Zashiki Hakkei
Zashiki Hakkei (Jepang: 坐敷八景,[a] "Delapan Pemandangan Ruang Tamu") adalah serangkaian delapan cetakan dari tahun 1766[2] karya seniman ukiyo-e Jepang Suzuki Harunobu. Cetakan-cetakan tersebut merupakan cetakan nishiki-e penuh warna pertama dan dianggap sebagai contoh representatif karya Harunobu. Cetakan-cetakan tersebut merupakan parodi mitate-e dari tema-tema populer dari seri lukisan pemandangan Tiongkok abad ke-11, Delapan Pemandangan Xiaoxiang; Harunobu mengganti pemandangan alam dengan pemandangan rumah tangga.
Harunobu membuat versi shunga erotis dari seri tersebut pada sekitar tahun 1768–70 yang disebut Fūryū Zashiki Hakkei (風流座敷八景, "Delapan Pemandangan Ruang Tamu yang Modis" atau "Delapan Pemandangan Ruang Tamu Modern"), masing-masing disertai dengan sebuah puisi. Ia mengambil gambar dan puisi dari karya seniman sebelumnya, terutama karya seniman Nishikawa Sukenobu (1671–1750) dan penyair Fukuo Kichijirō.
Zashiki Hakkei menjadi populer di kalangan seniman seperti Torii Kiyonaga, yang menghasilkan dua seri berdasarkan Zashiki Hakkei karya Harunobu pada akhir tahun 1770-an, dan Isoda Koryūsai, yang menghasilkan seri Zashiki Hakkei miliknya sendiri.
Catatan
suntingReferensi
sunting- ^ Ishigami 2015, hlm. 202.
- ^ Davis 2015, hlm. 13.
Karya yang dikutip
sunting- Coaldrake, Kimi (May 2012). "Nishiki-e and Kumi-uta: Innovations in Edo Popular Prints and Music in Suzuki Harunobu's Descending Geese of the Koto Bridges (Kotoji no rakugan)". Japanese Studies. 32 (1): 113–127. doi:10.1080/10371397.2012.669728. ISSN 1469-9338.
- Davis, Julie Nelson (2015). Partners in Print: Artistic Collaboration and the Ukiyo-e Market
. University of Hawai'i Press. ISBN 978-0-8248-5440-9 – via Project MUSE. - Fletcher, Neville H.; Rossing, Thomas (2013). The Physics of Musical Instruments. Springer Science+Business Media. ISBN 978-0-387-21603-4.
- Fukuda, Hiromi (January 2015). "Torii Kiyonaga no ukiyo-e ni miru fukushoku byōsha no dokujisei: Shitaimi to senshoku hyōmen" 鳥居清長の浮世絵に見る服飾描写の独自性—姿態美と染織表現— [Torii Kiyonaga’s Characteristic Fashion Portrayal of the Costumes in Ukiyo-e: Figure Beauty and Textile Dyeing Expression]. Journal of Bunka Gakuen University: Studies on Fashion Science & Art Design (dalam bahasa Jepang). 46: 33–45. hdl:10457/2268. ISSN 1346-1869.
- Gookin, Frederick W. (1922). Illustrated Catalogue of Japanese Color Prints, The Famous Collection of the Late Alexis Rouart of Paris, France together with a Selection from the Collection of the Vicomte de Sartiges and a Few Prints from Another Parisian Collection (PDF). American Art Association – via Internet Archive.
- Holvik, Leonard C. (Summer 1992). "Echoes and Shadows: Integration and Purpose in the Words of the Koto Composition 'Fuki'". The Journal of Japanese Studies. 18 (2): 445–477. doi:10.2307/132827. JSTOR 132827.
- Hayakawa, Monta (2001). "Explanations of the Illustrations in the Fūryū zashiki hakkei" (PDF). The Shunga of Suzuki Harunobu: Mitate-e and Sexuality in Edo. Nichibunken Monograph Series. 4. Diterjemahkan oleh Fister, Patricia J. International Research Center for Japanese Studies. hlm. 89–104. Diakses tanggal 2016-03-25.
