Rasa (estetika)

Dalam estetika India, sebuah rasa (Sanskerta: रसcode: sa is deprecated ) secara harfiah berarti "jus, esensi atau cita rasa". Istilah tersebut mengonotasikan sebuah konsep dalam seni India mengenai selera estetika dari setiap karya visual, sastra atau musik yang membangkitkan emosi atau perasaan pada pembaca atau penonton tetapi tidak dapat dijelaskan.

Daftar pustaka =

• Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783. 
• René Daumal (1982). Rasa, or, Knowledge of the self: essays on Indian aesthetics and selected Sanskrit studies. Diterjemahkan oleh Louise Landes Levi. ISBN 978-0-8112-0824-6. 
• Natalia Lidova (2014). "Natyashastra". Oxford University Press. doi:10.1093/obo/9780195399318-0071. 
• Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5. 
• Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3. 
• Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0. 
• Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9. 
• Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3. 
• Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9. 
• Kapila Vatsyayan (2001). Bharata, the Nāṭyaśāstra. Sahitya Akademi. ISBN 978-81-260-1220-6. 
• Kapila Vatsyayan (1974). Indian classical dance. Sangeet Natak Akademi. OCLC 2238067. 
• Kapila Vatsyayan (2008). Aesthetic theories and forms in Indian tradition. Munshiram Manoharlal. ISBN 978-8187586357. OCLC 286469807. 

Pranala luar

• Rasa (sentiments) in the Natya-shastra, Translated into English by Manomohan Ghosh
• "Rasas" as Springs of Art in Indian Aesthetics, Radhakamal Mukerjee (Archive)
• "Rasa" as Aesthetic Experience, G. B. Mohan Thampi (Archive)
• The Theory of Rasa, P. J. Chaudhury
• The Aesthetics of Ancient Indian Drama, V. Raghavan