Terrence Malick

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Terrence Frederick Malick (/ˈmælɪk/; lahir 30 Januari 1943)[1] adalah seorang sutradara, penulis naskah dan produser asal Amerika. Malick memulai karirnya sebagai bagian dari arus pembuatan film New Hollywood dengan film-film Badlands (1973) dan Days of Heaven (1978).[2]

Terrence Malick
Malick di Viennale tahun 1993
LahirTerrence Frederick Malick
30 November 1943 (umur 80)
Ottawa, Illinois, AS
Tempat tinggalAustin, Texas, AS
AlmamaterHarvard University
Magdalen College, Oxford
AFI Conservatory
PekerjaanSutradara, penulis naskah, produser
Tahun aktif1969–sekarang
Suami/istriJill Jakes (1970–1976)
Michèle Morette (1985–98)
Alexandra Wallace (1998–sekarang)
IMDB: nm0000517 Allocine: 13904 Rottentomatoes: celebrity/terrence_malick Allmovie: p100893 TCM: 120355
Discogs: 4153875 Modifica els identificadors a Wikidata

Referensi

Catatan

  1. ^ Ankeny, Jason. "Terrence Malick – Biography – Movies & TV". All Movie Guide / Rovi via The New York Times. Diakses tanggal May 25, 2010. 
  2. ^ Hill, Derek (2008). "The Movie Brats: Hollywood Regeneration". Charlie Kaufman and Hollywood's Merry Band of Pranksters, Fabulists and Dreamers: An Excursion Into the American New Wave. Oldacastle Books. ISBN 184243392X. 

Daftar pustaka

  • Biskind, Peter. Easy Riders, Raging Bulls, London: Bloomsbury, 1998.
  • Biskind, Peter. 'The Runaway Genius' di Wayback Machine (diarsipkan tanggal January 15, 2011), Vanity Fair, 460, December 1998, 116–125.
  • Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film, Enlarged Edition, Cambridge, Massachusetts: Harvard University Press, 1979.
  • Chion, Michel. The Voice in Cinema, translated by Claudia Gorbman, New York & Chichester: Columbia University Press, 1999.
  • Ciment, Michel. 'Entretien avec Terrence Malick', Positif, 170, June 1975, 30–34.
  • Cook, G. Richardson. 'The Filming of Badlands: An Interview with Terry Malick', Filmmakers Newsletter, 7:8, June 1974, 30–32.
  • Crofts, Charlotte. 'From the "Hegemony of the Eye" to the "Hierarchy of Perception": The Reconfiguration of Sound and Image in Terrence Malick's Days of Heaven', Journal of Media Practice, 2:1, 2001, 19–29.
  • Denson, G. Roger (June 6, 2011), "Terrence Malick's The Tree of Life Plays Garden of Eden to the Family of Man", Huffington Post 
  • Docherty, Cameron. 'Maverick Back from the Badlands', The Sunday Times, Culture, June 7, 1998, 4.
  • Donougho, Martin. 'West of Eden: Terrence Malick's Days of Heaven', Postscript: Essays in Film and the Humanities, 5:1, Fall 1985, 17–30.
  • Ebert, Roger, Review of Days of Heaven, Chicago Sun-Times Inc. 
  • Fox, Terry Curtis. 'The Last Ray of Light', Film Comment, 14:5, September/October 1978, 27–28.
  • Fuller, Graham. 'Exile on Main Street', The Observer, December 13, 1998, 5.
  • Hartl, John. 'Badlands Director Ending his Long Absence', Seattle Times, March 8, 1998.
  • Henderson, Brian. 'Exploring Badlands'. Wide Angle: A Quarterly Journal of Film Theory, Criticism and Practice, 5:4, 1983, 38–51.
  • Keyser, Les. Hollywood in the Seventies, London: Tantivy Press, 1981.
  • Maher Jr., Paul (2014). One Big Soul: An Oral History of Terrence Malick. Upstart Crow Publishing. ISBN 978-1-304-59527-0.
  • Monaco, James. "Badlands", Take One, 4:1, September/October 1972, 32.
  • Malick interview, American Film Institute Report, 4:4, Winter 1973, 48.
  • Newman, Kim. "Whatever Happened to Whatsisname?", Empire, February 1994, 88–89.
  • Riley, Brooks. "Interview with Nestor Almendros", Film Comment, 14:5, September/October 1978, 28–31.
  • Stivers, Clint and Kirsten F. Benson. "'What's Your Name, Kid?': The Acousmatic Voiceovers of Private Edward P. Train in The Thin Red Line", Postscript: Essays in Film and the Humanities, 34:2/3, 2015, 36-52.
  • Telotte, J. P. "Badlands and the Souvenir Drive", Western Humanities Review, 40:2, Summer 1986, 101–14.
  • Walker, Beverly (Spring 1975), "Malick on Badlands", Sight and Sound, 44 (2), hlm. 82–83 – via Eskimo North 
  • Wondra, Janet. "A Gaze Unbecoming: Schooling the Child for Femininity in Days of Heaven", Wide Angle, 16:4, October 1994, 5–22.

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