Gelar-gelar Maria: Perbedaan antara revisi

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'''''[[Hodegetria]]'''''<br />

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"Takhta Kebijaksanaan"

|align="center"|[[Seni rupa Romanesque|Romanik]]

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|align="center"|[[File:Giovenone Madonna del latte Trino.jpg|100px|center]]

|align="center"|Gothic and [[Renaissance art|Renaissance]]

|The Virgin is depicted breastfeeding the Holy Infant. Our Lady Nursing, as painted in the [[Catacomb of Priscilla]] in Rome, c. A.D. 250, is one of the earliest depictions (if not the earliest depiction) of Mary;<ref>{{cite web |url=http://www.catacombepriscilla.com/pagine-eng/regina.htm |title=Catacombe di Priscilla |access-date=2009-08-24 |url-status=dead |archive-url=https://web.archive.org/web/20091101052741/http://www.catacombepriscilla.com/pagine-eng/regina.htm |archive-date=2009-11-01 }}</ref> Discouraged by the [[Council of Trent]] and rare subsequently.

'''''Mater Misericordiae'''''<br />

"[[Virgin of Mercy|Bunda Yang Berbelas Kasihan]]"

|A regal, celestial Mary is depicted covering the faithful in her protective mantle; first arose in the late 13th century in Central Europe and Italy; depiction is commonly associated with [[Plague (disease)|plague]] monuments.{{sfn|Jeep|2001|p=393}}

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'''''[[Maestà]]'''''<br />

"Perawan Yang Melahirkan Allah"

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'''''[[Pietà]]''''' <br />

"Bunda Yang Berdukacita"

|Mary cradles the dead body of Jesus Christ after his crucifixion; this type emerged first in the 13th century in Germany as an ''[[Andachtsbild]]'' or devotional icon relating to grief; Italian ''Pietàs'' appeared in the 14th century;<ref>Watts, Barbara. "Pietà". Grove Art Online. Oxford University Press, Retrieved 17 February 2008, http://www.groveart.com/</ref> Michelangelo's ''[[Pietà (Michelangelo)|Pietà]]'' (1498&ndash;1499) is considered a masterpiece;

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'''''Mater Amabilis'''''<br />

commonly, "'''[[Madonna dan Kanak-Kanak]]'''"

|Iconic Western depiction with many variations; based loosely on Byzantine ''Glykophilousa'' ("sweet kisses") iconography; Mary turns her gaze away from the Christ Child as she contemplates His future [[Passion (Christianity)|Passion]]; Renaissance emphasis on classical ideal types, realistic human anatomy, and [[linear perspective]] are evident;

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'''''Madonna della seggiola'''''<br />

|align="center"|[[Renaissance painting|Renaissance round painting]]

|Mary with toddlers Jesus and his cousin, [[John the Baptist]], looking on, painted 1513-1514 during [[Raphael]]'s Roman period. The unusual non-linear style and colouring is more reminiscent of [[Titian]] and [[Sebastiano del Piombo]] and bears out their influence. This painting has been greatly admired by many people, including [[Nathaniel Hawthorne]], and by subsequent painters of the stature of [[Ingres]].<ref>[http://www.royalcollection.org.uk/media/pdf/cp%20zoffany2.pdf Zoffany] {{webarchive|url=https://web.archive.org/web/20141018010145/http://www.royalcollection.org.uk/media/pdf/cp%20zoffany2.pdf |date=2014-10-18 }}, RoyalCollection.org, retrieved 18 October 2014</ref>