Tragedi Yunani: Perbedaan antara revisi
Konten dihapus Konten ditambahkan
Tag: halaman dengan galat kutipan |
Tag: halaman dengan galat kutipan |
||
Baris 211:
== Tragedi Yunani: Sebuah Pertunjukan ==
Tragedi Yunani sering kali membingungkan bilamana orang berusaha menilainya sebagai drama, kejadian terperinci, pertunjukan, bahkan sebagai sesuatu yang menyampaikan sebuah tema mendasar.<ref name=":2">{{Cite journal|last=Frendo|first=Mario|date=February 2019|title=Ancient Greek Tragedy as Performance: the Literature–Performance Problematic|journal=New Theatre Quarterly|volume=35|issue=1|pages=19–32|doi=10.1017/S0266464X18000581|s2cid=191998802|issn=0266-464X}}</ref> Sebuah artikel yang ditulis Mario Frendo,
The origins of Greek tragedy were mostly based on song or speech rather than written script.<ref name=":2" /> In this way, Frendo states that Tragedy by its nature, was performative.<ref name=":2" /> Frendo furthers his argument by drawing on previous research into Greek Tragedy. He elaborates on the musical, often sing-song nature of the plays, and looks at oral tradition as the backdrop to the construction of these plays (e.g., oral tradition may play a role in the processes that lead to the creation of Greek Tragedy).<ref name=":2" /> Frendo draws on the notion that the experience of tragedy requires a theatrical performance and is in that sense, a separation of tragedy from literature.<ref name=":2" /> Further stating that it is essential to look at tragedy as pre-drama, that it does not fit with a more contemporary envisioning of "drama" as we would've seen under the Renaissance.<ref name=":2" />
| |||