Allah (Kristen): Perbedaan antara revisi

God the Father is symbolized in several Genesis scenes in [[Michelangelo]]'s [[Sistine Chapel ceiling]], most famously ''[[The Creation of Adam]]'' (whose image of near touching hands of God and Adam is iconic of humanity, being a reminder that Man is created in the Image and Likeness of God ({{Bibleref2|Gen|1:26|NRSV}})).God the Father is depicted as a powerful figure, floating in the clouds in [[Assumption of the Virgin (Titian)|Titian's ''Assumption of the Virgin'']] in the [[Frari of Venice]], long admired as a masterpiece of [[High Renaissance]] art.<ref>Louis Lohr Martz, 1991 ''From Renaissance to baroque: essays on literature and art'' {{ISBN|0-8262-0796-0}} page 222</ref> The [[Church of the Gesù]] in Rome includes a number of 16th century depictions of [[God the Father]]. In some of these paintings the [[Trinity]] is still alluded to in terms of three angels, but [[Giovanni Battista Fiammeri]] also depicted God the Father as a man riding on a cloud, above the scenes.<ref>Gauvin A. Bailey, 2003 ''Between Renaissance and Baroque: Jesuit art in Rome'' {{ISBN|0-8020-3721-6}} page 233</ref>-->

 

Di dalam beberapa lukisannya, semisal ''[[Penghakiman Terakhir Besar (Rubens)|Penghakiman Terakhir]]'', perupa [[Rubens]] menghadirka sosok Allah Bapa dengan menggunakan citra yang kala itu sudah berterima luas, yakni citra ramanda berjanggut yang mengamati segala sesuatu dari kejauhan.<ref>{{cite journal |last1=Esposito |first1=Teresa |title=Ignis artificiosus. Images of God and the Universe in Rubens’s Depiction of Antique Shields |journal=Early Modern Low Countries |date=11 Desember 2018 |volume=2 |issue=2 |pages=244 |doi=10.18352/emlc.70 |doi-access=free }}</ref> Kendati marak bermunculan di Italia, Spanyol, Jerman, dan Negeri Dataran Rendah, penggambaran sosok Allah Bapa dihindari di negeri-negeri Eropa selebihnya, bahkan pada abad ke-17. Pada tahun 1632, hampir semua anggota [[Majelis Bintang]] di Inggris (kecuali [[Uskup Agung York]]) mengutuk pemampangan gambar-gambar Tritunggal pada kaca-kaca jendela gereja, bahkan beberapa di antaranya menganggap tindakan tersebut sebagai pelanggaran hukum.<ref>Charles Winston, 1847 ''An Inquiry Into the Difference of Style Observable in Ancient Glass Paintings, Especially in England'' {{ISBN|1-103-66622-3}}, (2009) halaman 229</ref> Belakangan pada abad ke-17, [[Sir Thomas Browne]] mengemukakan di dalam tulisannya bahwa ia menganggap penggambaran sosok Allah Bapa dalam rupa seorang pria tua sebagai "suatu tindakan berbahaya" yang dapat mengarahkan orang kepada simbolisme bangsa Mesir.<ref name=":2">Sir Thomas Browne's Works, 1852, {{ISBN|0559376871}}, 2006 halaman 156</ref> Pada tahun 1847, [[Charles Winston]] masih mencerca citra-citra ala "tren [[Katolik Roma (istilah)|keroma-romaan]]" (istilah yang mengacu kepada umat Katolik) yang ia anggap sebaiknya dijauhi di Inggris.<ref>Charles Winston, 1847 ''An Inquiry Into the Difference of Style Observable in Ancient Glass Paintings, Especially in England'' {{ISBN|1-103-66622-3}}, (2009) halaman 230</ref>