- Hayakawa, Monta (2002). Harunobu no haru, Edo no haru 春信の春、江戸の春 [Harunobu's spring, Edo's spring] (dalam bahasa Jepang). Bungeishunjū. ISBN 978-4-16-660274-2.
- Hayakawa, Monta; Jōchi Daigaku Kokubun Jogakusei no Kai (2010). Gendaigoyaku shunga: kotobagaki to kakiire o yomu 現代語訳春画: 詞書と書入れを読む. Shin Jinbutsu Ōraisha. ISBN 978-4-404-03833-3.
- Hayakawa, Monta (2013). Shunga: Ten Questions and Answers. Nichibunken Monograph Series. 14. Diterjemahkan oleh Gerstle, C. Andrew. International Research Center for Japanese Studies . ISBN 978-4-901558-63-1.
- Hayashi, Yoshikazu (2011). Nakano, Mitsutoshi; Kobayashi, Tadashi, ed. Suzuki Harunobu, Isoda Koryūsai 鈴木春信・磯田湖龍齋. 江戶艶本集成. 2. Kawade Shobō Shinsha. ISBN 978-4-309-71626-8.
- Hempel, Rose; Holler, Wolfgang (1995). Gems of the Floating World: Ukiyo-e Prints from the Dresden Kupferstich-Kabinett. Japan Society. ISBN 978-0-913304-39-6.
- Ishigami, Aki (2008). "Suzuki Harunobu-ga Fūryū zashiki hakkei kō: Gachū kyōka no riyū to zugara no tenky0" 鈴木春信画『風流座敷八景』考―画中狂歌の利用と図柄の典拠― [A Study of Fūryū Zashiki Hakkei by Suzuki Harunobu: The Use of Kyōka Poems in Pictorial Composition and Design Sources]. Ukiyo-e Geijutsu (dalam bahasa Jepang) (156): 69–87. ISSN 0041-5979.
- Ishigami, Aki (2015). Nihon no shunga, ehon kenkyū 日本の春画・艶本研究 [Japanese shunga, ehon research] (dalam bahasa Jepang). Heibonsha. ISBN 978-4-582-66216-0.
- Kikuchi, Sadao; Kenny, Don (1969). A Treasury of Japanese Wood Block Prints (Ukiyo-e). Crown Publishers. OCLC 21250.
- Kobayashi, Tadashi, ed. (1991). Harunobu, Harushige, Kōryūsai, hoka shoki ukiyo-e 春信 春重・湖竜斎ほか初期浮世絵 [Harunobu, Harushige, Kōryūsai and other early ukiyo-e]. Meihin soroimono ukiyo-e (dalam bahasa Jepang). 1. Gyōsei. ISBN 978-4-324-02486-7.
- Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. Kodansha International. ISBN 978-4-7700-2182-3.
- Lane, Richard (1962). Masters of the Japanese Print: Their World and Their Work. Doubleday. OCLC 185540172.[tanpa ISBN]
- Metropolitan Museum of Art staff. "Evening Snow on the Heater". Metropolitan Museum of Art. Diakses tanggal 2016-03-09.
- Nishiyama, Matsunosuke (1997). Edo Culture: Daily Life and Diversions in Urban Japan, 1600–1868. Diterjemahkan oleh Groemer, Gerald. University of Hawaii Press. ISBN 978-0-8248-1850-0.
- Ortiz, Valérie Malenfer (1999). Dreaming the Southern Song Landscape: The Power of Illusion in Chinese Painting. Brill Publishers. ISBN 978-90-04-11011-3.
- Shirane, Haruo (2010). "Dressing Up, Dressing Down: Poetry, Image and Transposition in the Eight Views". Impressions (31): 50–71. JSTOR 42597696.
- Takahashi, Seiichirō (1968). Harunobu. Kodansha International. ISBN 9780870110702.
- Zhu, Meizhen (2010-10-31). "Ukiyo-e ni okeru "mitate" sōsa no tokuchō – Shōwaki no sakuhin wo chūshin ni" 浮世絵における「見立て」操作の特徴 －昭和期の作品を中心に－. 法政大学大学院紀要 (dalam bahasa Jepang): 125–139. hdl:10114/6147. ISSN 0387-2610.
Pranala luar
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