Diss., University of Memphis, 2007.
*Norton, Pauline Elizabeth Hosack. “March Music in Nineteenth Century America.” Diss., University of Michigan, 1983.
*Stacy, William Barney. “John Philip Sousa and His Band Suites.” Diss., University of Colorado, 1973.
*Summers, C. Oland. “The Development of Original Band Scoring from Sousa to Husa.” Diss., Ball State University, 1986.
*Warfield, Patrick. “"Salesman of Americanism, Globetrotter and Musician" the Nineteenth-century John Philip Sousa; 1854 - 1893.” Diss., Indiana University, 2003.
*Whisler, John A. “The Songs of John Philip Sousa.” Diss., Memphis State University, 1975.
*Wright, Maurice. “The Fifth String: an Opera in One Act.” Diss., Columbia University, 1989.
 
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