Monster

Monster adalah sebutan untuk sebuah makhluk dalam cerita mitologi, legenda, atau fiksi horor, yang tidak dapat dimasukkan kedalam golongan manusia, hewan, ataupun tumbuhan. Dalam kebanyakan cerita, monster digambarkan sebagai makhluk yang jahat. Monster sering juga digambarkan memiliki ukuran tubuh dan kekuatan yang lebih besar dari manusia. Kata Monster berasal dari bahasa Latin kuno monstros, monstrum, yang berakar dari kata moneo, "mengingatkan", juga dapat berarti "keajaiban".

Konsep sosial

Pada zaman dahulu, monster pernah menjadi sebuah konsep sosial yang penting. Monster dipercaya tinggal di pulau-pulau yang liar dan belum terjamah. Monster juga identik dengan makhluk-makhluk berbentuk aneh dan baru dikenal pada zaman dahulu.

This connection between monsters and the unknown meant that the monster was an important concept in the Renaissance and the Enlightenment, as Western society began to use science and other academic disciplines to try to understand the unknown. Monsters were seen as scientific puzzles; things science needed to understand. In the Enlightenment, the cabinet of curiosities would often include monsters in amongst the scientific instruments and toys. Similarly, the monstrous was an important concept on aesthetics during the enlightenment, often closely associated with the wondrous and the sublime.

Agama dan Mitologi

Banyak agama yang berasal dari dunia timur seperti misalnya agama hindu, dan juga agama-agama kuno seperti mitologi Yunani atau mitologi Norse, Menggambarkan monster sebagai musuh dari para dewa. Ragnarok dalam mitologi Norse, diceritakan pernah bertempur melawan dewa-dewa Asgard bersama dengan monster-monster lainnya

Orang-orang zaman dahulu menganggap kelahiran "orang-orang aneh" sebagai bentuk kemarahan para dewa. Keanehan-keanehan ini bisa berbentuk ketidakseimbangan pemikiran (hiperaktif, autisme) atau juga keanehan pada bentuk tubuh (gigantisme, penyakit kaki gajah, gondok) yang ketika itu belum diketahui penyebabnya. Karena keanehan ini, mereka menyebut "orang-orang aneh" ini sebagai monstra, keajaiban.

Occasionally, there are monsters who act out of legitimate motives and their monstrous appearance leads to serious misunderstandings. Some well known examples are King Kong , Frankenstein's Monster, and the Horta in the Star Trek episode, "The Devil in the Dark".

There is a pattern which many monsters in mythology follow. They are often portrayed as a threat which kills indiscriminately and mercilessly, only to be eventually slain by the hero. Good examples of this include Beowulf and the legend of St George and the Dragon.

Jenis-jenis monster

Setengah manusia

Monster setengah manusia atau DemiHuman adalah monster yang bentuknya menyerupai manusia, namun memiliki sifat yang kebiasaan yang berbeda dengan manusia. contoh : Vampir

Setengah dewa

Monster setengah dewa atau DemiGod adalah monster yang dianggap memiliki kekuatan luar biasa sehingga ditakuti, dipuja dan dihormati sebagaimana layaknya dewa. contoh : Naga

Setengah iblis

Monster setengah iblis atau DemiDevil adalah monster yang memiliki kemampuan gaib dan menggunakan kekuatannya itu untuk tujuan jahat. contoh : Nekomata

Tanaman

Monster yang menyerupai tanaman. Contoh : Ras Ent pada film lord of the ring.

Hewan

Monster yang menyerupai hewan atau binatang purbakala. contoh : Burung phoenix, nessie di danau loch ness.

Monsters in literature

The relationship between science and monstrosity became an important theme in many Victorian-era horror novels, where science was often depicted not merely as studying monsters, but as producing them. Notable examples include Dr. Jekyll and Mr. Hyde and Frankenstein. This change corresponded with a decline in the popularity of science among the general public.[citation needed]

Some traces of this classic relation to monsters can be found in the popularity of tabloid newspapers such as the Weekly World News.

Monsters in philosophy

Contemporary philosophers such as Lorraine Daston have written at length about the relationship between how society depicts monsters and the role of science in that society. Monsters also occur in a variety of philosophical works (Aristotle, Augustine, Montaigne, Locke, Leibniz, Diderot ...); see Monsters and Philosophy, ed. by Charles Wolfe (London, 2005; and http://www.monstersandphilosophy.com).

Monsters in cinema

Sebelum perang dunia II

During the age of silent movies, representations of monsters were the size of a person played by an actor in a costume: Frankenstein's monster, the Golem, and vampires are the most well-known ones. The film Siegfried featured a dragon that was a giant puppet on tracks. A few dinosaurs were presented by stop-motion animated models, something that was carried over into RKO's King Kong, the first giant monster of the sound era.

During the sound era, the film studio Universal specialized in monsters, offering Bela Lugosi's portrayal onscreen of his role in the stage play, Dracula, and Boris Karloff as Frankenstein's monster. They also made many lesser films, such as Lon Chaney, Jr.'s portrayal of an electrified zombie in Man-Made Monster.

Werewolves were introduced into the movies during this era, and a similar type of person afflicted with traits said to come from an animal was presented in Cat People. Mummies also became a fearsome type of monster, and a variant of Dr. Frankenstein was played by Peter Lorre. His mad surgeon, Dr. Gogol, transplanted hands that embodied a malevolent temperament, which would then re-animate in Mad Love, which became another genre. As for giant monsters, the serial Flash Gordon had a man in a monster suit, who played a huge dragon by attacking a doll dressed like the title character. The "monster" cycle eventually played itself out becoming comedic in Abbott & Costello meet Frankenstein of 1948.

Setelah perang dunia II

After World War II, however, giant monsters returned to the screen in a pattern that has been causally linked to the invention of nuclear weapons. The first was American: The Beast from 20,000 Fathoms was a dinosaur that attacked a seaport. But later there were Japanese, (Godzilla, Gamera), British (Gorgo), and even Scandinavian (Reptilicus) giant monsters attacking cities. The tantalizing proximity of other planets brought the notion of alien monsters from outer space to the screen; some were huge, (such as King Ghidorah and Gigan), but cheaper movies had those of a more human scale. In this age as well, the monster type of the fish-man was developed in the series Creature from the Black Lagoon.

The British Hammer Film Productions brought color to the human-sized monster in the late 1950s. At this time, the earlier Universal films were shown on US television by independent stations (rather than being scheduled by a network) by mocking announcers, and these together gained a large number of young fans. Since that era, although the type of monster has changed, it has not disappeared as it did in the late 1940s.

Occasionally, monsters are depicted as friendly or misunderstood creatures. The monsters of Monsters Inc. scare to create the energy to run their secret world, and the furry monsters of The Muppets and Sesame Street live as complete equals to their fellow humans and animals.

Pengetahuan lain

They are also a mainstay of role-playing and video games in general. "Monster" often, but not always, implies that these creatures are larger than or equal to human size. It also almost always implies that the creatures are powerful and hostile to the hero (and consequently evil), and must be defeated to progress. The monster par excellence is the dragon.

In heavy metal and gothic rock, frequent references are made to monsters. The Finnish band Lordi, who rose to international fame in 2006 after winning the Eurovision Song Festival Contest, dress like monsters and wear hideous masks.